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More from Mulefoot
Now that they've left the Maple Log, they're on a mission. Question is...is it a suicide mission? *chuckles*
Just another page from the ongoing story "Scene of the Crime" in my webcomic, SLOP.
www.rustedtusks.com
Just another page from the ongoing story "Scene of the Crime" in my webcomic, SLOP.
www.rustedtusks.com
Category Artwork (Traditional) / Comics
Species Dog (Other)
Size 700 x 1036px
File Size 302.4 kB
BTW, I really like the way you cross-hatch rita! It gives her face a lot of structure, just by changing the angle of the lines!
Very minor dialogue critique:
"I'm not looking for trouble, Tony. I'm looking for justice."
might work very slightly better with
"I'm not looking to defend myself, Tony. I'm looking for justice"
*lovin it!*
Very minor dialogue critique:
"I'm not looking for trouble, Tony. I'm looking for justice."
might work very slightly better with
"I'm not looking to defend myself, Tony. I'm looking for justice"
*lovin it!*
*hrrms*
Wonder if -he- survives this stakeout, actually.
Fans might shriek of Muley died, but that doesn't preclude lots of other flashbacks and the like - How many lives has he ended, how many more has he indirectly affected with his actions? Every murder has ripple effects we only see the faintest hints of, only what the writer allows us to see.
I could see a huge portion of the comic (with or without Mulefoot being alive in it) of just the profilers working on his case, looking back ten, twenty years and piecing everything together - or maybe a journalist writing a book, fascinated witht he character, interviewing the profilers, survivors, acquaintances ...
Not that I'm suggesting that plot device either, I just could see it, eventually.
Wonder if -he- survives this stakeout, actually.
Fans might shriek of Muley died, but that doesn't preclude lots of other flashbacks and the like - How many lives has he ended, how many more has he indirectly affected with his actions? Every murder has ripple effects we only see the faintest hints of, only what the writer allows us to see.
I could see a huge portion of the comic (with or without Mulefoot being alive in it) of just the profilers working on his case, looking back ten, twenty years and piecing everything together - or maybe a journalist writing a book, fascinated witht he character, interviewing the profilers, survivors, acquaintances ...
Not that I'm suggesting that plot device either, I just could see it, eventually.
Wow... I've got to admit, that got my heart running a bit faster. Very much a "Ohhhhh shit" moment, here...
Very impressive :>
"And I have you," even if it's a coincidence, seems horribly ominous. I don't know if she knows anything, but I'd certainly be worrying about it then...
Very impressive :>
"And I have you," even if it's a coincidence, seems horribly ominous. I don't know if she knows anything, but I'd certainly be worrying about it then...
Well you know Rita said she received the payment Muley owed her. And back in the first story, the Dry Run, there was that bloody envelope on the motel room floor with Rita Robinson's address on it. And then at the end of Little White Packets, where your twin was pigfood we see that crazy dog talking about killing a certain Fel (deer) and Tony not even knowing he was there.
So conceiveably Pommy know where to find Rita.
So conceiveably Pommy know where to find Rita.
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