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So I wasn't going to upload this until tomorrow - my plan was to upload the antagonists (the Vegetrons) today and then bring in the protagonists (the Cyberries) the next day.
But hey it's already past midnight here so technically it is tomorrow already - and I'm up and I have to get around to uploading these so I might as well do it now.
I mean, come on; I had to do a cybernetic watermelon anthropomorph. How could I not? And yes, she had to be this shape and cup size. As big as possible. I like big butts and I can not lie. Etc.
I may flip flop between the name 'Melonaia (Melony) Megaberry and 'Martia Melons' - I'm not entirely sure which name I prefer for her.
Character Concept and Design ™ and © David Nathan Dawkins.
Artwork © David Nathan Dawkins
But hey it's already past midnight here so technically it is tomorrow already - and I'm up and I have to get around to uploading these so I might as well do it now.
I mean, come on; I had to do a cybernetic watermelon anthropomorph. How could I not? And yes, she had to be this shape and cup size. As big as possible. I like big butts and I can not lie. Etc.
I may flip flop between the name 'Melonaia (Melony) Megaberry and 'Martia Melons' - I'm not entirely sure which name I prefer for her.
Character Concept and Design ™ and © David Nathan Dawkins.
Artwork © David Nathan Dawkins
Category Artwork (Digital) / All
Species Exotic (Other)
Size 950 x 1200px
File Size 399.8 kB
Listed in Folders
Snrk. No regrets indeed. I actually think Melony is really glamourous/pretty - her eyelashes are pretty unique if you take a closer look at them.
My style mostly comes out of the need to design characters quickly and with the intent to use colour straight off the bat. I find that if you don't work with colour from the very start and instead pencil/ink your drawing you run into problems later on because you haven't planned for how the colours will fill your design.
I mean that's mostly come from me working in vectors rather than with more traditional painting programs - but that's not to say you can't work with colour from the very start in brush-based artworking programs too.
My style mostly comes out of the need to design characters quickly and with the intent to use colour straight off the bat. I find that if you don't work with colour from the very start and instead pencil/ink your drawing you run into problems later on because you haven't planned for how the colours will fill your design.
I mean that's mostly come from me working in vectors rather than with more traditional painting programs - but that's not to say you can't work with colour from the very start in brush-based artworking programs too.
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