
Tresh ©
talakestreal
Raziel ©
raziel0682
here is the finished work... I guess. gah, I really need to practise more with watercolours. at least this kind of paper didn't warp like a burrito. the water effect doesn't satisfy me, and the shadow before tresh's chest is too deep. the colours on her mane flowed into each other too much, so the yellow and red is buried under green. and somehow a spot of white escaped my grasp up into the trees...
I hope both still like it. I promise to try harder next time.

Raziel ©

here is the finished work... I guess. gah, I really need to practise more with watercolours. at least this kind of paper didn't warp like a burrito. the water effect doesn't satisfy me, and the shadow before tresh's chest is too deep. the colours on her mane flowed into each other too much, so the yellow and red is buried under green. and somehow a spot of white escaped my grasp up into the trees...
I hope both still like it. I promise to try harder next time.
Category Artwork (Traditional) / General Furry Art
Species Western Dragon
Size 830 x 583px
File Size 114.5 kB
Listed in Folders
http://www.furaffinity.net/view/1863538/
what about her? if you have any questions, drop me a line. :)
what about her? if you have any questions, drop me a line. :)
aha, heh, I had a gazillion different impressions of your fursona to choose from; I think you need a definite reference sheet. [insert self-pimpage here]
would you be a dear and tell me what I did wrong? I have a feeling I might need that bit of info one day. :)
and I'm glad you like it anyway. :)
would you be a dear and tell me what I did wrong? I have a feeling I might need that bit of info one day. :)
and I'm glad you like it anyway. :)
thank you very much. :)
the thing is, you have 'hills' and 'valleys'. the latter one swallow the light, while the hills reflect it. and since waves extend in circles even while overlapping you have many rounded shapes. normally I paint in the valleys with circular, bold streaks, leaving the reflections free. you can further that effect with a eraser pencil to let the reflections flow into each other building some kind of network. around such things like an arm held into the water the waves are shorter, with finer structures.
if you have something blocking the light to be reflected towards the viewer you can see through the water. there will be only small reflections to be seen. if there is soil or dirt in the water you won't see much, except perhaps the floating sediments illuminated by sunlight. otherwise fish or plant life would be visible.
getting the hang takes a lot of trying, and I stumbled merely by accident over my method. studying photos with the desired viewpoint and lighting helps, too.
I believe if you take the time you can find out how to do it, too, and I look forward to your first romantic lakeside scenery. :)
the thing is, you have 'hills' and 'valleys'. the latter one swallow the light, while the hills reflect it. and since waves extend in circles even while overlapping you have many rounded shapes. normally I paint in the valleys with circular, bold streaks, leaving the reflections free. you can further that effect with a eraser pencil to let the reflections flow into each other building some kind of network. around such things like an arm held into the water the waves are shorter, with finer structures.
if you have something blocking the light to be reflected towards the viewer you can see through the water. there will be only small reflections to be seen. if there is soil or dirt in the water you won't see much, except perhaps the floating sediments illuminated by sunlight. otherwise fish or plant life would be visible.
getting the hang takes a lot of trying, and I stumbled merely by accident over my method. studying photos with the desired viewpoint and lighting helps, too.
I believe if you take the time you can find out how to do it, too, and I look forward to your first romantic lakeside scenery. :)
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