was just trying to find my niche again,
sometimes i have a hard time getting into the grove of things.
not sure why, all this week and last seem to really be a weird week
for me in a way that it's been a little hard to draw the things I wanted
to draw properly, and this image is no exception.
the table is all weird, I had no idea it was wobbly like this until i saw it
scanned in on the computer, of course even when I write or draw I usually
hold my paper side ways, and yet trying to illustrate that makes the paper
look as though it is being held straight... that one is weird, lol.
but hopefully things will pick up a little bit,
I'm starting to get back to normal, for some reason curves and circles
and bizarre shapes are a lot easier to draw then straight lines.
oh what a terrible curse, lol.
hope you guys dig,
I'll get back together soon.
just needed a few scratches
to make things right.
I need to stop trying and start doing.
sometimes i have a hard time getting into the grove of things.
not sure why, all this week and last seem to really be a weird week
for me in a way that it's been a little hard to draw the things I wanted
to draw properly, and this image is no exception.
the table is all weird, I had no idea it was wobbly like this until i saw it
scanned in on the computer, of course even when I write or draw I usually
hold my paper side ways, and yet trying to illustrate that makes the paper
look as though it is being held straight... that one is weird, lol.
but hopefully things will pick up a little bit,
I'm starting to get back to normal, for some reason curves and circles
and bizarre shapes are a lot easier to draw then straight lines.
oh what a terrible curse, lol.
hope you guys dig,
I'll get back together soon.
just needed a few scratches
to make things right.
I need to stop trying and start doing.
Category Artwork (Traditional) / General Furry Art
Species Monkey
Size 1000 x 644px
File Size 139.6 kB
You know, speaking of perspective...it was during you doing me the Gos/Darkwing pic that I realized that the way you did her face looked a lot like somebody had applied a skewing aka shearing effect on it in Photoshop or a similar program.
Here's a little demonstration of the effect: http://en.wikipedia.org/wiki/File:V.....r_m%3D1.25.svg The blue one is the original, and the green one is the "skewed" or "sheared" one.
So when you'd send me the final result, I applied the effect on her face in the other direction (so it would cancel out any such effect in the first place) in Paint Shop Pro, and then it looked fine for me and I uploaded it like that.
And ever since then, I've started realizing that people who need more experience in drawing faces seem to be accidentally applying this effect on faces. I dunno, maybe it's something to do with how the human brain processes perspective?
Make of this what you will, but maybe doing in Photoshop what I did could help your perspective on the desk and similar stuff?
Here's a little demonstration of the effect: http://en.wikipedia.org/wiki/File:V.....r_m%3D1.25.svg The blue one is the original, and the green one is the "skewed" or "sheared" one.
So when you'd send me the final result, I applied the effect on her face in the other direction (so it would cancel out any such effect in the first place) in Paint Shop Pro, and then it looked fine for me and I uploaded it like that.
And ever since then, I've started realizing that people who need more experience in drawing faces seem to be accidentally applying this effect on faces. I dunno, maybe it's something to do with how the human brain processes perspective?
Make of this what you will, but maybe doing in Photoshop what I did could help your perspective on the desk and similar stuff?
Here's another example: http://keith-hair.net/blog/examples.....ew_diagram.gif
The effect basically means that if you have a rectangle with four sides, one set of two opposing sides will stay the same, while the other set of opposing lines is moved around. Think of it like a frame with lose screws in the corners so the frame will keep bouncing or sagging out of shape while the solid sides themselves stay straight.
The effect basically means that if you have a rectangle with four sides, one set of two opposing sides will stay the same, while the other set of opposing lines is moved around. Think of it like a frame with lose screws in the corners so the frame will keep bouncing or sagging out of shape while the solid sides themselves stay straight.
Speaking of perspective, perhaps it would help to sketch out the inanimate objects, then lay out construction lines to vanishing points, and use them to 'correct'/'fine tune' the objects.
This image from the Wikipedia article on perspective may help illustrate my point: http://en.wikipedia.org/wiki/File:Perspective1.jpg
If the vanishing points are off the page, you might be able to 'cheat it' using a ruler. Very lightly, draw construction lines along the top edges of the table, then draw parallel vertical lines where the table top construction lines intersect. then measure the length of the leg closest to the viewer, and make a mark on the other vertical lines the same distance down from the intersections, then draw the other legs down to those marks.
It just takes practice and perseverance. And with all the other artists here, you should be able to get all the advice and guidance you need. Everyone's better at different things. I tend to be good at 'technical layouts,' but I stink at getting body proportions right. you are still learning how to draw inanimate things in detail, but your grasp of anatomy is amazing.
This image from the Wikipedia article on perspective may help illustrate my point: http://en.wikipedia.org/wiki/File:Perspective1.jpg
If the vanishing points are off the page, you might be able to 'cheat it' using a ruler. Very lightly, draw construction lines along the top edges of the table, then draw parallel vertical lines where the table top construction lines intersect. then measure the length of the leg closest to the viewer, and make a mark on the other vertical lines the same distance down from the intersections, then draw the other legs down to those marks.
It just takes practice and perseverance. And with all the other artists here, you should be able to get all the advice and guidance you need. Everyone's better at different things. I tend to be good at 'technical layouts,' but I stink at getting body proportions right. you are still learning how to draw inanimate things in detail, but your grasp of anatomy is amazing.
i don't know why that is,
i think i just feel movement a lot better then I do stillness.
and as for the table, I actually did use that method for it,
but you have to consider the angel between the person and the object.
it's like neokat isn't sitting in the same dimension as the table. lol
but thanks for the advice.
i think i just feel movement a lot better then I do stillness.
and as for the table, I actually did use that method for it,
but you have to consider the angel between the person and the object.
it's like neokat isn't sitting in the same dimension as the table. lol
but thanks for the advice.
no, but i got on a boat and started tearing ass for no reason.
although I did find out the laughing joker faces name.
I had to look it up,
I'm actually in a battle with him, but thought i would save it for a stream,
mainly because of how ridiculous this battle is, you have to keep shooting him
until he talks, then you have to change your icon to click on him then speak
to him. HOW WOULD YOU KNOW THAT?!,
but anyways, I figured it out....by cheating and looking it up, but I'll save the
battle for the next game stream.
although I did find out the laughing joker faces name.
I had to look it up,
I'm actually in a battle with him, but thought i would save it for a stream,
mainly because of how ridiculous this battle is, you have to keep shooting him
until he talks, then you have to change your icon to click on him then speak
to him. HOW WOULD YOU KNOW THAT?!,
but anyways, I figured it out....by cheating and looking it up, but I'll save the
battle for the next game stream.
Perspective is one of the hardest things in art. You can draw incredibly )as you do) but even the greatest artists don't have perspective. I personally love your work and have never noticed any errors. If I ever do notice one, I will still love your art, because the incredible skill with which you wield a pencil.
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