Kung Fu Panda is brilliant.
14 years ago
General
I must say: The second installment of KFP is incredible. Dreamworks is what Disney USED to be in the animation world. I didn't see any overt political messages, I didn't find any little societal jabs to mentally dodge… All I saw was incredible storytelling, achingly beautiful animation, and characters you wish you could crawl into the screen with and snuggle. Po's character is still the lovable oaf we immediately enjoyed and empathized with in the first film, the Five and Master Shifu still suffer a bit with Po, but you can see how much they respect him now despite that. The story is breathtakingly well crafted, and the premise is SOLID.
I wont give up any spoilers. I wont say a thing about the plot. Just go see it. I saw it in regular 2D, because I typically find 3D annoying, but I'm going back. I HAVE to see how it looks in the new darling format. If anything, just to go back there. For the first time in more than 20 years, I am actually going to go BACK to a movie to see it again. I NEED to…
God, I want to work with these people.
I wont give up any spoilers. I wont say a thing about the plot. Just go see it. I saw it in regular 2D, because I typically find 3D annoying, but I'm going back. I HAVE to see how it looks in the new darling format. If anything, just to go back there. For the first time in more than 20 years, I am actually going to go BACK to a movie to see it again. I NEED to…
God, I want to work with these people.
FA+

All of that has been relatively absent in the Pixar films, and I appreciate it. The Dreamworks films have been relatively PC free as well, and it just leaves the story and artwork to be enjoyed. There will be those who look at KFP II and say that they come out pretty much against modern weapons, but its a bit of a stretch. The real message of Kung Fu Panda II is far more satisfying: That despite the cards we are handed, we are whatever we decide we want to be, so long as we stand ready to fight for it.
At the end of the day, a message is a message, no matter what the message may be. It all boils down to whether or not you identify with or grasp it. I've tended to prefer Pixar's work over Dreamwork's overall. I attribute that to the more original and imaginative feel each Pixar movie had (well until Disney's started to enforce a sequel-to-everything policy). I can't see how liking one more means disliking the other however, as I thought How to Train Your Dragon was the finest film that studio's produced and it's among my absolute favorites. I try not to judge based on the studio, though bias will always exist sadly.
And yeah, Pocahontas was pretty heavy with it's message, annoyingly so really. I would also say Over the Hedge which was from Dreamworks was also pretty preachy, not as bad at least. But every studio has it's films that want to get an inherent message out. I'm just glad we have these rivalries in the entertainment business that keep pushing one side to be better, a boon to we the consumer. :P
The problem I have with many of the Pixar films is that they have been so… SAFE. UP was a departure for them- apparently there were some kids who were scared shitless by the bad guy and his dogs. Even with Doug thrown in to lighten the mood, the dogs were just a little too doglike for some viewers!
I am super glad we have all these competing studios making movies, and that they are concentrating on making superior products. The 90s were pretty fucking DARK DAYS when it came to the quality of animation. Nothing like being on top too long to make your work turn to absolute SHIT. Right, Microsoft?
Very fun, which is exactly why I watched it numerous times. :3
And sadly, I've never even SEEN How To Train Your Dragon…:(
I highly recommend you do. It was funny, smart, endearing, visually and audibly beautiful, emotionally powerful and brilliantly executed. It deserved every bit of acclaim and then some.
The problem I have with many of the Pixar films is that they have been so… SAFE. UP was a departure for them- apparently there were some kids who were scared shitless by the bad guy and his dogs. Even with Doug thrown in to lighten the mood, the dogs were just a little too doglike for some viewers!
UP even had the saddest beginning to any animated movie, ever. =( But yeah, I can understand that sentiment. However I thought Finding Nemo had some pretty dark and deep moments, not to mention top notch character development. Dory is the only character in fiction I've come across that actually displays realistic symptoms of amnesia. So while they have movies that seem to be aimed mainly at kids (Cars - I still like it though...), they do have those films that definitely have something for all. Toy Story 3's ending made me cry in the theater, something I've never done.
I am super glad we have all these competing studios making movies, and that they are concentrating on making superior products. The 90s were pretty fucking DARK DAYS when it came to the quality of animation. Nothing like being on top too long to make your work turn to absolute SHIT. Right, Microsoft?
Haha! Yes, monopolies will always reduce the quality of a product, because there is no alternative so why should they care? :P That said, I did like a few of Disney's 90's films, Lion King and Aladdin (Robin Williams voice acting alone was worth the price of admission) among the top two. But they wore out the formula, it became the same basic plot every movie it seemed. It wasn't until they released Lilo & Stitch that I stopped being irate with Disney... And then I promptly became irate yet again when they made Lilo & Stitch: The Series and associated films. XD Ack
But I digress. I've quite enjoyed this discussion, even if it has veered a bit off topic - to get back on it for a moment; I'm about to head out and watch Kung Fu Panda 2 right now. :P Also, Perhaps instead of cluttering up your comments, we can talk on messenger sometime? If you care to that is. ^^
After that It's Hangover II. Gosh I love the summer. :D