Art ©  MasterBudokai


Andrew Longwei ©  Anthonylix09



Here's are Longwei's Fighting Style:


Black Leg Style/Jao Kun Do: The Black Leg Style is a martial-arts style that designed to free the use of one's hands and prevent them from being damaged during a battle, something that is disastrous to fighters. As a result, practitioners tend to drop into certain stances in which their upper-body portions are most relaxed, such as placing their hands inside their pockets or crossing their arms together across their chest, and only puts them into action whenever the event requires them to do certain maneuvers such as handstands, which aren't prohibited. As a fighting style, the style boasts a wide and impressive array of kicks, coupled with super acrobatic skill making it a very versatile fighting technique, allowing a user to effectively weave continuous and powerful attacks upon adversaries and combine the power of his kicks with his other crewmates respective strengths for devastating team combinations. Most of user's attack names are French words referring to various dishes and it has only recently employed the use of Japanese words when naming his attacks.

Jao Kun Do is a close range attack-based fighting style which involves leg motions so swift that foes cannot predict where a kick will land, The only known practitioner of this art, Blue Gilly, has leg movements so rapid that they create afterimages that confuse opponents. He can then attack with force comparable to that of a steel whip


Kyokushin Karate: Kyokushin is arguably the first full contact karate style. In other words, students practice hard sparring with no gloves in order to emulate situations they might encounter on the street as much as possible. Kicks, hand strikes, and sometimes knees are utilized in practice.

In competition, a variety of full force strikes are allowed to the body. Hand strikes are not allowed to the face, though kicks are.

Kyokushin is a hard martial arts style that emphasizes more circular, than linear movements. However, given Oyama's background in both Shotokan (more linear) and Goju-ryu (more circular), elements of both can be found within the art.


Jeet Kune Do: With all of that said, there is a framework that is utilized to allow for this, which sometimes varies depending on the branch or substyle being of JKD being offered. Regardless, here are some of the important and rather universal points.

Centerline Control: Lee's Wing Chun training taught him to protect his centerline so attackers were forced to try and strike from the outside in. This is a staple of JKD.

Combat Realism: AKA- forget kata. Some martial arts styles swear by kata, or pre-arranged fighting movements conducted in isolation where practitioners are asked to pretend that they are taking on attackers while delivering punches or kicks. JKD and Lee did not subscribe to the kata philosophy, nor any flashy movements or point sparring measures. Rather, they believed that learning in such a manner sometimes fooled martial artists into a false sense of combat security, as many of the moves being practiced did not work in real life.

Economy of Motion: Eliminating wasteful movement is a staple of Jeet Kune Do. In other words, why do a spinning head kick if a front kick to the midsection will do? The front kick is faster and doesn't waste as much motion.

Emphasis Placed on Low Kicks, Not High Kicks: If a high kick opening presented itself, then fine. That said, JKD, in conjunction with the idea behind economy of motion, emphasized low and body kicks to the shins, thighs, and midsection. Of course, nothing in JKD was written in stone, which may be why Lee stopped short of abolishing the idea of high kicks completely.

Five Ways of Attack: This refers to the five ways JKD practitioners are taught to attack. These are Single Angular Attack and its converse Single Direct Attack; Hand Immobilization Attack; Progressive Indirect Attack; Attack By Combinations; and Attack By Drawing. Emphasis is placed on deception and counter striking in all of these.

Four Parts of JKD: These are efficiency (an attack that reaches its mark quickly and with sufficient force), directness (doing what comes naturally in a learned way), simplicity (without flashiness or being overly complicated), and quickness (moving in a fast manner before an opponent can think).

Inside Fighting: Lee believed in learning how to fight not only from a distance- as most point styles emphasize- but also on the inside.

Simultaneous Blocks and Attacks and Intercepting Attacks: Again, in going along with the economy of motion principle, JKD emphasizes simultaneous blocks and attacks so as to not waste motion or time (speed was important). In addition, anticipating an attack and delivering a strike while an opponent was coming forward was also emphasized (intercepting attacks).

Three Ranges of Combat: Rather than ignore certain parts of combat, Lee embraced them. Along with this, he noted that the ranges of combat were close, medium, and long.




Pigua Quan: is a style of Chinese martial arts that features explosive, long-range sweeping actions that generate speed through the hips and arms, to produce powerful strikes, with the intent of confusing the opponent with constant motion.

The style is named from the movement of the hands during an offensive; the downward movement of the hand is referred to as ‘Pi’, while the upward movement is referred to as 'Gua'. As the name suggests, Pi Gua Quan is the circular motion of the hand, much like a windmill. A fist is seldom used; instead, much of the offensive comes from the hands relaxed with fingers extended, being used in a manner resembling a whip. The moves are smooth and flexible, yet the offenses are sharp and heavy, that demand a great degree of flexibility from the practitioner.

Sometimes accused of being an impractical martial art because of the exaggerated nature of its open moves, Pi Gua Quan’s value lies in its simplicity and its ease to master. It is sometimes taught alongside BaJiQuan, and the two forms are thought to have been a single art before diverging some centuries ago.


Zui Quan: The technical features of zui quan are based on imitating a drunkard. The main body method is called sloshing, which refers to "Hollow Body, Wine Belly" concept, as though the body is hollow and the lower abdomen (丹田; dantian) is filled with wine (instead of Qi), which travels through the body adding power to the movements. The postures are driven by weight and momentum of the whole body, staggering around, creating sudden power from awkward positions, and fluidity in the movements and transitions from one pose to another. Drunken body style seems peculiar and off-balance, but it is actually in balance.

Drunken style is among the most difficult styles of wushu due to the need for advanced basic requirements. Its intangible, heavy sloshing power is gained through training the body to be soft and agile through basic training and the drunken forms. While in fiction practitioners of zui quan are portrayed as being actually drunk, zui quan techniques are highly acrobatic and require a great degree of balance and coordination, such that attempting to perform these moves while drunk is dangerous, if not impossible.

Drinking, swaying, and falling with great momentum are used to fight. This power must be from softness and heaviness. Even the most unusual parts of the body are actively used to attack and defend. The main hand gesture imitates holding a small cup of wine. This semi-closed hand uses back of the hand, fingers, palms, wrists, forearms, and other parts to attack or defend, grab or throw, lock or release, etc. Fists are rarely used. This style tricks opponents into unpredictable situations of attack and defense. Aerial and ground dodges and falls can be used to avoid attacks but also to pin attackers to the ground while vital points are targeted.


Eagle Claw Style: Characteristics of Eagle Claw consist of locking, tearing, manipulating, controlling, and throwing techniques. Pairing this with pressure point attacks and aggressive kicking techniques, it makes this system a very complex and vicious form of self-defense. Movements of the Eagle Claw style are constantly changing from hard (Yang) to soft (Ying) energy. Foot work is a very important part of Eagle Claw training, as all techniques are done with maximum speed and power. To master Eagle Claw one must have perseverance and a calm mind.