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More from Myenia
Red Lantern - Conviction is a comic by rukis rukis and myenia myenia, which will be posted right here on FA, and eventually (once we've fixed the dang site) at http://www.red-lantern.net/ over the course of 2012-2013. Pages will update on Mondays, from this point on.
Disclaimer:
This comic is rated R, for graphic violence, adult language, and adult situations. We'll be releasing all plot-relevant pages online, absolutely free, but all graphic adult content will be withheld for the printed release.
The artwork in this comic is a combined effort of
rukis and 
myenia with both artists splitting background/character work. This comic is a labor of love. If you're going to post these images anywhere online, please have the courtesy to link them back to both artists. Thank you!
Red Lantern - The Crimson Divine is copyright Rukis and Alectorfencer and is available for sale through Sofawolf Press -
https://www.sofawolf.com/products/red-lantern-1
Disclaimer:
This comic is rated R, for graphic violence, adult language, and adult situations. We'll be releasing all plot-relevant pages online, absolutely free, but all graphic adult content will be withheld for the printed release.
The artwork in this comic is a combined effort of
rukis and 
myenia with both artists splitting background/character work. This comic is a labor of love. If you're going to post these images anywhere online, please have the courtesy to link them back to both artists. Thank you!Red Lantern - The Crimson Divine is copyright Rukis and Alectorfencer and is available for sale through Sofawolf Press -
https://www.sofawolf.com/products/red-lantern-1
Category All / All
Species Unspecified / Any
Size 891 x 1188px
File Size 243.8 kB
But they are!
And ;^; Amon is soooo SAD right now.
It's cynicism, pragmatism, fatalism, and resignation to his fate of being worked to death in the fields or sold for flesh and meat and so much pain for some sadistic slaver or owner..... Never mind that overweight, sadistic snail's prick of a bastard son, Ursino. He'd BREAK Amon, given a Third of a Chance to do so. I haven't forgotten about how Amon humiliated that fat, unsightly, fuck about 20 pages ago.... Was it 20? 23?
OMG. My chest hurts, I want to know what happens next so badly...
(Okay, okay, so I've just been having chest pains all damn week from stress, and worry about irl stuffs.)
Still, Can't wait for the next amazing page.
And ;^; Amon is soooo SAD right now.
It's cynicism, pragmatism, fatalism, and resignation to his fate of being worked to death in the fields or sold for flesh and meat and so much pain for some sadistic slaver or owner..... Never mind that overweight, sadistic snail's prick of a bastard son, Ursino. He'd BREAK Amon, given a Third of a Chance to do so. I haven't forgotten about how Amon humiliated that fat, unsightly, fuck about 20 pages ago.... Was it 20? 23?
OMG. My chest hurts, I want to know what happens next so badly...
(Okay, okay, so I've just been having chest pains all damn week from stress, and worry about irl stuffs.)
Still, Can't wait for the next amazing page.
Be honest with me for a sec. I want you to tell me how you feel about the last three panels. They're pretty much the same action drawn in 3 angles. The panels with the most emotion are the 3rd and 4th, so why the extended silence with his hand cupping Amon's cheek?
As a reader, I think it goes beyond a cliffhanger, and it 'KINDA' makes me annoyed. Feels like a filler when watching a series, ya know? Dunno, kinda want to know the thought process behind it. Both Rukis' an your approach. In my opinion to better it, is take the first panel and cut it in half, if just to distribute the amount of text, then take the burn the last panel. The page ends on at the same point, but flows a bit more.
Other than that, keep up the great work!
As a reader, I think it goes beyond a cliffhanger, and it 'KINDA' makes me annoyed. Feels like a filler when watching a series, ya know? Dunno, kinda want to know the thought process behind it. Both Rukis' an your approach. In my opinion to better it, is take the first panel and cut it in half, if just to distribute the amount of text, then take the burn the last panel. The page ends on at the same point, but flows a bit more.
Other than that, keep up the great work!
thanks for the feedback! We'll definitely consider it.
If you'd like my personal reasoning for drawing the scene out as I did, it's because the coming page involves a rather pivotal moment for the characters, and I felt every panel in this page was necessary to convey the approach towards that moment.
If you'd like my personal reasoning for drawing the scene out as I did, it's because the coming page involves a rather pivotal moment for the characters, and I felt every panel in this page was necessary to convey the approach towards that moment.
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