An acrylic and airbrush painting inspired by film noir.
A married couple comes home from a night on the town to find the husband's jealous mistress, waiting with a gun.
Done entirely with titanium white and carbon black acrylic paints - some airbrushing used for the walls and lighting.
I didn't count the amount of time spent - but I would estimate at about 150 hours total. This one took me a very long time.
The size and shape is also meant to mimic the aspect ratio of film noir of the 40s and 50s.
24"x32" acrylic paints and airbrush on illustration board.
I realize this is not furry, but I hope you all like it anyways =)
A married couple comes home from a night on the town to find the husband's jealous mistress, waiting with a gun.
Done entirely with titanium white and carbon black acrylic paints - some airbrushing used for the walls and lighting.
I didn't count the amount of time spent - but I would estimate at about 150 hours total. This one took me a very long time.
The size and shape is also meant to mimic the aspect ratio of film noir of the 40s and 50s.
24"x32" acrylic paints and airbrush on illustration board.
I realize this is not furry, but I hope you all like it anyways =)
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Furrywriter.
d.m.f.
I could tell at first glance you put a hell of a lot of effort into this. The time you spend on some of your artwork is time I spend whittling away at a game.
But I feel inspired to put more work into my own artistic endeavors, I am supposedly a writer, and actually dig in deep and work my ass off.
Truly you are an inspiration, truly.
I love your art, Kacey, whether it fits with the theme of this site or not. Keep making it, please!
The faces seem to capture that 50s art-period feel.
Keep this one safe.
You made this painting look absolutely amazing. The details are so...good, that I don't know what to say really, to give anything more constructive than...
DO IT AGAIN!!!
You are a lady of amazing, amazing talent.
Also +fav
Mark
/jealously!!
--Rick
This is amazing work! And I can totally appreciate so much time being put into a piece. I put nearly as much time into pieces that don't turn out nearly as awesome. Ok, maybe not 150 hours worth, but it sure feels like it sometimes. ^^
V.
Masterfully done.
great piece. You reall have the handle of paints =) The lighting is well done, too.
Amazing work Kacey!!
As for "not furry", you don't need to apologize for that, IMO. While there are a few twits who scream about "eww, hy00man!", a lot more people aren't so locked onto "furry" that anything that isn't automagically inspires feelings akin go revulsion. And, besides, it would only take a cursory glance at your gallery here to put a figurative bullet in the equally figurative head of the notion that you're not a furry artist.
Brilliant :)
Don't know what to say other then WOW!
And a fav.
that rugggggg aaaaaaa
It was more than worth the wait.
This is an astounding piece of work. There are a couple of minor errors in the gun, but that just shows that you have little knowledge of those. Easily corrected with some research.
It's definitely fav'ed, and will be a desktop wallpaper for me, along with 'Dragon Dance'. So you have created both of my desktops. Just wish I could afford one of your originals. . .
Nicolai
As usual, you are the best of the best....!
its amazing you did that with real media! I love the lighting, with the broken sunlight shining onto the wall from the blinds. very pretty!
I really like this large scale stuff you've been taking a liking to. You can really cram so much wonderful stuff into these pieces.
Thanks again for sharing. You do lovely work.
lol great job ^.^
So much about this picture is very good, but I find myself distracted by lines of perspective that never meet at vanishing points, and by certain angles that suggest a room that is not in the form of a square. Expressionistic images can benefit from these distortions, because they create a sense of wrongness; but in a picture like this one, with an emphasis on realism, these distortions suggest a lack of craftsmanship -- an unfortunate lapse in an image otherwise well done.
Another problem is that these distortions can break up the visual rhythms and flow of a picture, and make the composition seem less purposeful than it could be. Most noir films excelled in their pictorial power, and a great deal of this power was brought about by carefully-composed visual rhythms: angles that echoed each other, lines that intersected or ran smoothly parallel, balanced regions of light and dark. Watch any noir film by Jacques Tourneur, Robert Siodmak, Fritz Lang, or Robert Aldrich, and you'll see exactly what I mean. Even when they distorted space or forced the image into unbalanced relationships, they did it beautifully, and they made it clearly intentional.
If I seem overly-critical, I apologize; but you are too good to make fundamental mistakes like these. With your current level of skill, mastering perspective should come easily to you... and mastering perspective will make a huge difference in your work.
Mark
I thought I had made a lot of progress in the realm of perspective, but clearly I am still making fundamental errors. I will be focusing on improving that in my future work by studying techniques rather than 'eyeballing' my perspective, which seemed to be working, but I wasn't seeing the errors, and when I asked for critiques no one pointed them out to me...
The problem is that I'm not seeing the errors, and I need to be able to train myself to.
(I can see them after a long time has passed - or after they are pointed out to me - but through the course of working on a piece, over a couple of weeks even, I become used to what it looks like, and it feels 'right' to me. I hope that makes sense.)
Thank you very much for your honest critique - I do appreciate it =).
I did a piece last year where I had a problem that I solved by making the horizon line vertical. http://www.peledragon.com/offsite/vhl.jpg I had to tape a sheet of paper to the page to mark my vanishing point.
I also commend you for your attitude: combined with your skill, it will take you very far as an artist. You've come a long way, already, and I look forward to seeing where you'll go next.
Mark
And thanks very much =). I always strive for improvement where I can.
The book by Cole was published in 1921, and is a no-nonsense, no frills, "this is how we do it" guide to perspective, filled with diagrams and very clear explanations. It offers more useful information per page than any other book on the topic I've seen, and it covers everything from steeples and stairways to shadows and reflections. Great stuff!
Mark
http://lulz.net/furi/res/224323.html
Perspective is one of those things that I have had problems with in the past, and continue to have problems with, though I've made progress over the years in my attempts.
And it is always nice to receive critique that I can use to improve my work down the road...
This is too amazing for words... it's always an incredible honor to view your work Kacey! =D
The characters, crazy ol'gun lady has the perfect look of that happy smile with a bit of that "I've got you right where I want you" crazy look. The mans "How dare you" angry look as he comforts his wifes confused and shocked fear. The clothing of the 40's and 50's were so classy. Everyone dressed so proper and stylish, so few do that today (at least not without making a point of it or looking down on others).
For me now, the scenery is what really impresses me for some reason. From the working of the mirror, the not so perfectly straightened carpet with a consistent pattern, the old style clock, and the glass affect for the whiskey bottle and glass sitting on the table (I think the image through the glass should be a bit undistorted, but no biggie).
This piece just has so much to it, so much to look at and take in. It is a truly remarkable testament of your work, and belongs here on FA. Thank you for sharing it with us.
Also, what kind of gun is that? At first glance I want to say a small S&W .38 cal., but I could be wrong on both accords.
I love film noir, and you captured it beautifully with this.
you draw humans well