
Symphony no 3 "Slavyanskaya" - B. Kozhevnikov I. Allegro
Now back to band recordings. This is a performance of the first movement of Boris Kozhevnikov's Symphony no 3. I like the dance nature and energy of this piece, it's a very typical Russian sound that gets you going. This recording is a little rough around the edges but I still very much enjoyed working on it.
I am playing Timpani
Program Notes:
Slavyanskaya is a fairly conventional Russian-sounding symphony in four movements. The first is at times aggressive and lyrical, opening with a strong F-minor declamation. The second is a slow waltz with an exuberant episode in its coda. A spritely piccolo solo opens the third movement, a rondo which whizzes by at lightning speed. The fourth movement is an exuberant finale. Throughout the symphony, Kozhevnikov uses folk tunes from his native city of Novgorod as the sources of his melodic material. Although Kozhevnikov wrote Slavyanskaya in 1950, it did not receive its first performance in the U.S. until the late 1990s.
The word “Slavyanskaya” (in Russian Славянская) appears to be nothing more than a proper name. It’s also applied to a public square in Moscow, a fancy Radisson hotel also in Moscow, and a Russian brand of vodka.
...So if you haven't heard the news; moments after uploading this, I emailed a local wind ensemble saying I want to join. After two years of being inactive in bands, I am finally going to be playing under a conductor's baton again. More here: http://www.furaffinity.net/journal/5134254/
I am playing Timpani
Program Notes:
Slavyanskaya is a fairly conventional Russian-sounding symphony in four movements. The first is at times aggressive and lyrical, opening with a strong F-minor declamation. The second is a slow waltz with an exuberant episode in its coda. A spritely piccolo solo opens the third movement, a rondo which whizzes by at lightning speed. The fourth movement is an exuberant finale. Throughout the symphony, Kozhevnikov uses folk tunes from his native city of Novgorod as the sources of his melodic material. Although Kozhevnikov wrote Slavyanskaya in 1950, it did not receive its first performance in the U.S. until the late 1990s.
The word “Slavyanskaya” (in Russian Славянская) appears to be nothing more than a proper name. It’s also applied to a public square in Moscow, a fancy Radisson hotel also in Moscow, and a Russian brand of vodka.
...So if you haven't heard the news; moments after uploading this, I emailed a local wind ensemble saying I want to join. After two years of being inactive in bands, I am finally going to be playing under a conductor's baton again. More here: http://www.furaffinity.net/journal/5134254/
Category Music / Classical
Species Mouse
Size 120 x 112px
File Size 3.13 MB
Oooh! I remember this one. I played this (or tried to, it was my high school) probably around 1997 but I'd almost forgotten that it existed since then. How fun to hear it again!
I didn't know that it hadn't been performed here until the 90s. It must have been pretty popular around that time. Do you know if the Marine Band premiered it in the US? That would explain why my school tried to. XD
I didn't know that it hadn't been performed here until the 90s. It must have been pretty popular around that time. Do you know if the Marine Band premiered it in the US? That would explain why my school tried to. XD
I will quote Eduard Hanslick's review of Tchaikovsky's Violin Concerto. "I smell vodka!"
It sounds like an interesting work, with a lot of slavic hope and persistence despite the elements. The band seems to handle it okay in terms of the intensity and moments of quiet lyricism. Some of the passages are a little clumsy, but overall it holds together very well.
Dominus tecum
It sounds like an interesting work, with a lot of slavic hope and persistence despite the elements. The band seems to handle it okay in terms of the intensity and moments of quiet lyricism. Some of the passages are a little clumsy, but overall it holds together very well.
Dominus tecum
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