- The Ask Fox Amoore anything journal -
13 years ago
It's been a long time since I've done this. So figuring i'm at home and the song i'm working on is light... Ask anything and I will respond! :]
- It can be music related or non music related.
- You can ask more than one question.
- It can be music related or non music related.
- You can ask more than one question.
And what about the wholetone scale?
Also at the time, music theory made me want to strangle kittens. Now I at least find it curious. But still kind of inscrutable.
Anyway, not really a question but just figured I'd add that I agreed. :)
2) How do you like it to work together with Alector Fencer?
3) How long does it generally take to create a new song from scratch?
2) She is an amazingly gifted and inspiring person. Words cannot describe how much I enjoy working with her and exchanging ideas :]
3) It depends on what i'm going for. I've created songs within 2 hours, to ones that took me over 2 weeks. ^^
So how long does it take you to make a 5 min track to sound like the way you want it to sound, or that you are happy with? or can that vary a lot?
so, dare i ask, what do YOU think is your best creation up until now?
I will probably never be the quality he is, I only have 4-5 hours pr week to do music, but writing music, no matter the quality, is a great experience *OvO*
A friend of mine started at 45 and she's playing Chopin's etude after 7 years of piano.
Never too late. Never. It only takes motivation, and as foxamoore always says, if you enjoy it, if you LOVE every sound you take out of your instrument, you'll spend hours on it, and hours, and hours, and definitely you'll get very skilled.
I've been stuck from the beggining and started to get out of my shitty way of playing only this year, means I lost 2 years over 3.
Also, depending on your instrument of choice, I can give you great books to learn the techniques.
( if you're interested in horror movies, David Skal's done some good books on them :3 )
2000 Cecil B. DeMented
2000 If These Walls Could Talk 2 (TV movie)
1999 For Love of the Game
1999 Kimberly
1999 Mickey Blue Eyes
1998 Les Misérables
1997 Starship Troopers
1997 Switchback
1997/I Breakdown
1996 Amanda
1996 The War at Home
1996 Celtic Pride
1996 It's My Party
1995 Free Willy 2: The Adventure Home
1995 Under Siege 2: Dark Territory
1994 The Jungle Book
1994 Lassie
1994 Serial Mom
1994 On Deadly Ground
1993 Free Willy
1993 Hot Shots! Part Deux
1993 RoboCop 3
1992 Wind
1992 Ned Blessing: The True Story of My Life (TV movie)
1991 Harley Davidson and the Marlboro Man
1991 Return to the Blue Lagoon
1991/I White Fang
1991 Flight of the Intruder
1990 Quigley Down Under
1990 The Hunt for Red October
1989 Wired
1989 Lonesome Dove (TV mini-series)
– Return (1989)
– The Plains (1989)
– On the Trail (1989)
– Leaving (1989)
1989 Farewell to the King
1988 Split Decisions
1988 Spellbinder
1988 Intrigue (TV movie)
1987 Cherry 2000
1987 No Man's Land
1987 RoboCop
1987 Island Sons (TV movie)
1987 Prison for Children (TV movie)
1987 Amerika (TV mini-series)
1985-1986 The Twilight Zone (TV series)
– Profile in Silver/Button, Button (1986) (segment "Profile in Silver")
– Monsters!/A Small Talent for War/A Matter of Minutes (1986) (segment 'Monsters!')
– Examination Day/A Message from Charity (1985)
1986 Iron Eagle
1985 Misfits of Science (TV series)
– Your Place or Mayan (1985)
– Deep Freeze (Pilot) (1985)
1985 Flesh+Blood
1985 Alfred Hitchcock Presents (TV series)
– Pilot (1985)
1984 Protocol
1984 Single Bars, Single Women (TV movie)
1984 Red Dawn
1984 American Journeys (documentary short)
1984 Conan the Destroyer
1984 Making the Grade
1984 Amazons (TV movie)
1984 The House of God
1983 Flyers (documentary short)
1983 Behold Hawaii (documentary short)
1982 Summer Lovers
1982 Conan the Barbarian
1981 Fire on the Mountain (TV movie)
1981 A Whale for the Killing (TV movie)
1980 The Blue Lagoon
1979 Dolphin (documentary)
1978 Big Wednesday
1977 Tintorera: Killer Shark
1976 The Magic Rolling Board (documentary short)
1974 But Jack Was a Good Driver (short)
1973 Extreme Close-Up
1973 Hollywood 90028
1972 By Map and Compass (short)
1971 The Cell: Part One (documentary short)
1971 Congratulations, It's a Boy! (TV movie)
1970 The Reversal of Richard Sun
1970 The Interview (TV movie)
Whew. Too bad he passed away tho.
how much cheese-wiz would I need?
_Alban Berg, to George Gershwin
Here's my questions: Do you use Kontakt? If yes, what libraries do you use usually?
Thanks! :3
I though about goin' out again with you guys together at EF to get smth between the teeth - interested?
An' still, will you stop bsssing aroun' with your finger? xP
I am bored :P
Howver back to topic:
A fan from Austria ( a friend of mine)
asked if she ever makes a film, if you'd compose the music for it.
Second: would ya accept if I'll contact you?
Soundtracks, are the new composures of our century. I'm a very big fan of classical pieces, but, frankly any real listener has heard them all before. Where do we turn to hear new orchestrations? Well, it's always been my theory that the great composures of our past did such works for two reasons, one, because music was something they were quite adept at, and two, for recognition and fame/money - It's my firm belief that if we had Mozart's and Chopin's today, they would be composing for film/television, because frankly that's 'where the action's at'. So if you want to hear real pieces of exceptional work, one only needs to turn to an OST from some work which the artist in question was given free reign to create.
Even as I write this, I'm currently listening to the OST to 'Robin Hood' by Marc Streitenfeld in 2010. It's /brilliant/ - I've never seen the movie and yet the orchestration alone tells such an amazing story in sound. I've always held such a great respect for such composers, using only instruments, being able to impart such emotion with such handicap. Bands with singers don't understand how easy they've got it.
I've got a personal collection of over 200gb of soundtracks, and it's constantly growing every day.
I simply wanted to say, thank you very much for the work you do.
Who were your early influences?
What's the first song you remember learning?
(Thanks for the question and answer fun - looking forward to whatever's next!!)
Early influence I say would be Chopin, I used to teach myself his work.
The first song I ever learned was... oh gosh.. *thinks*... Twinkle litte star?
but hey! that's awesome! What kinda piano? And how old is it? ^^
Note: That is in the case of HEAR the sound... we can still feel the sweet vibrations of each note, no matter what tone, volume, or long it is. Just like Beethoven did hehe
Also, why did you pick Fox Amoore as the name of your fursona?
Amoore is a sort of modified spelling of my real name, which goes back distantly to France, Italy etc. It pretty much means "Love." Since I love Foxes, I made the name pretty simple. Fox Love ... Fox Amoore. :]
Second: Would you be able to make a soundtrack to a death scene where a character of mine is being transfigured into his immortal body by his own father. A track that says: " Let go my son, and come home(to heaven) with me"?
I know your not taking commissions now but maybe in the future.
I would like to ask something like, "How do you compose such exquisite music and have each piece sound unique," but it's a process I could never understand no matter what the explanation is. Even if I learned how to play the notes, I could never actually make music. So instead here's something to think about.
Do you realize that as a music composer, you're working with the infinite? Considering all the notes, frequencies, wave forms, distortions, reverberations, sliding scales, different ways to make a sound, tempos, intensities/volumes, and all the combinations of putting everything together in chords and accompaniments, there truly are infinite ways of creating a piece of music. And of all the infinite pieces, you're able to pull out sounds that are truly beautiful pieces of music, taking something that's only inside your mind and putting it in a form that everyone can hear and appreciate in the same way. You have my greatest admiration.
About the infinite amount of notes, waves, and all... Well, yeah, that is true, but there's the problem of our range of hearing. We, as humans, are very limited to certain notes, tones and volumes... Also, with time (aging), we lose more and more our range of hearing of high-pitched notes or very deep ones.
Note: That is in the case of HEAR the sound... we can still feel the sweet vibrations of each note, no matter what tone, volume, or long it is. Just like Beethoven did hehe
(sorry, feeling silly :) )
Tell you what, we'll dance the dance if we can sing the song (some good 'ol timey drinkin songs. THOSE are the best.)
I know someday your talents will grace the theaters! Be sure to let us all know when it happens!
I compose videogame and film music, and anytime I release a project, my biggest hurdle is just getting people to sit down and just listen to it. I've tried networking with other musicians (on FA and other venues), I tweet and facebook and youtube the crap out of my work, I've even begged folks to just listen to my stuff. It usually ends up with a "Oh, I promise I'll listen later" and then I never hear from them again.
I've always dreamed of composing music for a living, but if I can't even catch interest, that'll never happen, and I don't know what I'm doing wrong. Maybe I'm going about networking the wrong way, or maybe my music just sucks ass, but I'll never know because I can't get any feedback about anything I'm doing unless i chain them down to a chair. :(
Any advice?
Lately? Hmm... TV on the Radio and Aesop Rock for the most part lately. Aesop Rock has a new album coming out that I can't wait to get :D
In the metal band I'm in, we want to use them and incorporate them into our songs for an interesting effect - much like Kamelot, Nightwish, Rhapsody of Fire, Epica, ETC.
I'm currently lead vocals and one of the bassists (we have 2 bassists, still trying to figure that out x3), but since we're having a little trouble finding an orchestral composer, I thought to volunteer as one.
I appreciate any input you've got on that c:
In terms of programs, if you want to get a lot out of it, you might have no choice but to spend some money. You could get older versions of Cubase (like SX3 for example) very very cheaply, or totally free, but you'll need decent sounds too. Do you have a keyboard at all? :)
Also, why a boxer shorts fox
I guess I like boxers... They're stylish, especially when black
http://faildesk.net/2012/02/07/dude.....getting-adele/
I'm from Scotland. A small town called Dalgety Bay, in a county called Fife, which is just across the water from Edinburgh, the capital.
Do you do commissions or take requests?
1) The Beatles at their peak
2) The entire Queen lineup
3) Iron Maiden
4) Thomas Newman
5) Hans Zimmer
Okay, if you could write amusical theme to any book, which would you choose, why, and what style would you use?
That sounds intense. I'm a huge fan of that kind music.
Okay, I have one last question. Can you play/emulate the Ocarina?
I have a great Emulator of it, however one day I would like to get a real one and learn it :)
Cool. I'd like to learn to play as well, but I have no money to get a decent one X3
you seen close one for inspire?
meet with one real as little child?
So not was close to fox before that?
I work with rescue fox, and they are amazing one. The 2012 kits are amazing, never get bore any of them. It is great see people around love them so well like I do!
I love your music. You do great songs.
I would have many question, but so hard english... not know how ask ((
2) How many separate instruments can you play?
3) What is the hardest instrument for you to play?
2) I can play Piano, Guitar, Tin Whistle, a bit of Bass and I can sing.
3) I often find the guitar a bit awkward as i'm very used to pressing down keys. When I go from playing Piano to a steel stringed guitar for example, it can often cause blisters because my fingers aren't used to it.
2. Will you release more stuff for iTunes?
3. Would you come to America for any cons? Which ones?
2. Most likely yes. When though I cannot be certain.
3. Hopefully soon I can attend an American con :] Have so many people I want to meet.
For me personally it's somewhat of a mystery too... I just *do* it. Depending on the mood you want though... Happiness, sadness, Boldness or scary, you can get technical and quote chords, scales to help develop such a melody. The mood you want and knowing in music what can make a person feel happy... or sad, or bouncy, is normally a good starting point :]
2. How long did it take to get to a point where you were content with the level of your music composition, or do you feel you still are working towards that?
3. Have you ever had a time where the instrument you were best at wasn't necessarily your favorite instrument to play? With me, piano is definitely my favorite instrument to play, but it takes me forever to learn to play songs on it. However, if I put enough time into it, I can play some fairly complex pieces. However, with bass guitar, I can learn to play songs from my favorite bands on it very fast, but since I haven't been playing it as long, I also can't play as advanced music on it. It's... weird o.o
4. If you had to choose something other than a fox as your fursona, what species would it be?
2. I feel I will always be working towards that. I think in any artistic medium you're always improving and learning new things. I love that aspect of it :]
3. I think the time I enjoyed the Piano the least (and that's definitely saying something given how obsessed I am over it), was when I had to take proper lessons to learn theory and do my grades for music school. I felt a lot of the artistic freedom was taken for me. I've always preferred to do my own thing on Piano. (However I came to realise later that theory is very very important.. And is worth the time and effort).
4. A dolphin :]
Honestly, I should probably work on my theory work on piano more. I've been teaching it to myself on bass which I guess is why I've been finding it easier (well, and it's easier for me to memorize 1 note at a time than a chords). I just had bad experiences with music teachers in the past.
Why a dolphin? o:
Also, what's the most amount of people you've worked on in a collab with? I know there's some songs where you've worked with 3 people, have you ever done more? And have you ever considered getting a large group of people online together for 1 song? I've seen a couple videos on youtube before where a guy would go to different countries and record different people playing different instruments for a song he wrote, and then he put it all together and it sounded amazing. I'd assume it would be a lot of work, but could be interesting.
Also, I think I've asked before but I wanna ask again, is there any chance that I'll get to play bass guitar for any of your songs eventually? :D
I think for the Fix You collab I did a couple years back there were 4 or 5?
If you send me some details, demos and your skype or such that'd be great. I'm always looking for instrument players to feature in my work :]
And how do you normally go about collabing with another artist?
It depends who approaches who. If I approach an artist, we speak online or via email, exchange ideas and create. For instance the current collab i'm working on is with
Also I assume you know Joe Hisaishi (he's so well known XD) do you enjoy his music? Do you have any favorites of him?
Do you like traditional Chinese/Japanese music?
Have you played Cave Story?
And the most important question:
COOKIES 'N CREAM OR DOUBLE CHOCOLATE
I love oriental music, Chinese in particular. They have very beautiful instruments, such as the Bawu and the Erhu :]
I've never played Cave story :0 is it good?
And double chocolate of course
Yes yes erhu is my favorite Chinese instrument It sounds so beautiful and kind of sad. My sister knows how to play pipa though XD
CaveStory is AMAZING. ALL THAT AWESOMESAUCE. IN 1MB. It has the magic of the old games (think Mario).
I like mint with chocolate chip :B
An example would be, if the person has made the chorus (but can only describe it through humming).
(2) Where is you liking for musical compositions of new age such as from Mark Petrie and or, Gothic Storm etc [color=#FFFFBF][/color]
2) Their work sounds great. Reminds me a lot of Two Steps from Hell, a soundtrack artist duo that I quite admire.
(I'm asking, as I have ever slow plans to bring Plight of the Rose to life. Yes...the life long presentation of Teela 'Foxy' Rose.)
But I thought of this: if you had a one-wish talent genie ready to bequeath upon you expert talent in something you haven't already mastered, what would it be, musical or otherwise, like poof you're a Kung Fu master, iron chef, artist/painter, etc??
Yes I read them all...
Where in the world do you think the best scenery exists for creating music to?
And where do you usually go for that kind of inspiration?
Also, if you go to AC or something, can I sing for you?
I love baking and singing. But I must be alone, so I can "think out loud".
(Assuming you did go for a higher education) Did you actually go to college with music in mind? Since you're self taught, I don't expect a "Major in composition" or whatever. xD
If you did go for an animation company to work with, who would it be?
I'm sprinting off to college this September, Majoring in animation and double minoring in illustration and theatre. Now that I have a bit of experience with making mediocre beats, music is also on mah brain, but probably as an elective.
What did you think you were going to go for in college originally?
Do you have a singnificant other? Any kids?
Do you think age 27 is old? My sister is all "I'm OOOOOLLLD, noooooo!!"
I tell her to hush it xD
Do you have any siblings? Any that may be large gaps away from you age-wise?
I noted you a laaaawng time ago about doing artwork for your upcoming songs (excluding Alector's since... She got it xD)
Anything else coming up? That hopefully I can illustrate?
But I was wondering if you've ever played or heard about the game Journey on PS3? If so, how did you like it?
If not, then I highly recommend it at the fullest.