
Yeah, so, this is it.
No fancy equipment, no real frills of any kind.
It's my craphole of a production corner and I love it <3
If you have any questions about why this mess looks like it does, please ask, and I will respond.
No fancy equipment, no real frills of any kind.
It's my craphole of a production corner and I love it <3
If you have any questions about why this mess looks like it does, please ask, and I will respond.
Category Photography / All
Species Unspecified / Any
Size 800 x 600px
File Size 85.5 kB
Well, here's the story
My laptop screen died, so I decided to make it into my home computer
I didn't want to fiddle around with ripping the wireless antenna out of the screen, so i folded it back, stacked some books under it, and rested my stereo comfortably on top
Tadaaaaaaa
My laptop screen died, so I decided to make it into my home computer
I didn't want to fiddle around with ripping the wireless antenna out of the screen, so i folded it back, stacked some books under it, and rested my stereo comfortably on top
Tadaaaaaaa
Hope Renard_V doesn't mind me replying to this one... If you go the software route (easier and cheaper to get started with), the three most popular ones (that I know of, there are plenty of others) seem to be Fruity Loops Studio (Also known as FLS or FL Studio), Reason (seems to be fairly popular), and Reaktor (very flexible, but can be intimidating at first, even more so than the other previously mentioned two, and works best if combined with the other software Native Instruments offers (Massive and Absynth to start)). They all have their advantages and disadvantages, and seem to all boil down to personal preference. Software also has the huge advantage that you can download trials, as opposed to hardware where you can't exactly do such (unless you have a friend who owns a synth that has a particular style of sound you're looking for, or the store has one on demo and doesn't mind you futzing about with it for hours on end).
Depending on your take on things, a small 25 key USB-MIDI keyboard may help things (cheap ones seem to be around $100 or so where I live), however the previously mentioned software is fully functional with just a keyboard and mouse...
Other synths that I've seen the furry community using would be reFX Nexus^2 and the Luxonix Ravity(S), however I cannot comment on either of those as I haven't touched them.
If you go for hardware (which usually requires more of a monetary investment, especially if you want the same out of the box flexibility that some of the software programs offer), some of the older 70s and 80s synths are quite nice (and usually relatively inexpensive unless it's a Roland 303, 808, or 909), and, oddly enough, KORG offers some fairly nice "starter" synths like the MicroKORG ($400ish CAD out where I live, and it's actually quite powerful) or the Micro-X. I've toyed around a little with the MicroKORG, and it seems quite powerful (a lot of prominent music groups that've used it when they started out are STILL using it)...
Hopefully I didn't make such sound too complicated (I'm slowly working towards becoming a recording engineer with ProTools certification and the $30k workstation that goes with such), and I'm sure Renard_V will have a better answer than I would due to him having a wider experience with various software programs/synths (and not being so hooked on the hardware aspect of things which does require a lot more desk space - you have your synth(s), a mixer, a sampler, possibly an effects unit or two, etc etc... Whereas with software it all fits on one or two monitors with a keyboard...)
Depending on your take on things, a small 25 key USB-MIDI keyboard may help things (cheap ones seem to be around $100 or so where I live), however the previously mentioned software is fully functional with just a keyboard and mouse...
Other synths that I've seen the furry community using would be reFX Nexus^2 and the Luxonix Ravity(S), however I cannot comment on either of those as I haven't touched them.
If you go for hardware (which usually requires more of a monetary investment, especially if you want the same out of the box flexibility that some of the software programs offer), some of the older 70s and 80s synths are quite nice (and usually relatively inexpensive unless it's a Roland 303, 808, or 909), and, oddly enough, KORG offers some fairly nice "starter" synths like the MicroKORG ($400ish CAD out where I live, and it's actually quite powerful) or the Micro-X. I've toyed around a little with the MicroKORG, and it seems quite powerful (a lot of prominent music groups that've used it when they started out are STILL using it)...
Hopefully I didn't make such sound too complicated (I'm slowly working towards becoming a recording engineer with ProTools certification and the $30k workstation that goes with such), and I'm sure Renard_V will have a better answer than I would due to him having a wider experience with various software programs/synths (and not being so hooked on the hardware aspect of things which does require a lot more desk space - you have your synth(s), a mixer, a sampler, possibly an effects unit or two, etc etc... Whereas with software it all fits on one or two monitors with a keyboard...)
Your instructions lack my infamous rambling. I sure seem to be unable to make a reply without going on for half an hour about personal opinions and the like, even if it's a simple question like "how cold is it outside today?"... Yours are also clear and concise ^_^
And I completely failed to mention that free opensource sequencing program a few of the music artists out here use (not that I can remember its name)
And I completely failed to mention that free opensource sequencing program a few of the music artists out here use (not that I can remember its name)
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