
Okeeeee - i'm going to post a new inking of this old pic in a few minutes, but i thought i'd post the nekkid pencil version first.
October 2001
pencil
8 1/2 x 11
colour versions of the pencil are here:
Old colour version:
http://www.furaffinity.net/full/5693687/
New colour version with a few little changes:
http://lachland-nightingale.deviant.....-Bed-360818386
Desktop of new colour version version:
http://www.furaffinity.net/full/9979915/
Will post inking in a few minutes....
October 2001
pencil
8 1/2 x 11
colour versions of the pencil are here:
Old colour version:
http://www.furaffinity.net/full/5693687/
New colour version with a few little changes:
http://lachland-nightingale.deviant.....-Bed-360818386
Desktop of new colour version version:
http://www.furaffinity.net/full/9979915/
Will post inking in a few minutes....
Category All / All
Species Skunk
Size 970 x 1280px
File Size 428.7 kB
The reason I like the way you draw is you give your characters a sense of weight. And what I mean is, nothing is just floating on them. For example the way you draw breasts. You give them a certain weight and you bring it home with the clothing that interacts with it. Good work.
Thanks! ^_^
i think that influence is from studying Frank Frazetta's paintings when i was younger - his work has great three dimensional depth, his characters, props etc have wight - gravity, and there mare always consequences looming in the scene - which is to say something has just happened before the picture - and something is about to happen after the picture - it's part of a story and is drawing you, the viewer into it - it's happening to you.
i learned to trick my brain and vision a bit back in those days to really see flat pictures as if they were 3D (illegal states of mind helped a bit back then).
It's a useful skil for artists to cultivate.
i think that influence is from studying Frank Frazetta's paintings when i was younger - his work has great three dimensional depth, his characters, props etc have wight - gravity, and there mare always consequences looming in the scene - which is to say something has just happened before the picture - and something is about to happen after the picture - it's part of a story and is drawing you, the viewer into it - it's happening to you.
i learned to trick my brain and vision a bit back in those days to really see flat pictures as if they were 3D (illegal states of mind helped a bit back then).
It's a useful skil for artists to cultivate.
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