small survey - are you afraid to contact artists with not...
3 years ago
So when you order some art - you're scared \ shy to ask for details from the artist who draws you art?
usually always try to find out all the notes that the customer wants, but recently I was told that sometimes it is scary to do this and was very surprised by this. It seems like it's just one of the working points and it's okay to point out what you want to change
usually always try to find out all the notes that the customer wants, but recently I was told that sometimes it is scary to do this and was very surprised by this. It seems like it's just one of the working points and it's okay to point out what you want to change
FA+

But mostly I always tell the details when ordering so I don't have to ask too much for changes/details later^^
And if the artist don't want me to ask any more details he/she would surely tell me or not?
However, this is work and you paid for it - so it needs to be done as well and clearly as possible.
However, it is extremely rare that additional moments somehow interfere with it. The biggest creative hell for an artist is to ask every 3 / 5 / 8 / 20 hours "well, can you show the progress of the work?"
Specifically, I try to often send the stages of my work, but many people come across this type of customer.
(this does not apply to some sketches or a small amount of work, it is rather about orders that are usually made 2-3 weeks at a calm pace)
I don’t mind, however, when they ask, for example, once every 2-3 days, however, I know many artists who are comfortable doing a large amount of work once a week
Some are just worried about upsetting the artist, whereas others have had negative experiences with other artists. In both cases, that has molded their views on asking for more details, changes or corrections.
Those who have anxiety usually don't want to pass it on to others, I've noticed. I've also noticed that a lot of times they don't have much more a process than the base idea, and as such are willing to roll with the punches for the rest of the commission.
Using one friend as an example, they feel put upon when asked for their opinion (I.E., uncertain about what they want to see detailed further), or they worry that their requests might somehow insinuate that the artist's work isn't good enough. This affects how they respond, and how frequently.
It's complicated. Everyone has their own process, artist and commissioner alike.
I like my badger character to look very animaly, but badger skull anatomy is quite distinctive, and most folks are only used to drawing dogs and cats - trying to explain that the eyes need to be closer to the nose than the ears, and that the bridge of the muzzle follows this other curve, or that the limbs are drawn twice as long as they should be... Especially if they've nearly finished the picture already, or their first attempt looks like they've pretty much ignored the reference!
As the previous person as l said - it's quite stressful sometimes.
Content also plays a part on both the artist and commissioner wanting to conduct business.
How the artist interprets the character(s) and seeing them in a particular art style is the best part of commishing.