Hah. Tickly.

I am infatuated with how you close your works.

And this may be a stretch (I'm high) but I noticed there's a "moment," an interjection that interrupts the rhythm, that lands very clearly at the halfway point, dividing it into two clean halves (although that happens elsewhere too). Anyway it reminded me of Debussy who would often use that technique except with the golden ratio in his music.

Thanks for the comments. They're always so informative for me.

I know this is thick and muddy unlike Debussy, has a narrow range, (isn't a brilliant composition,) etc., but I was thinking of tone color mostly, as I put it together. Actually when working, early on I create problems for myself to solve. I'm so used to doing this deliberately with painting I just started letting it happen with sound work. Often it's arbitrary timing of changes like those here, that I have to make work. (Originally the change midway through was at about 4/5.)