Reezon's expression in the in the second & third panel on the right is great, and the solidity of the figure, the pose and the jacket, esp. across the shoulders & his right arm is very pleasing to the eye.

I am also particularly interested to see that the way the R is joined to the E in "all pop must be off of the stREets" & "do you see yourself thERe" & "considERed", drawing the beak of the r right down to near the baseline makes the r look similar to the r used in Anglo-Saxon minuscule, a thousand years ago. It's like convergent evolution.

It's reassuring somehow, that humans across a vast gulf of time and space can produce the same results when writing the Latin alphabet.

Oh, I notice now that all the r's have their beak drawn down like that, " this is very bad" is a particularly nice example and the r isn't even joined to another letter.

Can't say I've ever had anyone anylize my handwriting! I learned to write back when they were teaching cursive (and teachers sometimes insisted on using it on papers) as well as block lettering, so my handwriting tends to be a combination of both, and I usually use the case and style that is quickest (lower-case e and r) and will often string letters together cursive style to do things more expediantly. But my lettering on the pencils is strictly for my own reference when I do the final digital lettering, so all that matters in the end is that I can read it.

Totally coincidentally, it reminds me a little of れ , the Japanese hiragana "re". (Hope that displays OK...) I didn't know that about the Anglo-Saxons, but it doesn't surprise me that what would be heterodox for some would be standard for others.

I like your username, by the way!

Nice expressions on Reezon, and I really look forward to seeing what he's staring at in the last panel. A good cliffhanger/teaser ^_^;

Oh, gad I can't wait for this latest issue!