This was a joking comment that someone made over on my Livejournal account... but it fit so well with the upcoming story that I just *had* to draw it. This one's done almost completely in Manga Studio.
I particularly like that software. While I *can* draw in Gimp, either I'm choosing the wrong resolution or there's something odd about how it interprets mouse movements (don't have a tablet) because the lines are never as smooth as I draw them.
(edit to add... It's MANGA STUDIO debut 4.0, darnit. I don't know why I keep calling it Anime Studio. Sheesh!)
I particularly like that software. While I *can* draw in Gimp, either I'm choosing the wrong resolution or there's something odd about how it interprets mouse movements (don't have a tablet) because the lines are never as smooth as I draw them.
(edit to add... It's MANGA STUDIO debut 4.0, darnit. I don't know why I keep calling it Anime Studio. Sheesh!)
Category All / Comics
Species Dragon (Other)
Size 1119 x 1280px
File Size 204.3 kB
The manual is Teh Suxorz, but there's a couple of help pages around on it. It's actually quite good. I particularly like the way you can pencil something (on one ... well... it's not a layer but it behaves like one) and mess around with it and then ink.
And I adore the ink brushes. It gives a very smooth weighted black line.
And I adore the ink brushes. It gives a very smooth weighted black line.
I've only fairly recently become acquainted with the concept of layers. first using them in a copy of Deneba Canvas I got off of a UK computer magazine CD. I normally use a very old app called Micrografx Picture Publisher (it was designed in the Win95 era), and up to maybe a year ago, all my pics were single-layer images, and some of them were rather complex for that method.
I've since learned that I can approximate layers with it by use of it's floating objects function, which behaves like layers, but each "layer" is confined to the mask that spawned it. So, each of these could be a small section of, or up to the entire image in size. Thanks to that discovery, and the use of Multiply and Screen modes, ("discovered" in a tutorial by evilartnazi), I now create pics that can be as much as a quarter-gig in filesize fullsize and uncompressed. I've had to buy bigger external hard drives to archive & backup my uncompressed projects thanks to those two relevations :)
I've since learned that I can approximate layers with it by use of it's floating objects function, which behaves like layers, but each "layer" is confined to the mask that spawned it. So, each of these could be a small section of, or up to the entire image in size. Thanks to that discovery, and the use of Multiply and Screen modes, ("discovered" in a tutorial by evilartnazi), I now create pics that can be as much as a quarter-gig in filesize fullsize and uncompressed. I've had to buy bigger external hard drives to archive & backup my uncompressed projects thanks to those two relevations :)
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