
As I mentioned in a previous posting, I once ran for the Trans-Atlantic Fan Fund. I lost ingloriously, but I can't complain that the competition was undeserving. It was a tough slate that year, more so than usual I think. To make matters worse, some tricky scheduling of the beginning of the TAFF year and the British con the winner would go to, left a shorter than usual campaign season. As part of my campaign I did a small number of cartoons like this one. (It didn't help that some were not published until after the race!)
Anyone who is old enough to remember the 80's can tell I was much influenced (in my own way) by the New Wave and Punk grahics of the time.
Anyone who is old enough to remember the 80's can tell I was much influenced (in my own way) by the New Wave and Punk grahics of the time.
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"New Wave" and "Punk" were two sepaparate pop music fashions of the 80's. "New Wave" was sort of retro 50's, and very graphics oriented, with lots of dot screens, blocks of colour, unusual type fonts, and comic book like layouts. "Punk" art, on the other hand, embraced improvisation, imperfection, and plain sloppiness for it's own sake. Accidental paste-up lines and smudges were not only overlooked, but purposefully added. It went along with the carefully ripped and bleached jeans, and safety pins stuck through less sensitive parts of the body.
If you only read major newspapers, or read magazines like Time, you might have missed all that. But there was a brief period when some TV graphics bought into the more retro form of "New Wave." The opening of "The New Leave it to Beaver" show, for instance. If you had your head buried in imported manga you would probably have missed even that. But some ordinary Japanese magazines meant for the mainstream reader had a very New Wave look.
If you only read major newspapers, or read magazines like Time, you might have missed all that. But there was a brief period when some TV graphics bought into the more retro form of "New Wave." The opening of "The New Leave it to Beaver" show, for instance. If you had your head buried in imported manga you would probably have missed even that. But some ordinary Japanese magazines meant for the mainstream reader had a very New Wave look.
Firstly, I'll define "serious" here as work that can be taken seriously, even if what's made can be silly at times. Most Japanese music heard here comes of course from videogames and anime, but yes, there ARE serious musicians and bands in Japan- Back in those days, I preferred YMO, whose three musicians were all well-respected from previous bands- One member, Ryuichi Sakamoto, has been instrumental in world music and jazz, and for doing soundtracks (and occasional acting) for movies like Merry Christmas Mr. Lawrence in 1984; as well as other bands like Lizard (a Clash-inspired synth-punk band, that actually got some help from The Clash), Shoukichi Kina, an Okinawan long considered as the "father" of modern Japanese rock, Hikashu, a band that combined kabuki theatre with Kraftwerk, and so forth... :)
Yeah, I guess I've been around. :)
d.m.f.
Yeah, I guess I've been around. :)
d.m.f.
I never really give much thought to soundtrack music, though some composers are quite good at it. (I particulary like Danny Elfman, and that guy Horner has some very good moments.) But mostly it goes unnoticed while watching the movie. I don't recall any soundtracks from the anime I've seen that I thougth stood alone, but won't dismiss the possibility.
The one big exception was some classic jazz performed by a Japanese retro jazz band in Metropolis.
The one big exception was some classic jazz performed by a Japanese retro jazz band in Metropolis.
TAFF is the Trans-Atlantic Fan Fund, and the older of the two. I believe it came into existence somewhat unintentionally, when a fund was begun, in 1954, to bring Irish fan Walt Willis to an American convention. A couple of years might have gone by, and then the idea revived for an annual election. First one way across The Pond, and then the other.
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