
Character and background are on brown paper with colored pencils, ink, gel pen and marker. Border is made to look like a road sign (done in Photoshop) and cut out. (Black around around the badge is just a slip of paper for scanning, not a part of the badge.)
Apollo belongs to
ariakitty
Art ©2011 Arphalia.
Route 66 Badge Info & List - http://www.furaffinity.net/journal/2258499/
Apollo belongs to

Art ©2011 Arphalia.
Route 66 Badge Info & List - http://www.furaffinity.net/journal/2258499/
Category Artwork (Traditional) / All
Species Unspecified / Any
Size 567 x 540px
File Size 470.1 kB
Listed in Folders
There is a great old song by that name. When the producers of the TV show about two guys in a 1960 convertible Corvette, bumming around the US, doing odd jobs, saving people's lives, getting into deep dramatic situations, encountering comedy in every small town along the way, etc, they did want the song you remember. But for some reason they couldn't get it. (You may be able to find the music buried in the credits for Disney's Cars though. It's mentioned in the DVD's special features section as an inspiration.) The TV show settled for an original compositon by Mantavani -- simple piano piece in high reigster, between lush orchestral blares.
It was called "Route 66" -- so you can see why they originally wanted the R&B song. I don't know if the stars of the show ever actually drove on Rte. 66, though I suppose it would be hard to avoid it in five or six seasons. Still, they went to Toronto once or twice, and that's hundreds of miles from the nearest stretch of Rte. 66.
Remember that it's early 1960s TV drama -- the earliest episodes are b/w... they may all be... and its very adult material with sociala relevance -- no yocks, no vampires, no special effects to speak of, just people who are tired, defeated, angry, frustrated, out of control, lost touch with reality, fallen in love, their pride injured, out of work, inherited money, etc, etc, etc.
Not so much cynicism or sense of betrayal. Although there were cracks in the facade -- beatniks and critical novels like "What Makes Sammy Run" or "The Man in the Grey Flannel Suit," and one mustn't forget the emerging civil rights movement -- the 50s and early 60s were not yet a time when people questioned the foundations of their society. Tod and Buz wholeheartedly believed in the work-ethic, that America was on the right path, and that decency would prevail. But an awareness of social issues was growing at the time, and people were rejecting old stereotypes about lazy, dishonest immigrants, shiftless negroes, pansies, dope fiends and all that. For the first time, the general public was beginning to look at these outcasts with a more sympathetic eye. The cynicism would come later, with Reagan's "New Dawn for America" -- ie. let's go back to 1938 when we didn't have to think about anyone but ourselves.
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