đ Disclaimer â About My Commissions
Posted 3 months agođ° Disclaimer â About My Commissions (SFW & NSFW)
This statement applies to all artwork I commission, including both safe-for-work (SFW) and not-safe-for-work (NSFW) content. It reflects my personal values, boundaries, and creative intent across every piece of art I support or share.
All characters depicted in my commissions are fictional, sentient beings from constructed fantasy worlds. I do not support, condone, or engage in any real-life attraction to or behavior involving animals.
đ¨ About My Characters and Commissions
The characters in my artâwhether romantic, casual, suggestive, or explicitâare:
⢠Fictional, anthropomorphic, or fantasy creatures
⢠Designed with traits like thought, autonomy, identity, and consent
⢠Not based on or meant to simulate real animals or real-life behaviors
What does this mean?
These characters are conceptualized as sentient individualsânot instinctual animals. They possess personalities, thoughts, and the capacity for relationships and decision-making.
For example: A quadrupedal lion-like character I commission might have a name, backstory, and personal motivationsâlike being a tribal leader or an explorer. They can speak, reason, and form emotional and romantic connections. If involved in NSFW content, their actions are portrayed as mutually consensual and emotionally aware, like any fictional adult character from sci-fi, fantasy, or mythology.
This is comparable to creating talking dragons, intelligent werewolves, or alien species in other fiction. These characters may look non-human, but they are not animalsâthey are fictional people with non-human traits.
I commission artwork for:
⢠Worldbuilding
⢠Fursona/character identity
⢠Adult storytelling in fictional contexts
⢠Creative self-expression
đ On Mixed Character Types (Bipedal & Quadrupedal)
Many characters I commission are:
⢠Quadrupedal
⢠Bipedal
⢠Or hybrids of both
Regardless of body form, they are narratively equal and fully sapient. These fantasy relationships are based on fictional, consent-driven worldbuilding, not real-life animal dynamics.
đ§Ź On Anatomy and Design
Fantasy characters may feature:
⢠Animal-inspired traits (tails, paws, snouts, etc.)
⢠Stylized or fantasy biology
⢠Semi-realistic anatomy suited to fictional species
This does not imply attraction to real animals.
These are fictional character designs with imaginative intent. Nothing I commission reflects real animal biology or attraction to it.
đ What is Zoophilia?
Zoophilia is defined as sexual attraction to real, non-human animals. It is a paraphilia, and when acted upon, is illegal, abusive, and unethical.
I have no interest in or tolerance for zoophilia in any form, including but not limited to:
⢠â Real-life acts, intentions, or ideologies
⢠â Photos, videos, or audio depicting animal abuse
⢠â Stories or roleplays that sexualize real animals
⢠â Products that simulate sexual activity with real animals
⢠â Groups or forums that normalize zoophilic beliefs
⢠â Beliefs that attempt to rationalize attraction to real animals
⢠â Any attempt to equate or associate furry fantasy artâincluding stylized, anthropomorphic, or non-human charactersâwith real-world abuse involving animals
This includes:
⢠Claims that adult furry art is inherently zoophilic
⢠Accusations based on character body shape (e.g., quadrupeds)
⢠Misreading of fantasy scenarios as real-life endorsements
⢠Weaponizing discomfort into moral accusations
Intent, context, and consent matter. Fictional characters are not real animals.
đ§Š Additional False Claims â Explained
â âZoo = Pedoâ â False and Dangerous
This is one of the most toxic, intellectually dishonest claims made online. Zoophilia and pedophilia are completely separate paraphilias with distinct psychological patterns, motivations, and behaviors. Equating them is not only factually wrongâit also trivializes real harm.
There is no legitimate evidence that someone who enjoys fictional animal-like characters (especially sapient ones) will âturn intoâ someone who engages in criminal, real-life abuse. This claim is rooted in fearmongering and used to falsely conflate imagination with predation. Itâs baseless.
â âYou must want the real thingâ â False
No, engaging with fantasy art or character design does not equate to real-world desires. This is a harmful leap in logic. You donât assume someone who draws vampires wants to drink blood, or someone who writes horror wants to commit murder.
The same logic applies here: fantasy â real-life intent.
â âIf the anatomy is realistic, it must be about real animalsâ â False
Artistic inspiration and fantasy anatomy are not indicators of illegal intent. The body may resemble a real-world creature in part, but the context, behavior, and character are entirely fictional and sapient. Artists stylize and blend elements from many sourcesâthis does not define the viewerâs ethics.
â âAnyone who engages with fantasy animal art will eventually harm animalsâ â False
This slippery slope fallacy has no data to back it. People are capable of separating fiction from reality. Billions of people engage with fantasy genresâthis does not mean they condone real-world equivalents.
To say otherwise is projection, not protection.
đ Debunking Common Misconceptions
Myth: âQuadrupeds = Real Animalsâ
Fact: Not true. Quadrupedal body structure does not make a character a real animal. In fantasy, many sentient beings (e.g., dragons, gryphons, alien creatures) walk on all fours yet possess identity, language, and decision-making. These are fictional peopleânot beasts.
Myth: âFictional interest = real-world attractionâ
Fact: Fictional, artistic interest in character typesâno matter the body structureâdoes not imply desire for real-world analogues. Just as enjoying fantasy crime stories doesnât make someone a criminal, enjoying fantasy creature art doesnât indicate abuse.
Myth: âCostumes and tails mean youâre acting like an animalâ
Fact: Fursuits, tails, ears, and collars are symbolic, expressive gear. They are no different from cosplay or theatrical props. They represent fictional charactersânot real animal mimicry. Wearing these does not equate to animal identification or behavior.
Myth: âAnyone who defends furry fantasy must be hiding somethingâ
Fact: Defending fiction, art, or identity is not an admission of guilt. Itâs a stand for creative freedom, personal autonomy, and truth. Silence in the face of misinformation only empowers those who twist reality.
Fiction is not proof of crime. Thought is not action. Fantasy is not abuse.
đ Clarifying "In Any Form"
âIn any formâ also includes:
⢠â Toys or items designed to replicate real animal genitals or simulate bestiality
⢠â Excludes fantasy toys, fursuits, or gear inspired by fictional species
The line is drawn at intent: if it's meant to simulate sex with real animals, I reject it. If it's fictional fantasy, it's creative expression.
đž On Fursuits, Tails, Collars, and Personal Expression
I may wear or use:
⢠Fursuits
⢠Tails, ears, or cosplay gear
⢠Collars or harnesses
These are used for:
⢠Character identity
⢠Performance or roleplay
⢠Consensual human-to-human dynamics
These do NOT represent animals and are not used to simulate animal behavior.
They are symbolic of my fictional character and self-expression, just like cosplay or fantasy costuming.
đŤ What I Do NOT Support
⢠I do not support art that sexualizes real animals
⢠I do not support or join zoophilic communities
⢠I do not confuse fantasy with real-world behavior
⢠I do not use gear or costumes to mimic real animals sexually
Everything I engage with is fully fictional, sapient, and consent-focused in nature.
đŹ Final Note
The furry fandom is about creativity, expression, and imagination. Not all content is for everyoneâand thatâs okay. But:
⢠Discomfort is not abuse
⢠Fiction is not endorsement
⢠Fantasy characters are not real animals
Thank you to those who understand and support ethical boundaries in fiction. I stand by mine.
đ¨ To Those Spreading False Accusations About Me
Let this be absolutely clear:
I am not a zoophile. I have never supported, desired, or engaged in sexual activity with animals. I do not romanticize, sexualize, or support any real-life acts involving animalsâever.
If you are calling me a âzooâ or âzoophileâ because I commission fantasy artâfeaturing fictional, anthropomorphic characters who may be quadrupedal or possess species-inspired traitsâyou are not calling out abuse. You are actively creating it.
đŤ You are spreading misinformation
You deliberately confuse fantasy with reality. You treat fictional, consent-based characters like they are real animals, which shows a complete failure to understand fiction, metaphor, worldbuilding, and the concept of sapience in art.
You ignore the fact that:
⢠Furry art exists within fantasy, not real life
⢠These characters are personified, thinking, feeling beingsânot animals
⢠Consent and sentience are built into these fictional universes by design
You collapse all nuance to make yourself feel powerful.
â ď¸ You are trivializing real abuse
By falsely labeling someone a âzooâ for engaging with fictional, stylized characters, you dilute the seriousness of actual zoophilia and bestiality.
You:
⢠Misdirect outrage from where it belongsâon actual abusers
⢠Make it harder for survivors and advocates to speak out
⢠Turn âzooâ into a performative insult, instead of a word with weight
Your actions do not help animals. They harm people.
đ You are engaging in character assassination
What youâre doing is not activism. Itâs targeted harassment. You are:
⢠Weaponizing moral panic to punish people you donât understand
⢠Encouraging mob behavior based on false narratives
⢠Trying to silence me by shame, fear, and intimidation
This is manipulation. It is abusive. And it will not work.
đ You are not my judge, and you never were
You do not get to redefine my identity, my intentions, or my morality based on your feelings.
You are not the guardian of truth.
You are not a hero.
You are not protecting anyone.
You are using social stigma to control and silence others, and that ends here.
If youâre uncomfortable with my contentâblock me.
If youâre confusedâask respectfully.
If youâre deliberately lying about meâknow this: I will not tolerate it, forgive it, or excuse it.
You do not get to use serious terms like âzoophileâ as a social weapon to punish people for creating art you personally donât like. You do not get to rewrite fantasy into reality to suit your narrative. And you will never have the power to make me ashamed of something that hurts no one.
I am not the one in the wrong here. You are.
You should be ashamed of yourself.
â Adux Relen
This statement applies to all artwork I commission, including both safe-for-work (SFW) and not-safe-for-work (NSFW) content. It reflects my personal values, boundaries, and creative intent across every piece of art I support or share.
All characters depicted in my commissions are fictional, sentient beings from constructed fantasy worlds. I do not support, condone, or engage in any real-life attraction to or behavior involving animals.
đ¨ About My Characters and Commissions
The characters in my artâwhether romantic, casual, suggestive, or explicitâare:
⢠Fictional, anthropomorphic, or fantasy creatures
⢠Designed with traits like thought, autonomy, identity, and consent
⢠Not based on or meant to simulate real animals or real-life behaviors
What does this mean?
These characters are conceptualized as sentient individualsânot instinctual animals. They possess personalities, thoughts, and the capacity for relationships and decision-making.
For example: A quadrupedal lion-like character I commission might have a name, backstory, and personal motivationsâlike being a tribal leader or an explorer. They can speak, reason, and form emotional and romantic connections. If involved in NSFW content, their actions are portrayed as mutually consensual and emotionally aware, like any fictional adult character from sci-fi, fantasy, or mythology.
This is comparable to creating talking dragons, intelligent werewolves, or alien species in other fiction. These characters may look non-human, but they are not animalsâthey are fictional people with non-human traits.
I commission artwork for:
⢠Worldbuilding
⢠Fursona/character identity
⢠Adult storytelling in fictional contexts
⢠Creative self-expression
đ On Mixed Character Types (Bipedal & Quadrupedal)
Many characters I commission are:
⢠Quadrupedal
⢠Bipedal
⢠Or hybrids of both
Regardless of body form, they are narratively equal and fully sapient. These fantasy relationships are based on fictional, consent-driven worldbuilding, not real-life animal dynamics.
đ§Ź On Anatomy and Design
Fantasy characters may feature:
⢠Animal-inspired traits (tails, paws, snouts, etc.)
⢠Stylized or fantasy biology
⢠Semi-realistic anatomy suited to fictional species
This does not imply attraction to real animals.
These are fictional character designs with imaginative intent. Nothing I commission reflects real animal biology or attraction to it.
đ What is Zoophilia?
Zoophilia is defined as sexual attraction to real, non-human animals. It is a paraphilia, and when acted upon, is illegal, abusive, and unethical.
I have no interest in or tolerance for zoophilia in any form, including but not limited to:
⢠â Real-life acts, intentions, or ideologies
⢠â Photos, videos, or audio depicting animal abuse
⢠â Stories or roleplays that sexualize real animals
⢠â Products that simulate sexual activity with real animals
⢠â Groups or forums that normalize zoophilic beliefs
⢠â Beliefs that attempt to rationalize attraction to real animals
⢠â Any attempt to equate or associate furry fantasy artâincluding stylized, anthropomorphic, or non-human charactersâwith real-world abuse involving animals
This includes:
⢠Claims that adult furry art is inherently zoophilic
⢠Accusations based on character body shape (e.g., quadrupeds)
⢠Misreading of fantasy scenarios as real-life endorsements
⢠Weaponizing discomfort into moral accusations
Intent, context, and consent matter. Fictional characters are not real animals.
đ§Š Additional False Claims â Explained
â âZoo = Pedoâ â False and Dangerous
This is one of the most toxic, intellectually dishonest claims made online. Zoophilia and pedophilia are completely separate paraphilias with distinct psychological patterns, motivations, and behaviors. Equating them is not only factually wrongâit also trivializes real harm.
There is no legitimate evidence that someone who enjoys fictional animal-like characters (especially sapient ones) will âturn intoâ someone who engages in criminal, real-life abuse. This claim is rooted in fearmongering and used to falsely conflate imagination with predation. Itâs baseless.
â âYou must want the real thingâ â False
No, engaging with fantasy art or character design does not equate to real-world desires. This is a harmful leap in logic. You donât assume someone who draws vampires wants to drink blood, or someone who writes horror wants to commit murder.
The same logic applies here: fantasy â real-life intent.
â âIf the anatomy is realistic, it must be about real animalsâ â False
Artistic inspiration and fantasy anatomy are not indicators of illegal intent. The body may resemble a real-world creature in part, but the context, behavior, and character are entirely fictional and sapient. Artists stylize and blend elements from many sourcesâthis does not define the viewerâs ethics.
â âAnyone who engages with fantasy animal art will eventually harm animalsâ â False
This slippery slope fallacy has no data to back it. People are capable of separating fiction from reality. Billions of people engage with fantasy genresâthis does not mean they condone real-world equivalents.
To say otherwise is projection, not protection.
đ Debunking Common Misconceptions
Myth: âQuadrupeds = Real Animalsâ
Fact: Not true. Quadrupedal body structure does not make a character a real animal. In fantasy, many sentient beings (e.g., dragons, gryphons, alien creatures) walk on all fours yet possess identity, language, and decision-making. These are fictional peopleânot beasts.
Myth: âFictional interest = real-world attractionâ
Fact: Fictional, artistic interest in character typesâno matter the body structureâdoes not imply desire for real-world analogues. Just as enjoying fantasy crime stories doesnât make someone a criminal, enjoying fantasy creature art doesnât indicate abuse.
Myth: âCostumes and tails mean youâre acting like an animalâ
Fact: Fursuits, tails, ears, and collars are symbolic, expressive gear. They are no different from cosplay or theatrical props. They represent fictional charactersânot real animal mimicry. Wearing these does not equate to animal identification or behavior.
Myth: âAnyone who defends furry fantasy must be hiding somethingâ
Fact: Defending fiction, art, or identity is not an admission of guilt. Itâs a stand for creative freedom, personal autonomy, and truth. Silence in the face of misinformation only empowers those who twist reality.
Fiction is not proof of crime. Thought is not action. Fantasy is not abuse.
đ Clarifying "In Any Form"
âIn any formâ also includes:
⢠â Toys or items designed to replicate real animal genitals or simulate bestiality
⢠â Excludes fantasy toys, fursuits, or gear inspired by fictional species
The line is drawn at intent: if it's meant to simulate sex with real animals, I reject it. If it's fictional fantasy, it's creative expression.
đž On Fursuits, Tails, Collars, and Personal Expression
I may wear or use:
⢠Fursuits
⢠Tails, ears, or cosplay gear
⢠Collars or harnesses
These are used for:
⢠Character identity
⢠Performance or roleplay
⢠Consensual human-to-human dynamics
These do NOT represent animals and are not used to simulate animal behavior.
They are symbolic of my fictional character and self-expression, just like cosplay or fantasy costuming.
đŤ What I Do NOT Support
⢠I do not support art that sexualizes real animals
⢠I do not support or join zoophilic communities
⢠I do not confuse fantasy with real-world behavior
⢠I do not use gear or costumes to mimic real animals sexually
Everything I engage with is fully fictional, sapient, and consent-focused in nature.
đŹ Final Note
The furry fandom is about creativity, expression, and imagination. Not all content is for everyoneâand thatâs okay. But:
⢠Discomfort is not abuse
⢠Fiction is not endorsement
⢠Fantasy characters are not real animals
Thank you to those who understand and support ethical boundaries in fiction. I stand by mine.
đ¨ To Those Spreading False Accusations About Me
Let this be absolutely clear:
I am not a zoophile. I have never supported, desired, or engaged in sexual activity with animals. I do not romanticize, sexualize, or support any real-life acts involving animalsâever.
If you are calling me a âzooâ or âzoophileâ because I commission fantasy artâfeaturing fictional, anthropomorphic characters who may be quadrupedal or possess species-inspired traitsâyou are not calling out abuse. You are actively creating it.
đŤ You are spreading misinformation
You deliberately confuse fantasy with reality. You treat fictional, consent-based characters like they are real animals, which shows a complete failure to understand fiction, metaphor, worldbuilding, and the concept of sapience in art.
You ignore the fact that:
⢠Furry art exists within fantasy, not real life
⢠These characters are personified, thinking, feeling beingsânot animals
⢠Consent and sentience are built into these fictional universes by design
You collapse all nuance to make yourself feel powerful.
â ď¸ You are trivializing real abuse
By falsely labeling someone a âzooâ for engaging with fictional, stylized characters, you dilute the seriousness of actual zoophilia and bestiality.
You:
⢠Misdirect outrage from where it belongsâon actual abusers
⢠Make it harder for survivors and advocates to speak out
⢠Turn âzooâ into a performative insult, instead of a word with weight
Your actions do not help animals. They harm people.
đ You are engaging in character assassination
What youâre doing is not activism. Itâs targeted harassment. You are:
⢠Weaponizing moral panic to punish people you donât understand
⢠Encouraging mob behavior based on false narratives
⢠Trying to silence me by shame, fear, and intimidation
This is manipulation. It is abusive. And it will not work.
đ You are not my judge, and you never were
You do not get to redefine my identity, my intentions, or my morality based on your feelings.
You are not the guardian of truth.
You are not a hero.
You are not protecting anyone.
You are using social stigma to control and silence others, and that ends here.
If youâre uncomfortable with my contentâblock me.
If youâre confusedâask respectfully.
If youâre deliberately lying about meâknow this: I will not tolerate it, forgive it, or excuse it.
You do not get to use serious terms like âzoophileâ as a social weapon to punish people for creating art you personally donât like. You do not get to rewrite fantasy into reality to suit your narrative. And you will never have the power to make me ashamed of something that hurts no one.
I am not the one in the wrong here. You are.
You should be ashamed of yourself.
â Adux Relen
My Friends List
Posted 3 years agoTongueobet | Misc (Start/End & Inbetweens)
Posted 3 years ago
Here is the list of Misc (Start/End & Inbetweens).
You can start with the following:
















To end you can use the following:

Note: The max limit of icon's on any profile is 30 total per page on your profile.
There are Numbers, Letters & Symbols. This list will keep growing so keep checking back once in a while for updates.
Links to the other segments.
Letters: Tongueobet Letters for FA Profiles
Numbers: Tongueobet Numbers for FA Profiles
Symbols: (Coming Soon)
Misc (Start/End & Inbetweens): Tongueobet Misc (Start/End & Inbetweens) for FA Profiles
Tongueobet | Numbers
Posted 3 years ago
Here is the list of Numbers.
You can start with the following:











To end you can use the following:

Note: The max limit of icon's on any profile is 30 total per page on your profile.
There are Letters, Symbols & Misc. This list will keep growing so keep checking back once in a while for updates.
Links to the other segments.
Letters: Tongueobet Letters for FA Profiles
Numbers: Tongueobet Numbers for FA Profiles
Symbols: (Coming Soon)
Misc (Start/End & Inbetweens): Tongueobet Misc (Start/End & Inbetweens) for FA Profiles
Tongueobet | Letters
Posted 3 years ago
Here is the list of Letters.
You can start with the following:



























To end you can use the following:

Note: The max limit of icon's on any profile is 30 total per page on your profile.
There are Numbers, Symbols & Misc. This list will keep growing so keep checking back once in a while for updates.
Links to the other segments.
Letters: Tongueobet Letters for FA Profiles
Numbers: Tongueobet Numbers for FA Profiles
Symbols: (Coming Soon)
Misc (Start/End & Inbetweens): Tongueobet Misc (Start/End & Inbetweens) for FA Profiles
Adux Relen's - Tongueobet
Posted 3 years agoAfter a long awaited release: I'm pleased to announce with much effort, time and patience...

























I'm pleased to announce with much effort, time and patience the Tongueobet
Here is each catagory for you to select and use!
Letters: Tongueobet Letters for FA Profiles
Numbers: Tongueobet Numbers for FA Profiles
Symbols: (Coming Soon)
Misc Start/End Tips and Inbetween: Tongueobet Misc (Start/End & Inbetweens) for FA Profiles
Check back to this journal for updates or add-ons being considered: Or, drop a comment in the journal to suggest a icon!
The amazing Artist who worked tirelessly on this is
tiny-tuatara
You can find out more about Tiny Tuatara here: Tiny Tuatara's Carrd Website
Feel free to add your own sona to use the Tongueobet but you need to credit and link both Tiny Tuatara and Adux Relen
Note: This is only permission to use the Tongueobet, not Adux Relen as a sona for any Artworks.
Commissioners ToS
Posted 3 years agoAfter many weeks of reviewing, I think im done with my Terms when I commission artists. There might be a tweak or two here and there from time to time as this is implemented.
See the previous reason as to why im doing this: https://www.furaffinity.net/journal/10174829
Just to be clear, im really a easy going commissioner: I'm just tired of being used, abused, lied to, dishonest business practices, manipulating me, etc from artist's who I commission.
Terms for when "I" Commission
Simplified Version (TLDR) â "Suggest to read the Complex Version"
1. I'm commissioning you, youâre working as hired labor, your art is still your own and I will not claim it as my own.
2. I (REQUIRE) the âOriginal Source Fileâ unmerged and unaltered after the work is complete and I will not take credit for your work or claim it as my own or resell it. This is for archiving purposes only. I will chargeback if all layers are merged or denied the "Original Working File" when the project is done. (Some Exceptions Apply, See Complex Version)
3. Do not ignore, ghost or decide to not respond to me when I am following up or asking a question. I will warn you after weeks of no response then after more week will charge back.
4. We both have lives, just give each of us time to review the work while in progress.
5. I pay only when your ready to start work (No Exceptions regardless of ToS).
6. My commissions should be completed within sixty (60) days.
7. Unlimited WIP's are allowed (Within Reason) unless specified or depending on the artist's style/work.
8. Do not post the art when it's finished until we agree.
9. Changes to these terms and conditions can change anytime.
10. Private Information remains private and Consequences will follow if released.
Complex Version (More Detailed)
1. Capacity of Artist
a. [ARTIST] understands, agrees and acknowledges that the work performed is specifically commissioned for [CLIENT] as "work made for hire"
b. [CLIENT] understands and acknowledges that the [ARTIST] work still is their own and [CLIENT] will not claim said work as their own.
2. Working Project Data
a. Artist understands and agrees to provide a copy of the original source file along with the completed work in PNG.
b. [CLIENT] understands and agrees to not take credit for the work performed by the [ARTIST].
c. [ARTIST] understands and acknowledges that paying for their services do not warrant the artist to keep all materials from [CLIENT].
d. [ARTIST] understands that the original file or source file created for said work is part of the work performed.
3. Consolidation of Work
a. Under no circumstances the artist will not merge any layers created in the original working file during the project.
b. Merging of layers will violate and void the terms herein and prompt an immediate Refund/Chargeback after completion.
c. Refunds/Chargebacks will be evaluated based on work performed.
d. The above "b and c" rules are enforceable if [ARTIST] has not communicated working stages of said project or skipped a stage with approval by [CLIENT].
e. [CLIENT] understands if [ARTIST] has a particular style used and no layers are used, [ARTIST] must convey and specify their method of work prior to project start.
4. Work Stages & Approvals
a. Artist agrees to provide WIP's (Work in Progress) shots of the work being performed.
b. The [ARTIST] understand and acknowledges that the [CLIENT] must approve each phase of the work being performed.
c. If approval is not obtainable by [CLIENT], [ARTIST] shall wait till approval is given.
d. [CLIENT] understands and acknowledges that approval for each WIP provided by the [ARTIST] must give [CLIENT] up to two (2) days from submission by [ARTIST] to review or redline for corrections.
e. Work completed by [ARTIST] without approval of each step or stage by [CLIENT] will break the herein terms and prompt a charge back.
f. [CLIENT] will not be held accountable for time or work lost due to [ARTIST] neglect to show work progress and appropriate approvals.
g. If an unforeseen circumstance comes up for either [CLIENT] or [ARTIST], each party shall make it known and agree to the hold or brief pause in work.
5. Modifications & Edit's
a. [ARTIST] understands and acknowledges that WIP changes have no limits unless specified by [ARTIST] before project acceptance and payment.
b. [CLIENT] understand that not all changes can be made after a certain period but minor alterations can be made.
c. [ARTIST] must convey to [CLIENT] prior to accepting work and defile at what point "If Any" what is applicable for any changes to be made on the project.
6. Payment & Wait Time
a. [ARTIST] agrees to take payment only when theyâre ready to start on the agreed [CLIENT] project.
b. [ARTIST] agrees to hold the in-line project position in their queue without payment until ready to work.
c. [ARTIST] understands and acknowledges that there is a time limit of sixty (60) days from date of payment to complete agreed upon project.
d. In the event that the above "c" pre-defined timeframe has passed, [CLIENT] will evaluate [ARTIST] progress and will require a refund/chargeback if no significant progress has been made.
e. After [CLIENT] evaluates said uncomplete project, [ARTIST] must come up with a reasonable accommodation or provide a discount refund.
f. In the event the project is deemed complicated by [ARTIST], [CLIENT] must adhere by the reasonable timeframe given by [ARTIST] but not to exceed six (6) months from date of payment.
7. Terms of Service Changes
a. Changes to these terms and conditions can change anytime
8. Client & Artist Privacy
a. [ARTIST] agrees to not release, discuss or disclose [CLIENT] personal information in any form: i.e.: Email, Address, Phone, Work, Name, Personal Social Media's or whatever ties the person to Adux Relen.
b. [ARTIST] understands even if a disagreement, cancellation or walk-off by either [CLIENT] or [ARTIST] both are to keep information private forever.
c. [ARTIST] understands that [CLIENT] will make it known publicly and raise issue with the merchant processor if private information is released.
d. [CLINET] will put [ARTIST] on a blacklist and publicly display this list.
See the previous reason as to why im doing this: https://www.furaffinity.net/journal/10174829
Just to be clear, im really a easy going commissioner: I'm just tired of being used, abused, lied to, dishonest business practices, manipulating me, etc from artist's who I commission.
Terms for when "I" Commission
Simplified Version (TLDR) â "Suggest to read the Complex Version"
1. I'm commissioning you, youâre working as hired labor, your art is still your own and I will not claim it as my own.
2. I (REQUIRE) the âOriginal Source Fileâ unmerged and unaltered after the work is complete and I will not take credit for your work or claim it as my own or resell it. This is for archiving purposes only. I will chargeback if all layers are merged or denied the "Original Working File" when the project is done. (Some Exceptions Apply, See Complex Version)
3. Do not ignore, ghost or decide to not respond to me when I am following up or asking a question. I will warn you after weeks of no response then after more week will charge back.
4. We both have lives, just give each of us time to review the work while in progress.
5. I pay only when your ready to start work (No Exceptions regardless of ToS).
6. My commissions should be completed within sixty (60) days.
7. Unlimited WIP's are allowed (Within Reason) unless specified or depending on the artist's style/work.
8. Do not post the art when it's finished until we agree.
9. Changes to these terms and conditions can change anytime.
10. Private Information remains private and Consequences will follow if released.
Complex Version (More Detailed)
1. Capacity of Artist
a. [ARTIST] understands, agrees and acknowledges that the work performed is specifically commissioned for [CLIENT] as "work made for hire"
b. [CLIENT] understands and acknowledges that the [ARTIST] work still is their own and [CLIENT] will not claim said work as their own.
2. Working Project Data
a. Artist understands and agrees to provide a copy of the original source file along with the completed work in PNG.
b. [CLIENT] understands and agrees to not take credit for the work performed by the [ARTIST].
c. [ARTIST] understands and acknowledges that paying for their services do not warrant the artist to keep all materials from [CLIENT].
d. [ARTIST] understands that the original file or source file created for said work is part of the work performed.
3. Consolidation of Work
a. Under no circumstances the artist will not merge any layers created in the original working file during the project.
b. Merging of layers will violate and void the terms herein and prompt an immediate Refund/Chargeback after completion.
c. Refunds/Chargebacks will be evaluated based on work performed.
d. The above "b and c" rules are enforceable if [ARTIST] has not communicated working stages of said project or skipped a stage with approval by [CLIENT].
e. [CLIENT] understands if [ARTIST] has a particular style used and no layers are used, [ARTIST] must convey and specify their method of work prior to project start.
4. Work Stages & Approvals
a. Artist agrees to provide WIP's (Work in Progress) shots of the work being performed.
b. The [ARTIST] understand and acknowledges that the [CLIENT] must approve each phase of the work being performed.
c. If approval is not obtainable by [CLIENT], [ARTIST] shall wait till approval is given.
d. [CLIENT] understands and acknowledges that approval for each WIP provided by the [ARTIST] must give [CLIENT] up to two (2) days from submission by [ARTIST] to review or redline for corrections.
e. Work completed by [ARTIST] without approval of each step or stage by [CLIENT] will break the herein terms and prompt a charge back.
f. [CLIENT] will not be held accountable for time or work lost due to [ARTIST] neglect to show work progress and appropriate approvals.
g. If an unforeseen circumstance comes up for either [CLIENT] or [ARTIST], each party shall make it known and agree to the hold or brief pause in work.
5. Modifications & Edit's
a. [ARTIST] understands and acknowledges that WIP changes have no limits unless specified by [ARTIST] before project acceptance and payment.
b. [CLIENT] understand that not all changes can be made after a certain period but minor alterations can be made.
c. [ARTIST] must convey to [CLIENT] prior to accepting work and defile at what point "If Any" what is applicable for any changes to be made on the project.
6. Payment & Wait Time
a. [ARTIST] agrees to take payment only when theyâre ready to start on the agreed [CLIENT] project.
b. [ARTIST] agrees to hold the in-line project position in their queue without payment until ready to work.
c. [ARTIST] understands and acknowledges that there is a time limit of sixty (60) days from date of payment to complete agreed upon project.
d. In the event that the above "c" pre-defined timeframe has passed, [CLIENT] will evaluate [ARTIST] progress and will require a refund/chargeback if no significant progress has been made.
e. After [CLIENT] evaluates said uncomplete project, [ARTIST] must come up with a reasonable accommodation or provide a discount refund.
f. In the event the project is deemed complicated by [ARTIST], [CLIENT] must adhere by the reasonable timeframe given by [ARTIST] but not to exceed six (6) months from date of payment.
7. Terms of Service Changes
a. Changes to these terms and conditions can change anytime
8. Client & Artist Privacy
a. [ARTIST] agrees to not release, discuss or disclose [CLIENT] personal information in any form: i.e.: Email, Address, Phone, Work, Name, Personal Social Media's or whatever ties the person to Adux Relen.
b. [ARTIST] understands even if a disagreement, cancellation or walk-off by either [CLIENT] or [ARTIST] both are to keep information private forever.
c. [ARTIST] understands that [CLIENT] will make it known publicly and raise issue with the merchant processor if private information is released.
d. [CLINET] will put [ARTIST] on a blacklist and publicly display this list.
Commissioner's Terms of Service for Artist's (WIP)
Posted 3 years agoWell, I've been mulling over this journal post for a while now because I know how the community is over these kind of topics.
As most of you know, I commission ~ALOT~ and see ton's of ToS's (Terms of Services) from artists to there commissioners and dictations being made only one sided. You have to understand where your customers are coming from and put yourself in there shoes once in a while to get a understanding if what your doing is fair to them and if you are being fair in return.
This post is in response to many.. Many... MANY!!! Months of issues. I'm really tired of being ripped off by some artists, lied to, money taken then pushed back in a queue because the artist needs money now and takes other commissions and then ghosts me till there ready to finish my order after many months, destroying/loosing or accidentally deleting the original file for when I need to pay for a correction or loosing that particular art piece FOREVER (That I paid for), Artist's finishing a piece without my input from just seeing a rough sketch. This list can go on and on and on. All I want to do is bare the art I buy and preserve it since it's my money being used to pay other artists to create amazing master pieces.
So, this is not fair that many artists can dictate there terms for commissions to there clients and be one sided. It's not fair, nor is it right or ethical to the client.
That's why I'm thinking of implementing a commissioners Tos (Terms of Service) for the artist that when I commission, so there's no mis-communications.
These terms are extremely fair and within reason as far as I've observed and gathered feedback from other artists, other commissioners and outside feedback.
Some of these may seem controversial and I'm open to discussion (In Notes, DM's or Telegram) but want to see what people think of it. It's still a WIP (Work in Progress) so things can change based on community feedback.
Terms for [Artist Name] Commission
Capacity of Artist
1) The [ARTIST] understands and agrees that they are being hired as a independent contractor with no rights to benefits for there skills to produce content per specified by the [CLIENT] per project.
s1) [ARTIST] understands, agrees and acknowledges that the work performed is specifically commissioned for [CLIENT] as "work made for hire"
s2) [CLIENT] understands and acknowledges that the [ARTIST] work still is there own and [CLIENT] will not claim said work as there own.
Working Project Data
2) Artist understands and agrees to provide a copy of the original source file along with the completed work.
s1) [CLIENT] understands and agrees to not take credit for the work preformed by the [ARTIST].
s2) [ARTIST} understands and acknowledges that paying for there services do not warrant the artist to keep all materials from [CLIENT].
s3) [ARTIST] understands that the original file or source file created for said work is part of the work performed.
Consolidation of Work
3) Under no circumstances the artist will not merge any layers created in the original working file during the project.
s1) Merging of layers will violate and void the terms herein and prompt a immediate refund.
s2) Refunds/Chargebacks will be evaluated based on work performed and possible corrections that can be made (If applicable)
s3) The above "s1/s2" rules are enforceable if [ARTIST] has not communicated working stages of said project or skipped a stage with approval by [CLIENT].
s4) [CLIENT] understands if [ARTIST] has a particular style used and no layers are used, [ARTIST] must convey and specify there method of work prior to project start.
Work Stages & Approvals
4) Artist agrees to provide WIP's (Work in Progress) shots of the work being performed.
s1) The [ARTIST] understand and acknowledges that the [CLIENT] must approve each phase of the work being performed.
s2) If approval is not obtainable by [CLIENT], [ARTIST] shall wait till approval is given.
s3) [CLIENT] understands and acknowledges that approval for each WIP provided by the [ARTIST] must give [CLIENT] up to two (2) days from submission by [ARTIST] to review or redline for corrections.
s4) Work completed by [ARTIST] without approval of each step or stage by [CLIENT] will break the herein terms and prompt a charge back.
c1) [CLIENT] will not be held accountable for time or work lost due to [ARTIST] neglect to show work progress and appropriate approvals.
s5) If a unforeseen circumstance comes up for either [CLIENT] or [ARTIST], each party shall make it known and agree to the hold or brief pause in work.
Modifications & Edit's
5) [ARTIST] understands and acknowledges that WIP changes have no limits unless specified by [ARTIST] before project acceptance and payment.
s1) [CLIENT] understand that not all changes can be made after a certain period but minor alterations can be made.
s2) [ARTIST] must convey to [CLIENT] prior to accepting work and defile at what point "If Any" what is applicable for any changes to be made on the project.
Payment & Wait Time
6) [ARTIST] agrees to take payment only when there ready to start on the agreed [CLIENT] project.
s1) [ARTIST] agrees to hold in line project position in there queue without payment until ready to work.
s2) [ARTIST] understands and acknowledges that there is a time limit of sixty (60) days from date of payment to complete agreed upon project.
c1) In the event that the above "s2" pre-defined timeframe has passed, [CLIENT] will evaluate [ARTIST] progress if agreed project is not complete.
c2) After [CLIENT] evaluates said uncomplete project, [ARTIST] must come up with a reasonable accommodation or provide a discount refund.
s3) In the event the project is deemed complicated by [ARTIST], [CLIENT] must adhere by the reasonable timeframe given by [ARTIST] but not to exceed six (6) months from date of payment.
As most of you know, I commission ~ALOT~ and see ton's of ToS's (Terms of Services) from artists to there commissioners and dictations being made only one sided. You have to understand where your customers are coming from and put yourself in there shoes once in a while to get a understanding if what your doing is fair to them and if you are being fair in return.
This post is in response to many.. Many... MANY!!! Months of issues. I'm really tired of being ripped off by some artists, lied to, money taken then pushed back in a queue because the artist needs money now and takes other commissions and then ghosts me till there ready to finish my order after many months, destroying/loosing or accidentally deleting the original file for when I need to pay for a correction or loosing that particular art piece FOREVER (That I paid for), Artist's finishing a piece without my input from just seeing a rough sketch. This list can go on and on and on. All I want to do is bare the art I buy and preserve it since it's my money being used to pay other artists to create amazing master pieces.
So, this is not fair that many artists can dictate there terms for commissions to there clients and be one sided. It's not fair, nor is it right or ethical to the client.
That's why I'm thinking of implementing a commissioners Tos (Terms of Service) for the artist that when I commission, so there's no mis-communications.
These terms are extremely fair and within reason as far as I've observed and gathered feedback from other artists, other commissioners and outside feedback.
Some of these may seem controversial and I'm open to discussion (In Notes, DM's or Telegram) but want to see what people think of it. It's still a WIP (Work in Progress) so things can change based on community feedback.
Terms for [Artist Name] Commission
Capacity of Artist
1) The [ARTIST] understands and agrees that they are being hired as a independent contractor with no rights to benefits for there skills to produce content per specified by the [CLIENT] per project.
s1) [ARTIST] understands, agrees and acknowledges that the work performed is specifically commissioned for [CLIENT] as "work made for hire"
s2) [CLIENT] understands and acknowledges that the [ARTIST] work still is there own and [CLIENT] will not claim said work as there own.
Working Project Data
2) Artist understands and agrees to provide a copy of the original source file along with the completed work.
s1) [CLIENT] understands and agrees to not take credit for the work preformed by the [ARTIST].
s2) [ARTIST} understands and acknowledges that paying for there services do not warrant the artist to keep all materials from [CLIENT].
s3) [ARTIST] understands that the original file or source file created for said work is part of the work performed.
Consolidation of Work
3) Under no circumstances the artist will not merge any layers created in the original working file during the project.
s1) Merging of layers will violate and void the terms herein and prompt a immediate refund.
s2) Refunds/Chargebacks will be evaluated based on work performed and possible corrections that can be made (If applicable)
s3) The above "s1/s2" rules are enforceable if [ARTIST] has not communicated working stages of said project or skipped a stage with approval by [CLIENT].
s4) [CLIENT] understands if [ARTIST] has a particular style used and no layers are used, [ARTIST] must convey and specify there method of work prior to project start.
Work Stages & Approvals
4) Artist agrees to provide WIP's (Work in Progress) shots of the work being performed.
s1) The [ARTIST] understand and acknowledges that the [CLIENT] must approve each phase of the work being performed.
s2) If approval is not obtainable by [CLIENT], [ARTIST] shall wait till approval is given.
s3) [CLIENT] understands and acknowledges that approval for each WIP provided by the [ARTIST] must give [CLIENT] up to two (2) days from submission by [ARTIST] to review or redline for corrections.
s4) Work completed by [ARTIST] without approval of each step or stage by [CLIENT] will break the herein terms and prompt a charge back.
c1) [CLIENT] will not be held accountable for time or work lost due to [ARTIST] neglect to show work progress and appropriate approvals.
s5) If a unforeseen circumstance comes up for either [CLIENT] or [ARTIST], each party shall make it known and agree to the hold or brief pause in work.
Modifications & Edit's
5) [ARTIST] understands and acknowledges that WIP changes have no limits unless specified by [ARTIST] before project acceptance and payment.
s1) [CLIENT] understand that not all changes can be made after a certain period but minor alterations can be made.
s2) [ARTIST] must convey to [CLIENT] prior to accepting work and defile at what point "If Any" what is applicable for any changes to be made on the project.
Payment & Wait Time
6) [ARTIST] agrees to take payment only when there ready to start on the agreed [CLIENT] project.
s1) [ARTIST] agrees to hold in line project position in there queue without payment until ready to work.
s2) [ARTIST] understands and acknowledges that there is a time limit of sixty (60) days from date of payment to complete agreed upon project.
c1) In the event that the above "s2" pre-defined timeframe has passed, [CLIENT] will evaluate [ARTIST] progress if agreed project is not complete.
c2) After [CLIENT] evaluates said uncomplete project, [ARTIST] must come up with a reasonable accommodation or provide a discount refund.
s3) In the event the project is deemed complicated by [ARTIST], [CLIENT] must adhere by the reasonable timeframe given by [ARTIST] but not to exceed six (6) months from date of payment.
~Commissions in the Works~
Posted 3 years agoIt's been a while since i've updated this list and all of these were done
Will be updating soon since i've been busy for over a year updating my FA.
Will be updating soon since i've been busy for over a year updating my FA.
UPDATE | Discord Hack!
Posted 4 years agoI've got *Grrrrr*eat news!
After email after email, twitter post after re-tweet to other methods of communication.
I'VE BEEN GIVEN MY ACCOUNT BACK!!!!
Adux Relen#0001 is back!!!
The even better news is that other accounts that were hacked are being given back to there rightful owners. The only thing that disturbs me is the amount of Nitro purchases made under illegal circumstances, discord has not done anything about those fraudulent charges yet.
We will see!
After email after email, twitter post after re-tweet to other methods of communication.
I'VE BEEN GIVEN MY ACCOUNT BACK!!!!
Adux Relen#0001 is back!!!
The even better news is that other accounts that were hacked are being given back to there rightful owners. The only thing that disturbs me is the amount of Nitro purchases made under illegal circumstances, discord has not done anything about those fraudulent charges yet.
We will see!
Please Re-Tweet this if you can! Discord Account Hack!
Posted 4 years agoTwitter Link to Re-Tweet
Or Use this Link: https://twitter.com/AduxRelen/statu.....78361041342467
Context: My Discord account Adux Relen#0001 was hi-jacked from me back on 10/19 and tons of Discord Nitro was purchased and can't get refunded.
Excess of nitro is over $900+ in Costs from many purchases of Nitro 1 year purchases.
I had 2FA, Phone Number & a very secure password and still my account was taken.
Discord was notified and will not care and refuses to listen to me.
If anyone who sees this Journal, please re-tweet this.
Thank for reading
Or Use this Link: https://twitter.com/AduxRelen/statu.....78361041342467
Context: My Discord account Adux Relen#0001 was hi-jacked from me back on 10/19 and tons of Discord Nitro was purchased and can't get refunded.
Excess of nitro is over $900+ in Costs from many purchases of Nitro 1 year purchases.
I had 2FA, Phone Number & a very secure password and still my account was taken.
Discord was notified and will not care and refuses to listen to me.
If anyone who sees this Journal, please re-tweet this.
Thank for reading
Discord Account Hacked
Posted 4 years agoJust now my discord account was hacked
Adux Relen#0001
Adux Relen#0001
Writing.. is.. ~VERY HARD~ | Update 3
Posted 4 years agoStill in progress.... *sigh*
Writing.. is.. ~VERY HARD~ | Update 2
Posted 4 years agoI'm still waiting for some friends to give me some feedback and such before I finalize my backstory.
My Friday goal has well over passed.
Oh well *sigh*
My Friday goal has well over passed.
Oh well *sigh*
Writing.. is.. ~VERY HARD~ | Update 1
Posted 4 years agoIt's been difficult writing the backstory.
A lot has gone into it and been asking friends to evaluate and give me feedback. This is not the easiest thing ive written in a very long time.
Just wish that I could get this done by tomorrow but that may not be the case.
We will see....
A lot has gone into it and been asking friends to evaluate and give me feedback. This is not the easiest thing ive written in a very long time.
Just wish that I could get this done by tomorrow but that may not be the case.
We will see....
Writing.. is.. ~VERY HARD~
Posted 4 years agoWell, it's been an interesting stoll down backstory lane.
Writing about my sona's past is nothing easy when it parallels your own life to some extent.
Hopefully be done writing this story by the end of the week
We will see....
Writing about my sona's past is nothing easy when it parallels your own life to some extent.
Hopefully be done writing this story by the end of the week
We will see....
~News~ 5-14-2021
Posted 4 years agoSo, this is my personal little space on FA!
Many of you who don't know me and stumble upon this profile may have known me by "Tyger Bi Syberis" a character in a space opera that im trying to write.
This account is my personal sona account where I will be adding cool stuffs like: Cooking Stuffs, Tech Stuffs, My Learning Curves in Drawing/Art, Hobbies, etc.
However, after many MANY years... I've finally created my Sona instead of mimicking my characters for the book I'm writing.
I'm excited and grateful to my friends who are helping me come up with my awesome personality that matches my real life qualities and characteristics.
A serious shoutout to my friends who are supporting me and helping me right now create my awesome self!
ravoilie &
bravesoldierphil
It means a lot to me for helping me make this decision and design.
Many of you who don't know me and stumble upon this profile may have known me by "Tyger Bi Syberis" a character in a space opera that im trying to write.
This account is my personal sona account where I will be adding cool stuffs like: Cooking Stuffs, Tech Stuffs, My Learning Curves in Drawing/Art, Hobbies, etc.
However, after many MANY years... I've finally created my Sona instead of mimicking my characters for the book I'm writing.
I'm excited and grateful to my friends who are helping me come up with my awesome personality that matches my real life qualities and characteristics.
A serious shoutout to my friends who are supporting me and helping me right now create my awesome self!


It means a lot to me for helping me make this decision and design.