 
                
                    There are various types of captivity and freedom.  There is the physical captivity of the slave, forced to work for whatever master purchases him or her, thankfully this is mostly outdated and not widespread.  The more pervasive type of captivity that abounds today comes from addiction and abuse.  No less damaging to the human body and a thousand times more harmful to the human spirit.  Our actions in life do one of two things, no matter how large or small; they bind us or they make us free.  By making the correct choices we can continue to grow, progress, and live unhindered by cumbersome baggage.  It doesn’t mean it will always be easy, but it will create a freer, more complete life.  If we constantly chose things that drag us down, bind us, and brings us to the subjection of whim and passion, we find ourselves stumbling along in an ungainly, jarring fashion.  
Like the horse who resists even the most gentle and soft hand, they move forward, but without grace or finesse and with more effort and trial than another who gives to the subtle pressure and gentle guidance of a knowing hand. While it might initially be viewed as a restriction, the guidance received allows the horse to move with more fluid grace and balance than initially thought possible. Not only does he become graceful, fluid, and balanced on the ground, but carrying the extra weight of a rider, the extra burden of another, he moves with apparently effortless grace.
I might return to this and explore the thoughts further. The final assignment for Drawing III.
This is huge, made up of three 22"X30" pieces of printmaking paper (I think it was American Master's because they were out of the BFK Reeves). Charcoal on said paper.
Vague references used, the one of the left from "100 Ways to Improve Your Riding," the one on the right from my own photography, and the upper middle panel extremely vaguely referenced from several images in "Timeless Wonders."
            Like the horse who resists even the most gentle and soft hand, they move forward, but without grace or finesse and with more effort and trial than another who gives to the subtle pressure and gentle guidance of a knowing hand. While it might initially be viewed as a restriction, the guidance received allows the horse to move with more fluid grace and balance than initially thought possible. Not only does he become graceful, fluid, and balanced on the ground, but carrying the extra weight of a rider, the extra burden of another, he moves with apparently effortless grace.
I might return to this and explore the thoughts further. The final assignment for Drawing III.
This is huge, made up of three 22"X30" pieces of printmaking paper (I think it was American Master's because they were out of the BFK Reeves). Charcoal on said paper.
Vague references used, the one of the left from "100 Ways to Improve Your Riding," the one on the right from my own photography, and the upper middle panel extremely vaguely referenced from several images in "Timeless Wonders."
Category Artwork (Traditional) / Animal related (non-anthro)
                    Species Horse
                    Size 1280 x 621px
                    File Size 173.5 kB
                
                    This hit me like a kick to the gut, hard and swift and full of force. 
Left me breathless.
Gave me time to enjoy the technical aspects while I re-learned how to breathe.
Small favour...since most humans "read" left-to-right, the horse on the far-right was the perfect cure for the strangulation from before.
Am I making sense?
Very deep piece, also VERY technically awesome. +fav for EVERYTHING.
            Left me breathless.
Gave me time to enjoy the technical aspects while I re-learned how to breathe.
Small favour...since most humans "read" left-to-right, the horse on the far-right was the perfect cure for the strangulation from before.
Am I making sense?
Very deep piece, also VERY technically awesome. +fav for EVERYTHING.
                    As with most things done in traditional media, it is more impressive in person, but I'm glad to hear that it still holds strength even at this (much) smaller size.
Yes, I get what you're saying, I intentionally had the harsh panel be the first one the viewer would see as they "read" the image before the breather on the right.
Thank you, I struggled a bit trying to re-master the charcoal this semester, but it made me more determined than ever to try and make things work.
            Yes, I get what you're saying, I intentionally had the harsh panel be the first one the viewer would see as they "read" the image before the breather on the right.
Thank you, I struggled a bit trying to re-master the charcoal this semester, but it made me more determined than ever to try and make things work.
                    Fun fact:
When I have another horse, I will want to commission you for a picture of 'em. ;) I just keep coming back to the free horse on the right and going "DAYUMN." Every time I look, I see something else...the hoof detail, the angle of the ears, the perfect flow of the mane/tail, and those GODLY hind legs. Y'know, it almost reminds me of Da Vinci's horse sketches, just a little.
Makes me crave the giant horse in the Frederick Meyer Gardens in GR...I saw it for the first time on my 21st birthday, it blew me away. I love Da Vinci's horses, and this...is reminiscent.
So uh. Can I claim a future commission slot for when I have m'next horse? :D
            When I have another horse, I will want to commission you for a picture of 'em. ;) I just keep coming back to the free horse on the right and going "DAYUMN." Every time I look, I see something else...the hoof detail, the angle of the ears, the perfect flow of the mane/tail, and those GODLY hind legs. Y'know, it almost reminds me of Da Vinci's horse sketches, just a little.
Makes me crave the giant horse in the Frederick Meyer Gardens in GR...I saw it for the first time on my 21st birthday, it blew me away. I love Da Vinci's horses, and this...is reminiscent.
So uh. Can I claim a future commission slot for when I have m'next horse? :D
                    Consider your slot reserved for whatever your heart desires (media, size, whathaveye), just let me know when!
And thank you, it's tremendously flattering that it reminds you of some of da Vinci's work. I'm continuing to try and push my art and even when I'm out of school I'd like to work larger like this as well as doing some of the smaller, more familiar ones that I've done in the past. Being able to do something that you can come back to over and over again and see new things is quite fulfilling.
            And thank you, it's tremendously flattering that it reminds you of some of da Vinci's work. I'm continuing to try and push my art and even when I'm out of school I'd like to work larger like this as well as doing some of the smaller, more familiar ones that I've done in the past. Being able to do something that you can come back to over and over again and see new things is quite fulfilling.
 
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