
Here's an exciting recording of the wind orchestra I am in playing Kenneth Hesketh's Vranjanka. I am playing timpani, playing that booming solo right at the beginning of the piece! This is perhaps one of my favorite works I've ever gotten to perform. PS I actually destroyed one of my mallets during this performance. Enjoy!
Program Notes:
Vranjanka (the title means "From Vranje," a town in southern Serbia, pronounced VRAHN-yahn-kah ) is loosely based on the traditional folksong Šano Dušo. The melody exists in two versions, one in 7/8 and one in 3/4. I have chosen the version in 7/8 and in doing so, have extended the melodic ideas of the original with new material.
The musical form of the piece is as follows: a fairly slow introductory section where the theme is only hinted at but never heard and a faster second section cast in a set of variations on the folksong. These are not variations in the traditional sense, with clearly marked beginnings and endings, but ongoing developments of the various melodic material in the folksong with original material 'growing out' along side.
The text for Vranjanka influenced the composition more often than not at an unconscious level, but it is included here for reference:
Sana, my soul, opens the door to me,
Open the door to me and I will give you coins.
My heart is burning for you, Sana.
Your fair face, Sana, is snow from the mountains,
Your forehead, Sana, is like moonlight.
That mouth of yours, Sana, like a deep red sunset,
That eye, my darling, makes me burn.
When night comes, marvellous Sana, I twist in sadness,
Your beauty, Sana, will not let me sleep.
Program Notes:
Vranjanka (the title means "From Vranje," a town in southern Serbia, pronounced VRAHN-yahn-kah ) is loosely based on the traditional folksong Šano Dušo. The melody exists in two versions, one in 7/8 and one in 3/4. I have chosen the version in 7/8 and in doing so, have extended the melodic ideas of the original with new material.
The musical form of the piece is as follows: a fairly slow introductory section where the theme is only hinted at but never heard and a faster second section cast in a set of variations on the folksong. These are not variations in the traditional sense, with clearly marked beginnings and endings, but ongoing developments of the various melodic material in the folksong with original material 'growing out' along side.
The text for Vranjanka influenced the composition more often than not at an unconscious level, but it is included here for reference:
Sana, my soul, opens the door to me,
Open the door to me and I will give you coins.
My heart is burning for you, Sana.
Your fair face, Sana, is snow from the mountains,
Your forehead, Sana, is like moonlight.
That mouth of yours, Sana, like a deep red sunset,
That eye, my darling, makes me burn.
When night comes, marvellous Sana, I twist in sadness,
Your beauty, Sana, will not let me sleep.
Category Music / Classical
Species Mouse
Size 120 x 112px
File Size 9.25 MB
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