Commission for Orion Laguna. I'm really loving the new and very easy-to-do fur technique. :)
Orion Laguna © Ryan Closs
Art © S. Henson 2008
Orion Laguna © Ryan Closs
Art © S. Henson 2008
Category Artwork (Digital) / General Furry Art
Species Wolf
Size 680 x 850px
File Size 405.1 kB
Your work is very well done Inali. It seems that you put a lot of time into everything so that people get the best out of what they pay for. I think that once my best friend
blinque gets my referance sheet done and my other requests done i'll be looking to get a commission of two from my favorite artists. ^^ You happen to be very high on that list. How often do you have openings for commissions?
blinque gets my referance sheet done and my other requests done i'll be looking to get a commission of two from my favorite artists. ^^ You happen to be very high on that list. How often do you have openings for commissions?
I like the look of it for the most part. I think it could have benefitted from a defined light source. Right now it's hard to tell where the light is coming from exactly. I realize it's a forest,and that the light may be very diffuse, but it doesn't hurt to push the source just a tad, especially to add definition to the textures and such. The background trees are a nice touch, but the foreground tree's bark, while textured, feels very flat, probably due to the lighting issue described above. Even in ambient lighting, the rough bark of a tree will be strongly delineated. The same goes for the grass, which has no real texture at all.
The composition also feels "off" to me. You have large negative space behind the head, which is good, but the position and angle of the foreground tree leads my eyes to his belly and crotch; I find my eyes fight back and forth between there and the head. The composition might have been strengthened by brining the head more towards the trunk of the tree, so the eye flows easily to it. Also, the torso seems very strongly contorted--that fur has got one hell of a twisty spine!
That's about all I have time to comment on. Still, good work there, and I'm sure the commissioner is very happy with it. ^^
The composition also feels "off" to me. You have large negative space behind the head, which is good, but the position and angle of the foreground tree leads my eyes to his belly and crotch; I find my eyes fight back and forth between there and the head. The composition might have been strengthened by brining the head more towards the trunk of the tree, so the eye flows easily to it. Also, the torso seems very strongly contorted--that fur has got one hell of a twisty spine!
That's about all I have time to comment on. Still, good work there, and I'm sure the commissioner is very happy with it. ^^
Thanks hun! :D I appreciate the compliment! :) The rocks were actually very easy. I just do a layer of flat coloring, in this case a beige color, and with otherwise my burn tool set on low-medium or a darker color, I put in where I want my cracks in the rock to be. Then, I put another layer on top of the flat colors of the rock, set it to multiply and opacity about half, and used a grunge brush with a darker color. Instant rock texture. :3 I did another layer above that, but just set to normal, and used a natural brush in photoshop to create the moss. :) There ya go, rocks! :D It's a fun way to paint, but man, I ended up with near 75 layers on this piece. :(
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