Story Ideas
14 years ago
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She enjoys portraying herself as a half-aware and dimwitted beast, drunken in the stupor of her own bodily composure.
This Journal Will Be Regularly Updated
Last Update: 12-11-11
Note of 9-22-11:
Many of these story ideas are things I have already posted elsewhere on my page, in other journals.
But some of what you'll read here is material I never thought to post, some of it being quite old.
Enjoy! =3
"General" Story Idea:
Inspiration(s):
- Being outside with family and niece, mowing front lawn (there's photos.^^)
- The tune "Blue beating," from "BlazBlue: Calamity Trigger."
{Idea}
Nigel, and him having family ties to Misfortune.
(small ideas):
"The Demon" - Another name for Nigel. It comes from his own arrogance at being part of a family of darkly shrouded folks (who have ties to Cursed/Misfortune). He thinks of it in tandem with a sense of "belonging" to this family. However, he doesn't consider that they might not even have his best interests in mind at all, regardless of the pleasantries of this new, narcissistic lifestyle he enjoys...
Mature/Adult Story Idea:
"Everybody wants to 'DRINK' us?!?!"
- One of my characters (preferably Punk, because he's young) is in a predominantly Enigmatic town, and after a series of [SUBTLY] erotically implying occurances, he eventually comes to realize that most of the town's residents are implying that they have no qualms with having sexual relations with him, especially ORALLY implying ones.
=========================
Punk: It's almost...weird. They're very kind people. They're always being generous to each other, and they do it to me too.
Akira: Do what?
Punk: Well, they're always helping me with things. It seems like almost every time I gotta do something hard, someone comes along and helps me do it. Sometimes they even GET ME THINGS! Sometimes I need something, and before I even think to go and get it, someone comes outta nowhere and gets it FOR me!
Punk: Don't go in there!
Akira: Why?
Punk: 'Cause if you do, they'll start to FOLLOW you.
Akira: What?
[narration describing the suspiciousness of the bystanders]
Akira: Why would they start following us?
Punk: I just TOLD you that they would!
Akira: Then tell me why!
Punk: I don't know!
Akira: Then why did you even tell me?!
Punk: Look, I don't know what's going on!
{Story Moment}
Chanda and Nigel
Chanda has been [Kid] Nigel's provider for as long as he can remember. No matter how much she is naturally frightening to him, he has grown to respect her deeply, almost as if it were beyond a child's love for his mother.
Nigel isn't particularly fond of his task (given to him by Chanda) to clean Chanda's body whenever she needs it, but after a while of considering how thrilling it is to be with her - to be her son (along with his unspoken guilty pleasures within this) - there came a moment where he seemed EAGER to prepare the water necessary for cleaning her. Chanda takes notice of this small development, and it suprises her in a way quite pleasant in her eyes. Nigel tries to move past her without drawing her already drawn attention, placing things where they need to be and keeping his head down out of a sort of "dutiful guilt," his demeanor becoming more and more demoralized with every step he would take in her general direction. She stands still, towering over him as she does, watching him; observing his behavior patterns closely, and to her delight. Once everything was in place, he walked over to a corner of the home, his back turned to her as he plopped down on his rear and lowered his head in shame, quivering in fear.
Keeping her eyes transfixed on him, her smile widening genuinely as she watched him, Chanda (unfinished)
[TO IMPLY IN NARRATION (possibly)]
- Chanda is generally happy in a mild yet exciteable way (mannerisms), and she questions Nigel in a gradual way that a loving mother would, trying to "draw him out of his shell" even though she has a few ideas as to why he seems so eager to start cleaning her)
- Chanda slowly shifts into her half-feral form, lying down on her belly and crossing her arms, simply content with the idea of watching Nigel's developing embarrassment. Eventually, he turns to her, and is startled by her change in appearance. He refrains from coming closer to her, frightened. She rumbles within herself as quietly as such a monsterous beast could, waiting for him to act.
- Same as above, except she walks over to him (on all fours) and gently picks him up by the scruff of his neck with her teeth (much like a lioness would do for her cubs), and brings him to herself, setting him down and staring into his face, allowing him to experience this loving moment however he would choose to.
- Same as above, only...she has no need of being cleaned at the moment.
7-24-11 Update:
Sheryl's Convictions
(this takes place AFTER Nigel has returned from Hell)
{Theme}
There are people who easily recognize Nigel due to the nature of the events that led up to his damnation. His behavior after having returned is erratic, yet purely "animal" in nature. He is like a wild predator, preying on both innocent and criminal alike. And he has a mission, handed to him by Asmodeus. But in his mind, all that matters is the most base of fleshly desires. One day, he happens upon the one person who would love him no matter what he had done. Upon seeing her in a dense forest, his mind begins to become even more erratic, his fragmented memories (of her?) haunting him to no end. Using his newly founded powers from Hell, he makes his way towards her, descending from above in silent advance. Upon having drawn closer to her, she begins to feel adverse feelings in her body.
For days on end - turning into weeks and months - she has contemplated nothing but him, dreaming of better times; times...at his side. Complacent, she remembers his face; his voice; his way of speaking - if not for Akira's insistent consolation, she would have forgotten about him entirely. And in this, Akira is mildly unnerved, wishing she would choose to move on with her life, but all the while understanding how she feels, if only to acknowledge his own animosity against Nigel. This has made her distant from him: Sheryl, Akira's only avenue to the lowest of a presumed "quality" life, her being the beloved, adopted daughter of Linda. Her concerns over "a nephil that annoys him" makes him question his friendship to her. Seeing what she percieves as selfishness in Akira, she distances herself from him more and more.
Katherine isn't much help, but is the only person willing to discuss anything pertaining to Nigel with her, albeit with forthright judgements and consistent pessimism, creating many-a-one-sided discussion. Nicholas doesn't seem very concerned about him, while Alma and Ryan try to take on the role of mediators for Sheryl, if only vaguely. Shila and Punk don't have much to contribute to things concerning Nigel. In almost an entirely literal sense, Sheryl is alone in the world, longing for the voice; the touch of the one she loves more than life itself.
In her sorrowful longing, she becomes delusional. Out of desperation, she begins to make subtle advances upon Akira. Though confused, he welcomes the attention, nonchalant as usual. Being a source of comfort for her coincides with his desire to see her feel content in being "rid" of Nigel. In her despair, she gives into his kindly fascade, eliciting favorable reactions out of him. Gossip abounds, and her friends begin to pass judgement on her based on her behavior. In one quiet moment, she begins to come upon Akira strongly...in the most intimate of ways. This affair, seen as abnormal and obscene, draws out the suspicions of many people, even her closest friends, serving to only distance her from they and society itself even more. Akira, condoning her debaucherous affections (for his own reasons), begins to distance himself from those who suspect many unseemly rumors about Sheryl, and all to keep his role in these matters both concealed and secure. Inevitably, his efforts in this fail miserably, his reputation taking a turn for the worse, making him out to be a deviant of no better standing than Sheryl, who continually endures the rampant slander.
Commentary
This story was inspired by Left in the cold by

Tags
Parasympathy
7-24-11 Update:
The Darkly Shrouded Guardian
(This story centers around Sheryl and Alema, and, quite possibly, Nigellus, before he became "Misfortune.").
{Backdrop}
This story idea comes from far, far back, when I had not even thought to write stories let alone develop characters.
{The Idea}
Sheryl plays the role of a defensless young female. And there is a very physically large someone (who is male) who is near her. She doesn't know what to make of this man. She is intimidated by his appearance, and she generally sees him as some sort of evil entity. However, his interactions with her are everything but.
They are lost somewhere. The large male figure takes it upon himself to defend Sheryl at all costs. After a moment of eerie introductions (he does not speak to her), he tries to lead her out of the place they have both found themselves in.
The beauty of this story lies in the solemn nature of the male figure's interactions with Sheryl. He is very patient, and very understanding. He merely observes her behavior, watching her movements and acting in accordance with her ways. He fights off the strange forces that plague them both, prioritizing her safety above all else. Giving life and limb to protect her, he brings her to a special place: A place...of gathering. And it is there that he leaves her to fend for herself.
She finds herself surrounded by a vast expanse of darkness, calling for whoever might hear her voice. But there is no answer, and her worries multiply by the minute. She had tried to follow the darkly shrouded figure who led her to this place, but upon seeing her reaction to him had his selflesscountenance turned to a most abrupt hostility wrought with the lethality of unwavering resolve. She does not understand why he has become this way to her, having saved her from death's grasp many times before bringing her to this place. But the man who stood before her now was no longer her benefactor but a dutiful sentinel, and one not to be taken lightly. In his way, he assures her that to follow him would be to sentence herself to a quick and painless death, and at this does she become terrified.
Why did he leave her here? Why did he leave? For a time it seemed like his only purpose in life had been to protect her. Scanning her surroundings, she begs for the reply of another, confused and bewildered after having been abandoned. Eventually, she begins to hear the articulate sounds of murmering and chatter, to which she begins to twist and turn at every new voice added to what must be a growing list of concerns, some of which included words like "she" and "her," or more ambigous ones like "little thing" and "this one." The voices grow in both volume and number, her heart already burdened with doubt. "What will become of me?" She does not have an answer. She falls to her knees, placing her hands over her ears, silently begging for a way out; a way to blue skies and the warmth of the sun. And then is she approached by a lone woman.
?????: Good morning, soul. Did you sleep well?
Sheryl found her voice to be oddly familiar.
?????: We almost thought to begin without you. However, every good laughingstock deserves a befitting pun.
Before she knows it, Sheryl's begins to feel as light as a feather. Her balance fails her and she begins to fall ever downward, yet she cannot feel the slightest bit of wind passing over her body. Her eyes closed, she begins to think of the man who had seemed so diligent in protecting her, shedding her tears of honest sorrow. She did not know where she had been, or where she was headed. All was like a fleeting dream, pulling on her arms, refusing to let her move of her own will, yet the strange sensation of displacement was there, shifting her bodily innards about in ways that tormented her mind to no end.
Commentary
The idea of the "darkly shrouded man" comes from the strange thoughts that I used to have as a child while growing up.
The dream in this story is vaguely inspired by a dream I once had before I had even become a teenager. It was a frightening dream where I was floating around in the middle of an ocean, and its water level rose high above me at a blinding speed.
Tags
Parasympathy
Your Mother is Alive, Nigel (small, unfinished story idea)
{Theme}
Nigel believes that his mother is dead. This takes place after "The Day" (that Chartreux mentioned).
In one moment, he is conversating with Sheryl. He is telling her several condescending things. Sheryl says his name in a low voice, but he doesn't listen. He continues his decomposition in his words, his voice filled with worry. After mentioning his mother more than once, Sheryl says his name again. He listens. She tells him that Chanda isn't dead, and that she saw her not too far from where they currently are.
Nigel expresses his shock. Then he begs Sheryl to tell him where she saw her. Sheryl tells him, and he runs away to find her, thinking of nothing and no one else.
He finds her. Her back is turned. When he stops, standing about 25 feet from her, he shouts out to her.
"Mother!!!"
She does not respond
He almost begins to run towards her. But then he notices her slowly turn around, and he stops. She watches him from a distance. He is hyperventilating in disbelief. He calls out to her again.
"Mother!"
She does not move.
The rain pours. After a moment of silence, she slowly begins to approach him. His body becomes almost entirely limp as he slowly tilts his head back to look up at her face. His eyes begin to shed tears as he looks up at her and speaks his mind.
"Where were you? I...I looked all over for you. Everywhere! But you..."
She continues to stare down upon him.
"...You were nowhere to be found!"
Towering above him less than 10 feet away from where he stood, Chanda observed his erratic behavior in a silence that only made him question her more.
"What happened to you?! Did they...did they hurt you?!"
Chanda then slowly turned her back to him and began to depart from him, much to his suprise.
"Wait! Where are you going?!"
He walked closer to her, having come within her arm's reach.
"Mother, I~"
"What did he tell you?"
Nigel had almost instantaneously ceased to speak, and even so much as breath.
"What task did he burden you with?"
Nigel became confused.
"I...I don't know what...what you're~"
"It is already hardly believable that you of all his tortured were selected in the first place. Have you so quickly forgotten what it was that you have been sent here to accomplish?"
He was at a loss for words.
"I can only imagine what [unfinished]
Monitor (involving Nirvana)
{Small, sketchy idea}
After having a conversation with someone at a special occasion in a social gathering of many people, someone makes something known to Monitor, and it is a very serious matter to him, so much so that he begins to run away aimlessly as fast as he can. He often stumbles while doing this, making no efforts to stop moving. Eventually, Nirvana comes upon him and effectively halts his movement. In that moment he became utterly terrified, trying to break free of her grasp, but to no avail. Eventually, he stops struggling, and Nirvana proceeds to comfort him, but also inform him of something very important to her. He listens well, and eventually she releases him. Being held by her; touched by her, was a very pleasant experience for Monitor, so much so that he finds himself crying, longing to feel the gentleness of her touch again.
7-24-11 Addition:
Nigel and Sheryl (new story BEFORE the "Sheryl's Convictions" story)
{General Idea}
[Sheryl/Chanda/Katherine/Shila?] is in danger, and Nigel runs to her rescue. It is a very emotional scene, inspired by the kinds of movie scenes where the story has come to any particular "critical point" where someone is forced to make a "snap decision" born of a brutal realization.
{Scene}
Upon hearing certain details concerning her (all of which confirm some suspicions that he had prior), he becomes highly upset, and runs as fast as he can to save her.
{Possible Alternate Version of Scene}
He had been fighting against [many] enemies (perhaps a special organization?), and eventually, he comes to realize that [Sheryl/Chanda/Katherine/Shila?] is in danger, and rushes to her aid.
{Possible Pretext}
This takes place AFTER he returns from Hell, which accounts for the power he has to fight so many enemies alone.
7-24-11 Addition:
{General Idea}
Ryan is forced to stand his ground. [Someone] requires his help. Realizing this, he guages himself for the battle that is to come, becoming much more rough than he usually ISN'T. It is a wild and graphic scene, where he shows a side of himself that he usually doesn't show (for trying to be kind and courteous to others, being that he is very understanding, like a true art enthusiast).
Katherine is suprised by his show of force (which is one reason behind why she is attracted to him).
Commentary
This story was inspired by one of the most commonplace sights in the world. And what is that sight, you ask?
Simply put, "a low-browed, serious facial expression. XD
Tags
Parasympathy
Random Story Idea
[a general situation]
"What can I do for you?"
"I need a good summoning spell."
"Good?"
"Yeah."
"Good how?"
"Good enough to make the most trained hunter run away with his tail tucked between his legs, ha ha."
"Well..." as he leaned in closer. "It depends. What exactly are we talking about here?"
[narration conveying the nature of the conversation, and the attentiveness of a woman who just so happened to eavesdrop]
++++++++++++++++++++++++++
{Setting}
The interior of a respected establishment.
{General Idea}
Something suspicious is happening. As a means to safety, a person nearby uses magic to summon a rather hideous, lithe creature.
As a result, it turns out that the situation had ended before it even began. The supposed culprit leaves. The creature summoned - a thing of a short stature - makes a slight attempt to touch the lower of the [female] culprit's garment, and she brushes its hand away in disgust of it.
The woman had been warned by an official to leave the establishment she was standing in. Without resisting his authority, she leaves, the summoned monster's presence then unnecessary.
Inspiration
A chance occurance in the videogame called "The Elder Scrolls IV: Oblivion" where I walked into the Mages Guild in Bruma, and the lady at the counter summoned a scamp.
I like this idea because I rarely ever visualize a proper setting for a story event. ^^
[for now, just imagery]
{Characters}
A female "broken" and a person who is like a sort of animal
{The situation}
(to finish)
Future Story Title: "Seamless"
[Journal version below]
In other news, I have another story idea. It concerns Chanda and a female "broken."
A "broken" is like a severely "messed up" monster of sorts. She is the same "female broken" I have mentioned before.
The two of them meet, after having not seen each other for years. It is a very emotional scene, not exactly the story's biggest focus. It's just a moment.
The broken's demeanor towards Chanda is one of fear and reverence. But even so, they are friends, and she misses Chanda very, very much.
[Journal version below]
Another story idea I have concerns Chanda - in her "were" feral form - and a depraved person (not the same "human admirer" that I've mentioned before). They approach her from behind and do something particularly vulgar to her, which grabs her attention.
It's still very, very sketchy at best.
[Insatiable. A humorous thought of mine]
Notes:
- Sound editing program
- Supposed sound of Insatiable voice
- Him saying something like this: "A magical kitty."
XD
[Chanda and the female broken]
{Scene}
In one word, "dramatic."
They reunite.
{Possible backdrop(s)}
Heavy - The broken is VERY angry at Chanda
Moderate - The broken is upset at her
Light - The broken is happy to see her, but also VERY terrified of her
{Heavy Version}
The broken [almost entirely] HATES Chanda. But Chanda doesn't show herself hostile towards her (THIS SCENE IS NOT PRACTICAL)
{Moderate Version}
The broken is upset About Chanda. Chanda's demeanor only makes her even more upset. But she does not act. Rather, CHANDA acts. Chanda, weilding a large weapon, offers it to the broken.
1st Possibility - The broken takes the weapon, spite-ridden. She WANTS to injure Chanda with it. But she can barely even lift it.
2nd Possibility - The broken grabs the weapon, but wrenches it from Chanda's hands and throws it to the ground, becoming [even more] angered at the gesture.
- 2nd Possibility A: After this, she tries to injure Chanda with her (limbs?) hands.
- 2nd Possibility B: After this, she stares at Chanda intently, angered but very hesitant. She does nothing. And a spiteful moment of dialogue ensues.
{Light Version}
Upon seeing Chanda, the broken becomes upset. But she does not show any signs of hostility towards her. Chanda makes a very specific kind of gesture towards her. The broken becomes frightened; even terrified. She backs down, appearing submissive before Chanda, cringing away from her yet she keeps her gaze toward her all the same.
It is clear that the broken doesn't intend to do any harm to her. [Through proper narration] For whatever it was that she had in mind upon seeing her, she doesn't appear to be very much in favor of ANY particular action.
Very small Dialogue-to-narration idea:
Chanda: *to [?]* He's gone. And I can assure you that he won't be coming back. What's done is done.
The remainder of my thought train was entirely obliterated on account of how $$$$$AWESOME BEYOND THE MAX$$$$$ God is.
I was in church when I came up with this, yes (lol).
Stop reading this journal and go to my formspring and prod me for highly sensitive personal information so you can pair up with a buddy and plot to raid my house. :V
...? Oh wait. This is the year 2011.
The only "raiding" that goes on goes on on World of Warcraft servers, lol.
No, I'd rather STAY THE FUCK HOME/AWAY FROM WHEREVER THE "PARTIES" ARE GOING ON thank you very much...
Why...the fuck...do people just THROW themselves at shit??? -_-
[Unexpected Reunion - Akira and Katherine]
{The idea}
A good friend encounters his deluded female friend in a disreputable place.
{General}
Katherine is n a life circumstance she SHOULDN'T be in. Akira meets her. Seeing her this way makes him cry. It "tears him up" in his heart, because he doesn't understand why she has driven herself to such depravity of standing. After trading many emotionally driven words, he is confronted by some men who generally protect Katherine in this lowly, debacherous place rife with all manner of immorality. Forced to defend himself (and Katherine), Akira fights the opposition in an effort to liberate Katherine from the control of her captors, his heart heavy; his resolve, steady.
This idea comes from something I saw in a movie once. I don't remember what movie exactly. The only movie that I've seen before that rings a bell with this idea of mine is "The Butterfly Effect," featuring Ashton Kutcher.
[Nigellus story moment]
{The Idea}
A servant of his is tasked with a menial errand. Nigellus beckons him. The servant comes nearer to him. Nigellus speaks to him in a very certain way, and even touches him in a PURPOSELY sultry manner. This brings the lowly servant a rapturous joy, causing him to weep in his bliss.
Eliza, Nigellus' betrothed, questions his bold action, but with ease. After the servant departs, he responds to her in a decietful way, referencing his servant as though his previous affections held no lasting significance whatsoever. Bemused, she laughs at his dark humor, the two in transit to their destination.
[a general story atmosphere]
{The Setting}
Nigel is young; exciteable. He is in his prime. He is often complacent, but he loves his life. And most of all, he loves his mother.
{The Backdrop}
Nigel enjoys the life of a hunter. At times he takes a moment to stop and consider his life. He considers its very nature and smiles, feeling confident about his future.
[make a story that centers around Akira spending a whole day trying to hide the fact that he's horny over the blatant displays of eroticism that Loathesome (his mother???) had done in front of him (where SOME of what she did was very subtle, but nonetheless drew out favorable reactions from him regardless! XD).
Angel hunting other creatures, moving about very gracefully, but doing very powerful, very implying things.
<Alternate>
Chanda encounters Angel, and proceeds to try and slay him, much to her dismay when she finds out how powerful he truly is. Angel, hesitant to do any harm to her, stands his ground, trying to reason with her.
It is a rather graphical moment (however the story should go), with both combatants suffering from wounds, Angel having been scathed if only because of his will to negotiate.
Inspiration: "Desperate Struggle" - FFXIII OST
(In answer to why Alma would slay several innocent people of a town)
[Basically,] she studies ancient history - the world's histories of past wars between mortal and angelic kind - and comes to believe that she must quote "sacrifice several people."
The idea is still sketchy. It's remniscent of the kinds of story plot devices where one character loses their mind and does something drastic, like, for example, in Naruto, Sasuke's brother, Itatchi Uchiha, murdering all the people of his hometown for selfish, ambitious reasons.
In Alma's case, it would be a matter of sorrowful desperation, her actions meant for good, but rooted in evil.
9-22-11 addition:
{An idea building upon my "BranchSpeak" concept, involving Nicholas}
Nicholas "talks" with ("communicates" telepathically/"soulfully" with) someone else concerning an "inside job." His words are often short and "to the point," keeping everything on a "strictly business" basis (It's like he's "talking on a cellphone" to someone).
I'm thinking to imply that his conversation partner is Lucia.
Also, I'm thinking to imply that he can communicate with Chanda in this way too, but additionally, with how very much "in tune" Chanda is with "the divine" and how she is overall well versed in spirituality, she can "send" him any manner of mental imagery that she wants to, which is a highly effective way of dominating the minds of those with wills much weaker than her own. In this, Nicholas is often reduced to TERROR at the images of her soul that she makes apparent to him, if not to "WANTING" at mere thoughts of her...
{Scenic narration of a small moment}
Nigel has met someone who is confined in captivity - someone "behind bars," who is a "monsterous" being in physical appearance. It is very dark in this place. The creature reaches outward with its hands from behind the bars to touch Nigel's face.
{Version #1}
This is a tender moment.
{Version #2}
This is a violently implying moment.
[Nigel in Hell moment]
(Inspiration: Quote, "The SAW 4 knife chair trap)
Basically, Nigel witnesses the brutal execution of a person sitting in a chair that was supposedly a "throne" (a FAKE throne). He sees a multitude of small blades JUT INTO and "dice" a person's head into several pieces...effortlessly.
He becomes [even more] horrified.
[A prominent moment in "Nigel Goes to Meet Enigma"]
Simple explanation:
Upon meeting The Enigma, His back is turned to Nigel. At the moment, He is of an average stature, and a nephil. Upon seeing this person, Nigel is terrified at the thought of meeting Him face to face. Eventually, Enigma comes upon Nigel in a rather semi-aggressive way, trying with all His WILL to prohibit Nigel's movement. These subtle yet forceful motions throw Nigel's mind into a disarray, causing him to resist the advances with all his might. But with his resistance comes Enigma's powerful retaliation, His physical strength terrifying for someone of His bodily build. Nigel continually deflects His attempts to grab him and suppress him, much to the Enigma's horrific, unexplainable responses, where He restrains Nigel's movement, and even reforms his right arm into a LETHALLY IMPLYING composure, holding His "blade hand" to Nigel's face, much to Nigel's terror. Upon seeing Nigel cease to resist, He attempts to deepkiss Nigel, much to Nigel's disappointment and, more retaliation. At this point, the force with which the Enigma restrains Nigel is utterly horrific, the shear magnitude of force enough to snap a man's neck, if not his very body in half...and this, with only a single arm. Nigel is choked, the daunting force of the Enigma's hand quickly driving Nigel to almost immediate tears at having known that with very little, but MORE effort applied, he could've been killed. He coughs and writhes, helpless. The Enigma simply ceases His aggression to then lie upon Nigel (who is lying on his back on the ground), bringing his head under a single arm of his, holding him very close. He lies atop Nigel in this way for an akward ammount of time, never saying a word, but pinning Nigel down and restricting his movement. Eventually, Nigel's indescribable, emotional chaos causes him to reach with his right arm to embrace the Enigma equally. The Enigma, noticing this small development, grabs hold of Nigel's arm with an alarmingly strong grip. Nigel allows his arm to fall limp, which the Enigma ignores, but remains holding Nigel's arm where it is. In short, terrifying bursts of milliseconds, it would always seem like the smallest effort Nigel would put into moving that limb would only make the Enigma tense its grip up enough to quite possibly break and dismember Nigel's arm. Realizing this fact, Nigel steadily becomes more and more submissive to Him, giving in to primal emotions that compell him to do whatever it seemed like the Enigma prefered. Eventually, there was nothing but the sight of an average sized nephil lying atop Nigel.
Nigel DARED NOT question why these things were happening to him...
[a dangerous, sexually implying "broken angel" situation]
Basically, Nigel (or Akira. Preferably Nigel) is captured by a pair of large, female monsters. They being likened to a sultry pair of succubi, relentlessly do they violate and molest him, conversating with one another about him, and other potential prey. They play with his body in overly lustful ways, hedonistic in pleasuring him - and themselves - time and again. They argue amongst each other, bickering about just which one of them should have the pleasure of devouring him, or whether they should "share" him equally - a horrific reality.
It is a moment of intense passion and lust, the favors performed upon Nigel's body being very lovely to him. He is terrified for his safety. But in a sense, he experiences a rapturous bliss in being with these creatures - a very "loving" moment, his body both a sexual plaything and a potential meal.
In short, it is a rather...delicious circumstance...
Alema - Origin Story
{small notes for now}
It will be filled with heartache and sorrow, Alema having come to terms with her debacherous yet murderous nature through many disappointments in life.
I have it in mind to imply that she and angel both end up being "cast into" something horridly implying.
Or...
...that she and Angel both are the same person (in some manner), but a hermaphrodite.
More details will follow as inspiration allows.
Alema and Akira
{Narration Moment}
Imply that Alema SUCKS Akira's dick VERY HARD and for a VERY LONG time, which makes him cry to the point of jumping back and asking her - beggingly - "What are you DOING?!?!" It is a comical moment born from Akira's natural slowness of mind and will to be SUCKED. XD
The Meiotic Worshipper
A future story about Monitor.
In this story, Monitor shows a particular kind of "disdain" for the other worshippers around him during a worship service held in a specific town (the setting is still underdeveloped).
It ties in to his crimes - providing sacrifices for Nirvana.
I want to imply that SOME of the ways in which people are sacrificed to Nirvana are QUITE sexy, while others are very terrifying.
Monitor remains Nirvana's faithful slave, doing for her many unspeakable things, even...in a theophilic sense heavily implying sexuality...
http://en.wiktionary.org/wiki/meiosis
http://en.wiktionary.org/wiki/meiotic
http://en.wiktionary.org/wiki/meiotically
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Man: Where were you?
Monitor: I-I...
Man: Never mind. You've arrived just in time, so your tardiness isn't important now.
Monitor: I-is...is she...
Man: Yes, she's here.
Monitor: OH thank goodness. I was beginning to think she had lost interest.
Man: She may be a nephar, but she never fails to show diligence in her devotion concerning the ceremonies.