
Posting another WIP, since folks still ask to see those from time to time.
So this is a 9 x 12 painting I'm working on, done on basic bristol board. I'd say it's probably 60% done at this point, and I'm really only showing the bits that have significant work done on them right now. The background still needs a lot of work.
The media is written right up there for reference, but as for my process. . . .
Basic shadows/highlights and base color for the character was established with watercolor. Colored pencil is used to define the fur, and acrylic is used for highlighting and touch-ups.
This will be scrapped soon, so fav now if you'd like to use it for reference. And just like last time, feel free to ask any questions in the comments section below.
So this is a 9 x 12 painting I'm working on, done on basic bristol board. I'd say it's probably 60% done at this point, and I'm really only showing the bits that have significant work done on them right now. The background still needs a lot of work.
The media is written right up there for reference, but as for my process. . . .
Basic shadows/highlights and base color for the character was established with watercolor. Colored pencil is used to define the fur, and acrylic is used for highlighting and touch-ups.
This will be scrapped soon, so fav now if you'd like to use it for reference. And just like last time, feel free to ask any questions in the comments section below.
Category Artwork (Traditional) / All
Species Unspecified / Any
Size 447 x 933px
File Size 456.9 kB
This isn't completely related to the piece at hand, however, when working in digital medium, do you still have a similar process? I.e: would you put down lighter/less saturated base colors with all the markings, and do all the shading, highlighting and fur defining in color, or do you have a different method or combination of methods for digital work? ouo I do see the benefits of working in full-color from the get-go without using the greyscaling method and adding color and depth on the shading with an overlay layer, but how would you approach characters with relatively detailed markings?
I finally have time to sit down and do some proper art beyond sketching and quick flats, and I've long wanted to properly do painterly/detailed fur, and it looks like I finally have the free time to learn to do it properly ^u^ Thank you very much in advance.
I finally have time to sit down and do some proper art beyond sketching and quick flats, and I've long wanted to properly do painterly/detailed fur, and it looks like I finally have the free time to learn to do it properly ^u^ Thank you very much in advance.
I'd say I use some of the same methodology, but physical media works a lot differently than digital media. I prefer to work from shadow to light digitally, but often with traditional, you have to start with lighter colors and apply the shadows as you go. I go with something of a middle-ground with traditional media by using acrylic, which can layer over an image to add highlights afterwards.
I have a question-
Your style is arguably very much on the realistic end of the slider, if we imagine a slider that goes from realistic to cartoony (I know realistic is tentative, seeing as furries are fantasy characters).
Is there any reason why you go for the more realistic-looking side of things?
Your style is arguably very much on the realistic end of the slider, if we imagine a slider that goes from realistic to cartoony (I know realistic is tentative, seeing as furries are fantasy characters).
Is there any reason why you go for the more realistic-looking side of things?
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