
Drawn for the same article about compulsive fanzine collecting, this is an obvious parody of Gilbert Shelton's Fabulous Freak Brothers.
"Nope" was a small fanzine published by Jay Kinney, another underground cartoonist who also happened to be an SF fan.
"Nope" was a small fanzine published by Jay Kinney, another underground cartoonist who also happened to be an SF fan.
Category All / All
Species Unspecified / Any
Size 700 x 643px
File Size 146 kB
They're still around in SF fandom, though virtually dead among furries (maybe there are still portfolios around, but I haven't been to a furry con in years to see if they are).
Incresingly, though, fanzines are only available as .pdfs or as web pages. One great depository for digital zines is eFanzines, run by Bill Burns. Google it.
Incresingly, though, fanzines are only available as .pdfs or as web pages. One great depository for digital zines is eFanzines, run by Bill Burns. Google it.
Crumb is the "serious one," who is really all about the 1950s, not the '60s. His stories are classic post-War gazing into the belly-button with the lens of Freud, about rebelling against button-hole conformity, about the confrontation of black stereotypes with white guilt. Crumb is Ginsberg's generation, not The Beatles.
Shelton is not really about either. He was from the Texas cigarette pack in the fold of your t-shirt arm world of hot-rods and ass-kicking, who happened to stumble onto the hippie scene, but was never a part of it.
But Shelton was generally a better story teller than Crumb, and funnier, even if there may be little lasting relevance to an 8 foot Warthog that hated commies.
I've got an enormous amount of both, but have found that I tired of Crumb earlier. I can' read Fritz the Cat at all, and his late material often leaves me cold. I can only take so much about 1920s Yazoo blues guys that almost nobody has heard of. And Crumb's Old Testament? Seems familar ... do you suppose he plagiarized?
Shelton is not really about either. He was from the Texas cigarette pack in the fold of your t-shirt arm world of hot-rods and ass-kicking, who happened to stumble onto the hippie scene, but was never a part of it.
But Shelton was generally a better story teller than Crumb, and funnier, even if there may be little lasting relevance to an 8 foot Warthog that hated commies.
I've got an enormous amount of both, but have found that I tired of Crumb earlier. I can' read Fritz the Cat at all, and his late material often leaves me cold. I can only take so much about 1920s Yazoo blues guys that almost nobody has heard of. And Crumb's Old Testament? Seems familar ... do you suppose he plagiarized?
Comments