
The original of this is a four foot tall, standup figure drawn in markers by Marc Schirmeister. I photographed it and worked it over digitally to restore it in useful form. Though I haven't changed anything Schirm drew, I did make the black background actually *black*. Schirm's marker ran out of ink, so that a motley shade of grey was the best he could do.
I also decided I could add colour without doing violence to Schirm's intention's. For Saara's hair it was a simple matter of altering grey to blue. For Saara's arms and legs I imported textured blue from her hair, using the rubber-stamp tool in Photoshop. The result looks rendered by the same markers in the same way, as though the artist had coloured the art himself. Or at least that was the plan.To see the image in its orginal four foot tall, faded grey glory, go to:
http://www.furaffinity.net/view/2672411/
I also decided I could add colour without doing violence to Schirm's intention's. For Saara's hair it was a simple matter of altering grey to blue. For Saara's arms and legs I imported textured blue from her hair, using the rubber-stamp tool in Photoshop. The result looks rendered by the same markers in the same way, as though the artist had coloured the art himself. Or at least that was the plan.To see the image in its orginal four foot tall, faded grey glory, go to:
http://www.furaffinity.net/view/2672411/
Category All / All
Species Unspecified / Any
Size 640 x 1280px
File Size 75 kB
You know, this is really, really neat. I wonder so much about the artistic decisions made in such a translation, like the curiously plastic bend of her feet. I don't know his style, so perhaps he's just rendering her the way he likes to draw, but I'm going to place a solid bet he could have drawn her any way he felt like and this is all deliberate. I mean, look at the delicacy of those hands. The whole style reminds me most of how they did the Dr. Seuss books in cartoon form, but even as I type it I look at the clean, simple lines of her smile and think he's got more influences than Chuck Jones.
It's hard to say what Schirm can or can't do as an artist. To some extent he has to be able to adapt, because some of his jobs require conforming to the house style. Yet I've never seen him draw any other way. I have to assume that the truth is somewhere in between -- he can adpat, but perhaps only so far. Other versions he's done of Saara over the years suggest he can be closer to model than this. But I never thought being on model was the point. Schirms point of view was.
How many "spies" do you remember from the 60's? Only about four, I'll bet.
1) The Man From U.N.C.L.E. (two spies actually, Napoleon Solo and Ilya Kuliyachin
2) James Bond, 007
3) Number Two, "The Prisoner" (Also counts as "Danger Man")
4) John Stead (& Mrs. Peel) from The Avengers
There's also those guys from "I, Spy" but I can't even remember their names.
1) The Man From U.N.C.L.E. (two spies actually, Napoleon Solo and Ilya Kuliyachin
2) James Bond, 007
3) Number Two, "The Prisoner" (Also counts as "Danger Man")
4) John Stead (& Mrs. Peel) from The Avengers
There's also those guys from "I, Spy" but I can't even remember their names.
Haven't seen The Saint or Get Smart?
I can forgive skipping The Saint. I hadn't watched many myself -- for an adventure show it seemed rather talky, and not really many punches got thrown.
Get Smart though... stupid as it was, Don Adams as Maxwell Smart was pretty funny.
He drove a Sunbem Tiger by the way. It's a small British sports car with a large American V8 in it. Connosieurs say it had too much power for it's size, and consequently didn't handle well.
I can forgive skipping The Saint. I hadn't watched many myself -- for an adventure show it seemed rather talky, and not really many punches got thrown.
Get Smart though... stupid as it was, Don Adams as Maxwell Smart was pretty funny.
He drove a Sunbem Tiger by the way. It's a small British sports car with a large American V8 in it. Connosieurs say it had too much power for it's size, and consequently didn't handle well.
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