Nigel & Sheryl amongst the ruthless (unfinished notes).
14 years ago
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She enjoys portraying herself as a half-aware and dimwitted beast, drunken in the stupor of her own bodily composure.
This is what I do in my spare time.
Create a story about Nigel and Sheryl being in a potentially dangerous place - that doesn't seem like such upon an inquisitive first look - where at one point it comes to Nigel's attention that he's not exactly in a place where the people who come there WOULDN'T do him harm. He comes to realize that he has gotten himself - and Sheryl - into a situation that is far more implying than his own naivetè allowed him to understand the depth of. --> After a chain of events in this "intriguing" place that is yet shrouded in mystery - some of which make Nigel feel like he belongs (a comforting thought to him) - he comes to feel as though he truly belongs amongst the people he interacts with, whereas some of the interactions he finds himself caught up in make him feel quite emotionally disoriented (but not unwilling to continue to associate with the people there). In one particular instance, Nigel meets a man who holds a significant ammount of influence in that place (Notes: That will be a tough part to convey. I need to find reasons for this man and Nigel to hold a moderately long conversation with each other...). The man appears to Nigel as a rather large "nepharim" (to Nigel), but in truth, he is only a nephil ("or is he...?" ;3). After some dialogue that has Nigel beginning to fear for his life, the situation seems to turn to a more simple, "light-hearted" situation (or so it would seem), and Nigel tries to convince himself that there is really nothing to be afraid of at the moment (which is what he was being led to believe during the whole conversation with this man, let alone from the implying - and mildly erotic - reactions seen in the people surrounding him). His heart rate had been rising during the whole time he was surrounded, but it became of an erratic nature once his fears were put to rest (so it seemed). This charismatic man then leaves him, going back to somewhere where he dwells in seclusion within the place. Nigel then continues to speak with the people surrounding him, but reluctantly, since he is very "stirred up" from the moment prior to the present at this point). He is then met by Sheryl (who was preoccuied doing something else there), and she tells him that someone had told her that THE SAME MAN HE SAW EARLIER wished to see him. This baffles his mind because he had only JUST left from an encounter with this man, but he follows Sheryl anyway (because he honestly finds himself mildly attracted to this man...). Upon "making his way towards that man," he passes by closed doors where he can hear some very erotically implying - not to mention audacious and UNUSUAL - sounds coming from the other sides of these doors. Upon reaching the way to the man from earlier, he notices that the door leading to him is rather large, wondering why it even NEEDS to be so big. But he is not told why. Instead, he and Sheryl both are given warm, gentle hugs by the lady who had brought them there, where Nigel recieves a kiss on his cheek that is more of a CONSIDERABLY HARD SUCK than a kiss - that ends in a lapping of her tongue - which startles him greatly. Nigel watches as the OVERLY FRIENDLY woman who had led them there had left him and Sheryl, and he knocks on the door timidly. There is no answer for a moment, but then he reasons with Sheryl to quiet down for a moment because he can hear faint sounds of motion coming from behind the door. In his childish impatience (because he is a teenager in this story), he knocks on the door again. But only after one single knock, the door suddenly, slightly motions itself open for a moment, yet it stops before opening enough for him to see what's going on beyond it. They had heard the faint sound of a low, "velvety" voice saying the word "No..." and that happened only milliseconds before the door had stopped opening. Nigel then took a step back from the door, mildly frightened due to the overall silence around him and Sheryl. After an akward moment, Nigel begins to question why Sheryl even told him to follow her and the woman who had brought them there {"Heavy Dialogue Section" between Nigel and Sheryl, where Nigel dissertates about how he had only just met the nephil behind the door}. Then, the two of them begin to notice that some of the closed doors that they had passed had opened up, and THE PEOPLE WHO WERE BEHIND THOSE DOORS were coming out of them. They also notice how it looks like the people exiting those doors were then interacting with whoever - or "WHATEVER" - was behind those doors, and all of those interactions involve some REALLY SCARY "fleshy" sounds that Nigel and Sheryl don't understand the nature of...
--> {HIGH ADRENALINE CONCEPT: The sounds of HUGE, slurping, fleshy orifaces and/or fleshy appendages interacting with the people. Some/one of these interactions seems rather intimate...but DISTURBINGLY AUDACIOUS. Some seem simply silly, but on a DISTURBING note. And in one instance, it is like someone is leaving the doorway, but something truly scary is "TALKING" to him IN A REALLY DISTURBING WAY. This terrifies the HUMAN (lol) man who tries to question the "unseen oriface," but his speech is cut off by A HORRID MOANING SOUND, and he is VIOLENTLY YANKED back inside the door, and some REALLY AUDACIOUS "SLURPY" SOUNDS can be heard coming from that room. Then, seconds after that moment - where Nigel and Sheryl are growing more and more terrified with each second, the doorway Nigel had been knocking on literally FLIES OPEN, and some manner of huge feral beast comes CHARGING out of it, heading down the long hallway towards the door where all the "scary fleshy sounds" had come from (BIG BIG NOTE: CONVEY THAT NIGEL AND SHERYL BOTH HAD ALMOST BEEN KNOCKED DOWN AND CRUSHED BENEATH THE WEIGHT OF THIS CREATURE, WHERE NIGEL GIVES A VERY SPECIFIC ATTENTION TO THE FACT THAT AS HE FELL TO THE FLOOR, A LARGE SPATTERING OF <<<SEMEN>>> HAD SPLASHED AGAINST HIS ENTIRE FACE AND CHEST!!! D: ... ) It then lifts a clawed paw to literally SLAP the door shut, sliding forward and ripping up much of the ground and walls in its advance (with its claws and heavy body weight) (BIG BIG NOTE: CONVEY THAT THE LOUD, SLURPING, MOANING SOUNDS BEHIND THE DOOR HAD CONTINUED EVEN AFTER THE DOOR WAS CLOSED).}
After this high-adrenaline moment, the monster slowly "stalks" its way back down the hallway, approaching Nigel and Sheryl...
They are terrified beyond words.
{{{I'm really running out of inspiration right here...}}}
Then, the "man from earlier" emerges from his room (unfinished)
Concept addition of 6-2-12
One suggestion for why there are so many vulgar, carnal sounds in this place - and why a large monster is present - could be that in some ways the rogues of this place are smut-peddling extortionists who are skilled in various common and uncommon ways of subduing, suppressing, and generally controlling the monstrous creatures and misfits of the broken angelic. The creatures and other such amalgamations of immortality and mortality would in certain ways be forced to do detestable things that they would rather not do, all to pleasure "customers" and "members" or other clanfolk. The locale would be a cesspool of depravity and occultic practice, its front something of a simple establishment meant for social gathering.
One explanation as to why Sheryl would even visit such a shady place could stem from a long-standing period of flirtatious association with Nigel, which would imply things like a continual bonding between her and himself. A possible backdrop for this prolonged recurrence could be that he had been eagerly trying to aquaint Sheryl with the things of his world, which incidentally led him to introduce her to this horrible place, possibly because he had found out about it from Slade, through whatever vein of picked up hearsay.