
Today's installment in my Tutorial Tuesdays series is a complete revamp of my sculpting tutorial. I've cut out some extraneous steps and updated everything to my current technique.
Additional tips:
-USE SULFUR FREE CLAY IF YOU ARE MAKING A SILICONE MOLD. I cannot stress that enough. I use Jolly King plasteline clay for my base sculpting.
-You want to use a grocery bag, not plastic wrap here. Trust me.
-Use as many angles of reference material as possible, and always remember you are sculpting the skull and musculature that's beneath all of that fur.
-Keep those sight ports clear right up to the very end so you can keep checking the alignment. Only fill them right at the end before molding.
-Try to allow space for your seams in the places you know they'll be; for example, I've made all of the eye ridges deeper than necessary to compensate for the depth the seams will occupy.
-Symmetry is tricky. I find it best to leave my sculpts overnight and readdress the symmetry in the morning, but you can also use a mirror, or take photos and flip them, and of course ask others to look it over as well. If you find something off, figure out whether you like the look of the left side or the right side better, then try to duplicate whichever side looks more right onto the side that doesn't. Alternatively, you could alter both sides simultaneously to make them symmetrical (if a little off), then make adjustments to the shaping afterward.
-Animals naturally have some degree of asymmetry, and no one is perfect when sculpting either. Your goal is to minimize this distracting asymmetry, not eliminate it entirely. I aim for 1/4" variance or less when sculpting personally. Fur is a forgiving mistress, after all.
Additional tips:
-USE SULFUR FREE CLAY IF YOU ARE MAKING A SILICONE MOLD. I cannot stress that enough. I use Jolly King plasteline clay for my base sculpting.
-You want to use a grocery bag, not plastic wrap here. Trust me.
-Use as many angles of reference material as possible, and always remember you are sculpting the skull and musculature that's beneath all of that fur.
-Keep those sight ports clear right up to the very end so you can keep checking the alignment. Only fill them right at the end before molding.
-Try to allow space for your seams in the places you know they'll be; for example, I've made all of the eye ridges deeper than necessary to compensate for the depth the seams will occupy.
-Symmetry is tricky. I find it best to leave my sculpts overnight and readdress the symmetry in the morning, but you can also use a mirror, or take photos and flip them, and of course ask others to look it over as well. If you find something off, figure out whether you like the look of the left side or the right side better, then try to duplicate whichever side looks more right onto the side that doesn't. Alternatively, you could alter both sides simultaneously to make them symmetrical (if a little off), then make adjustments to the shaping afterward.
-Animals naturally have some degree of asymmetry, and no one is perfect when sculpting either. Your goal is to minimize this distracting asymmetry, not eliminate it entirely. I aim for 1/4" variance or less when sculpting personally. Fur is a forgiving mistress, after all.
Category Photography / Tutorials
Species Unspecified / Any
Size 1280 x 1026px
File Size 1.68 MB
The closer your eyes are to the sight ports, the more vision you have. If you wanted to move everything farther out, you could, but it would be at the cost of losing some visibility. That being said, this is for the base itself, which will need some additional padding both inside and out. I also address this some during the cutting/dremeling point of the process.
You don't have to cast in resin either! You can use a flexible expanding foam to cast in these molds (fresh tutorials of which will be forthcoming soon).
You don't have to cast in resin either! You can use a flexible expanding foam to cast in these molds (fresh tutorials of which will be forthcoming soon).
A trashbag hmm very interesting I never did that I usually cover my dummy with Vaseline. With my most recent base sculpt I tried your method. It worked pretty fair after I finally got the clay to take to it for some reason my monster clay didn't like the walmart bag too much at first. Rather than taping I used spray adhesive. It worked about 24 hours then the humidity made it peal up and I found my sculpt had fallen off my dummy lol. It kinda works out in the end though. With my first mask my sculpt kept getting wrecked cause my head was top heavy and kept falling over. I imagine it'll help in the silicone stage as well since i'll be able to lay it flat.
Thanks for the tips this has helped me quite a bit especially since this base I've started is realistic versus toony like my previous.One question though do you eventually place your eye blanks partially over the edge of your actual sight ports? It might just be the asymmetry of my sculpt right now but, its looking a bit awkward with the blanks above them where I have them placed right now though I think I need to add some clay behind them anyways to eliminate the sort of fish eye effect I'm getting
Also what do you use to smooth your sculpt? I don't have too many sculpting tools right now and have been trying to figure out the basics I need.
I wish you a lot of luck with the book by the way
Thanks for the tips this has helped me quite a bit especially since this base I've started is realistic versus toony like my previous.One question though do you eventually place your eye blanks partially over the edge of your actual sight ports? It might just be the asymmetry of my sculpt right now but, its looking a bit awkward with the blanks above them where I have them placed right now though I think I need to add some clay behind them anyways to eliminate the sort of fish eye effect I'm getting
Also what do you use to smooth your sculpt? I don't have too many sculpting tools right now and have been trying to figure out the basics I need.
I wish you a lot of luck with the book by the way
The eyeblanks usually cover the very uppermost outer edges of the sight ports slightly, it shows in step 2 more or less how much mine usually cover. Bigger eyeblanks tend to cover a bit more, smaller a bit less.
I just smooth with my hands for the most part, I use the Jolly King clay for bases because it's softer and easier to shape than the Monster clay. I don't really use any tools on my base sculpts at all!
I just smooth with my hands for the most part, I use the Jolly King clay for bases because it's softer and easier to shape than the Monster clay. I don't really use any tools on my base sculpts at all!
The Monster clay is good stuff too! I like it for large sculpts that need to be intricately detailed, like hooves and beaks and such, but it has such a limited working time between when you heat it initially to when you start encountering resistance that I couldn't envision doing a base sculpt with it.
Comments