The Study of the Sword WIP4
Moving right along... Now a days work - and part of yesterday (I really didn't get much time to work yesterday - we had errands to run, and game night. I know, excuses...)... The trick with the temple was to get both the effects of atmospheric perspective (blue-grey on the far end of the building, transitioning to a bolder grey closer to the viewer), and the effects of things which are wet... (the stairs are getting wet from the rain, but not much of the temple is. Wet surfaces are very reflective.. and so they reflect what they are facing. The vertical planes of the stairs face the sky moreso than the horizontal planes, which will be reflecting some of the window-light. Those windows were really a pain. I didnt use any masking - just a lot of nose-to-the-paper, and keeping my hand very steady. They still aren't perfect, but I gave it a good try.
Seven hours of painting this today, and I think its time for a break. If I crack down, I will probably have the whole background 'done' (not exactly done... as I never proclaim an area finished until I see the entire piece colored, and decide whether the colors match up or if something is missing somewhere. And right now, a lot is missing. Not to mention raindrops.) I like the orange light. It looks both warm and somehow sinister. Backlighting the foo dogs will enhance that effect ^.^
You know what I haven't figured out? And I certainly havent done it in this image - depth of focus blurring. I'd really like to be able to do that with traditional media. It totally helps to make an image photographic, or cinematic.... and I've gotta say, my attention to detail is a real handicap in that department.
Seven hours of painting this today, and I think its time for a break. If I crack down, I will probably have the whole background 'done' (not exactly done... as I never proclaim an area finished until I see the entire piece colored, and decide whether the colors match up or if something is missing somewhere. And right now, a lot is missing. Not to mention raindrops.) I like the orange light. It looks both warm and somehow sinister. Backlighting the foo dogs will enhance that effect ^.^
You know what I haven't figured out? And I certainly havent done it in this image - depth of focus blurring. I'd really like to be able to do that with traditional media. It totally helps to make an image photographic, or cinematic.... and I've gotta say, my attention to detail is a real handicap in that department.
Category Artwork (Traditional) / All
Species Unspecified / Any
Size 800 x 644px
File Size 114.8 kB
Thanks so much ^.^!
I went to art school, and we covered perspective - but I dont think I really 'got it' back then. I am still working pretty hard to get my perspective shots to work.
I like to find the really weak points in my artwork, and really work on those things. Perspective is one of those things I've been really weak at in the past, and I think I am improving by trying to use it a lot.
It also helps that I bought a rolling draftsman's ruler - great for making parallel lines =) Best six dollars I have spent recently.
I went to art school, and we covered perspective - but I dont think I really 'got it' back then. I am still working pretty hard to get my perspective shots to work.
I like to find the really weak points in my artwork, and really work on those things. Perspective is one of those things I've been really weak at in the past, and I think I am improving by trying to use it a lot.
It also helps that I bought a rolling draftsman's ruler - great for making parallel lines =) Best six dollars I have spent recently.
I really like the building so far. It's starting to pop out. The lighting windows need a bit of detailing (I'm sure you were planning on that anyway) but overall it looks totally awesome.
I really like the fact that you are showing this in parts, it's nice to see how you work.
I really like the fact that you are showing this in parts, it's nice to see how you work.
One of the things I learned at CCAD about depth and focus. The farther away something is, the less vibrant its color. It'll be more gray and less subdued. I think in this piece, you've already achieved that. The fact that the building has more color than the receding wall works right into atmospheric perspective!
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