AH-WOOO!!! Commentary
14 years ago
>>>>> Commentary on Ah-Wooo!! <<<<<
Are transformation stories fur stories? Of course they are, and most
every fur writer's done at least one. I could even be right in saying that.
Characters start out as human. Things Happen. And they end up as
furs. Any questions? If it weren't for bashing your skull in working out what
those Things are you might call it easy money. You can certainly call it fun.
Make a wish, kiddies.
So here's my candidate (or one of them) and written, get this, back in
1999. Long before I even knew how to spell the word furry. But definitely
knew a decent little SF idea when it bashed me in the conk. The story
doesn't precisely end up with a 'classical' fur character (although oh yes,
there is fur here). I don't mind at all.
Little? Close to microscopic. It's barely over 700 words. At the time I
was trying to develop my short story chops. Nailed this one, a pretty clean
example of the 'snap ending' short story, all designed to make the reader
hit those last lines and then go Whuff! Or here, woof.
And upon rereading and editing, it occurs to me that there's something
quite important about the transformation story. No matter how it's framed,
as an SF or as a fantasy piece (are there any other choices?) it can better
be thought of as a shot at a fur origin story.
Is this obvious? Duh. The whole Maguffin around which a
transformation story turns is that Thing, that method, whereby a human
being can suddenly sprout a tail, fur, ears, muzzle, paws, etc. This isn't too
hard to do in a fantasy story (it's usually called, wait for it. magic). It's
trickier in SF, since you're supposed to stick to that pesky thing called
'scientific plausibility,' but of course that's never stopped us SF writers
before. Why start now?
Origin story. How and why furs came into the world. In principle a full-
blown fur story that aims for completeness ought to mention this, be it an
SF or a fantasy story. Mind you, this presupposes one particular 'take' on
what a fur character really is; ie., something that was in fact somehow
created in the story's past (or present?). By definition, the transformation
story goes straight for this, and in compact form. You could even take
every transformation story as the core of a much longertext that then
elaborates on what these new furs are going to do, the problems they will
encounter, the brand of flea dip they use, etc.
Oh foo on completeness. A bazillion excellent fur stories out there
don't even breathe the words 'origin story,' and do a perfect job of showing
us a world in which furs just are. The question is not asked: where did furs
come from? And nobody minds not knowing the answer. There isn't one.
Ditto for all the tons of anthro fables and stories and myths that have come
down to us over the dim centuries. What, you wanna see Pooh's birth
certificate? Get outta here.
Upshot: the presence or absence of an origin story is a potent way to
'type' fur stories. Skip it, and you can write something mythic, something
allegorical, something that falls into the same category as fable. And this
can get damn good indeed. No surprise, a lot of stories of this stripe are
heavy on the fantasy (Am I right again? Good.)
OTOH, when an origin story is present, either implicit or explicit,
you've got a story with it's footpaws in the 'Real World,' so to speak, that's
acknowledging and accepting a crucial point that underpins and defines the
whole narrative. Simply, that furs do in fact come from human beings. As
characters, they are not mythic creatures. And there may not be anything
mythical or allegorial about the themes and plots, even in fantasy texts.
These stories aim to explore the reality of what it means to be a fur in a
way that 'non-origin' texts cannot.
Or to be more precise, do it differently. It's just as true to say that
non-origin stories do it in ways that origin-based stories cannot. Chacun a
son gout.
Nota Bene: There's arguably a third class. It's perfectly possible to
invent a fur origin story where furs are not derived from human beings. Ie.,
animals who somehow become humanized. As opposed to humans who
become, er, animalized. It's been done and done well. Still counts as a
'non-mythic' story type, though, since that just lets us go into different
methods by which furs can be created. The fact that furs *were* created,
period, is the key thing.
Bold assertions, Mr. Brown. But beautifully written, don't you think?
I'm curious to find out if this origin story idea holds water (read: other
people buy it or piss on it). It can be a crucial issue for SF-oriented fur
fiction, insofar as improper attention to it can bend a story out of shape.
Into a pretzel. But you do get to have fun inventing tricky ways and
reasons to turn human beings (or animals) into furs that might actually
work given sufficiently advanced technology (that resembles magic; yes,
yes, shut up Clarke, we all know that riff by now).
That's basically the nut of Ah-Wooo!! I found both a method and a
reason. Neither that unique, but should resonate.
As for the larger novel that could be built from this particular
transformation story (ne origin story), oh boy, is my tail flickiing. Lotsa
possibilities. And better, think of the work I save on dialog. After all, by the
time I got done here my main character couldn't do anything but growl. :- )
Lookitthat: right again.
July 1/2011