I have placed this hear because I am asking for early critiques. This work is as yet unfinished, that is why it remains in .docx format. I also have made this to be a human based environment, i.e. no furries.
The idea is to capture the loss of innocence one feels when a friend dies. There is some strong language in here, but I hope humorous situations too. Please tell me what you think.
Warning: Unedited. I will edit when I get a final and finished product. Then I will submit it with an image and in standard text format.
The idea is to capture the loss of innocence one feels when a friend dies. There is some strong language in here, but I hope humorous situations too. Please tell me what you think.
Warning: Unedited. I will edit when I get a final and finished product. Then I will submit it with an image and in standard text format.
Category Story / All
Species Unspecified / Any
Size 50 x 50px
File Size 16.7 kB
You are a far better writer of First person than you are third person. Your third person style flows and gets more at the depth of characterization. Very fine character work here.
Good flowing real dialogue, a hard skill to develop. That script writing class seems to have helped.
Beginnings are important as they serve to draw the audience into the work: “I sat outside in the crisp morning air. There was none of the usual hustle and bustle this morning that you usually get in this coffee shop. I liked that, a rare slow morning. I could use a few more relaxed paced days.” This sentence feels like a leap in that regard and can probably be reworked to do its job better.
Your protagonist speaker doesn’t have a name taking us to the uncanny valley of first person.
“I shook my head at him. I watched as a couple people walked down the sidewalk. Their backs where turned to me, but I could tell they were smiling at each other as they held hands and walked down the side walk. ” Try to avoid ending two back to back sentences on the same word.
Always room for character and place description. On the good side of the track though. With one exception. The first person speaker is running around without a face and body. Think of how you can tie him interacting with the world and himself. The price to pay of course for writing first person.
Good flowing real dialogue, a hard skill to develop. That script writing class seems to have helped.
Beginnings are important as they serve to draw the audience into the work: “I sat outside in the crisp morning air. There was none of the usual hustle and bustle this morning that you usually get in this coffee shop. I liked that, a rare slow morning. I could use a few more relaxed paced days.” This sentence feels like a leap in that regard and can probably be reworked to do its job better.
Your protagonist speaker doesn’t have a name taking us to the uncanny valley of first person.
“I shook my head at him. I watched as a couple people walked down the sidewalk. Their backs where turned to me, but I could tell they were smiling at each other as they held hands and walked down the side walk. ” Try to avoid ending two back to back sentences on the same word.
Always room for character and place description. On the good side of the track though. With one exception. The first person speaker is running around without a face and body. Think of how you can tie him interacting with the world and himself. The price to pay of course for writing first person.
FA+

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