
Commission for
warwick of his character Ziyou, a female ember marten from Mongolia (with a slightly feral body shape). Her species has a very unique coat, black with a bright orange underfur which gives the impression of embers lying under the fur. Rendering such effect was quite a challenge but hopefully it's clear that it's fur and she's not actually made of lava. X-D
Oil painting on hardboard, 30x40 cm.

Oil painting on hardboard, 30x40 cm.
Category Artwork (Traditional) / Fantasy
Species Mustelid (Other)
Size 1024 x 776px
File Size 335.9 kB
Ember martens - also styled as coal martens - don't really exist: I cooked them up as a tenuous pun: there are birds called 'martins' which makes it very occasionally confusing if you're trying to talk about 'martens' (tree weasel), so I was musing one day about appropriating some of the adjectives used to distinguish various 'martin' species with 'martens' instead.
Unfortunately, the most promising was 'sand marten', so I cheated and took 'coal' from 'coal tit', which developed into 'ember mart' - 'mart' because polecats (ferrets) used to be called 'foumarts' (foul (smelling) martens) whereas pine martens used to be called 'sweetmarts' (presumably because nobody managed to get close enough to smell them!) 'Embermart' sounded authentic.
Unfortunately, the most promising was 'sand marten', so I cheated and took 'coal' from 'coal tit', which developed into 'ember mart' - 'mart' because polecats (ferrets) used to be called 'foumarts' (foul (smelling) martens) whereas pine martens used to be called 'sweetmarts' (presumably because nobody managed to get close enough to smell them!) 'Embermart' sounded authentic.
Sorry, I'm not sure why I didn't comment here instead of by PM!
Thanks for your hard work pondering though how to render this wind-blown fur effect, bringing my silly made-up etymology to fruition, and for taking the time to research the steppe setting so well! I really think you've captured her fierce delight perfectly.
I'll frame the original once I'm not exhausted from baby duties, but it's up on my bookshelf where I can see it every day - so handy, your painting on... MDF, is it?
Thanks for your hard work pondering though how to render this wind-blown fur effect, bringing my silly made-up etymology to fruition, and for taking the time to research the steppe setting so well! I really think you've captured her fierce delight perfectly.
I'll frame the original once I'm not exhausted from baby duties, but it's up on my bookshelf where I can see it every day - so handy, your painting on... MDF, is it?
No problem, I'm very happy you like it and I enjoy researching geeky things like rendering odd fur effects, as time consuming as it can be. ^_^
As for the support I'm not sure whether it is MDF or HDF because the naming is inconsistent across languages. In Italy we have a separate term for plyboard ("compensato") but other than that all the medium and heavy treated boards are commonly referred to as "masonite", which is not correct since actual Masonite is a specific brand of HDF.
However I did a lot of research on the various kinds of support and both MDF and HDF seem to be fine, only plyboard is unfit for painting. And before painting I coat the board surface with three layers of acrylic gesso, which prevents the oil from messing with the glue in the fiberboard and makes for a highly durable support. Just don't try your luck by pouring water over it though! X-D
As for the support I'm not sure whether it is MDF or HDF because the naming is inconsistent across languages. In Italy we have a separate term for plyboard ("compensato") but other than that all the medium and heavy treated boards are commonly referred to as "masonite", which is not correct since actual Masonite is a specific brand of HDF.
However I did a lot of research on the various kinds of support and both MDF and HDF seem to be fine, only plyboard is unfit for painting. And before painting I coat the board surface with three layers of acrylic gesso, which prevents the oil from messing with the glue in the fiberboard and makes for a highly durable support. Just don't try your luck by pouring water over it though! X-D
Thank you, I'm glad my work can inspire other artists! This was painted with regular oil paint on hardboard treated with a gesso coating. I like it better than acrylics because it's glossy and has more subtle nuances of color. Unfortunately that doesn't show from the scans but it's a very cool effect in RL.
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