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AniMECH Co-Founder: Charles Ross
Pictured: CEO of Ani-Mech America, Charles Ross in front of the American/European company logo and the typical robotic chassis of an Anthro-Car.
Taking a slight detour to focus on some world-building and lore. I know there's a handful of you out there at least that have been asking for this sort of stuff. It also feels really good to get this stuff out to you guys because even though I don't draw it, I've got so much lore stuff thought up in my head that I'd like to be public knowledge. Anyway so yeah, you want to see the founders of the AniMECH corporation? the guys who you can think for all these anthro-cars?
Ross has been involved with robotics since a very young age. His father, the late Jonathan Ross mentored his son and fostered a love for machines and robotics since the age of 10 after his father retired. Johnathan had worked for the US Government and it's even popular speculation that he may have worked at Area 51 or some other secretive government R&D. Regardless, Charles's father seeded many advanced mechanical theories into his son at a young age and by the end of high school young Charles was a top scoring student all of his science courses and 40-year trophy winner for his robotics club.
Later in his adulthood, Charles Ross followed closely in his father's footsteps, working in robotics research at MIT. In the late 70s he met the head of Kyoto's artificial intelligence institute, Takahiro Yamamoto (not shown here) at an international technology expo in Japan, Ross found Takahiro's research fascinating and the two hit it off after Ross had told him about the different robotic chassis he was developing in the states. Yamamoto invited Ross to his institute where he presented some of the firms breakthrough technology in quantum computing and the creation of true computerized consciousness, yet still in it's infancy at the time.
Ross's research was vital in developing many of the common Anthro-Car body parts, not limited to the extending/contracting highly articulate robotic arms and legs used by the cars, and the highly lifelike facial articulation and eyes. In later years Ross has become relatively reclusive, and in most cases leaves his son, and future head of the company, Walter Ross, to attend in his place in many of the corporate meetings and day to day managerial responsibilities.
Taking a slight detour to focus on some world-building and lore. I know there's a handful of you out there at least that have been asking for this sort of stuff. It also feels really good to get this stuff out to you guys because even though I don't draw it, I've got so much lore stuff thought up in my head that I'd like to be public knowledge. Anyway so yeah, you want to see the founders of the AniMECH corporation? the guys who you can think for all these anthro-cars?
Ross has been involved with robotics since a very young age. His father, the late Jonathan Ross mentored his son and fostered a love for machines and robotics since the age of 10 after his father retired. Johnathan had worked for the US Government and it's even popular speculation that he may have worked at Area 51 or some other secretive government R&D. Regardless, Charles's father seeded many advanced mechanical theories into his son at a young age and by the end of high school young Charles was a top scoring student all of his science courses and 40-year trophy winner for his robotics club.
Later in his adulthood, Charles Ross followed closely in his father's footsteps, working in robotics research at MIT. In the late 70s he met the head of Kyoto's artificial intelligence institute, Takahiro Yamamoto (not shown here) at an international technology expo in Japan, Ross found Takahiro's research fascinating and the two hit it off after Ross had told him about the different robotic chassis he was developing in the states. Yamamoto invited Ross to his institute where he presented some of the firms breakthrough technology in quantum computing and the creation of true computerized consciousness, yet still in it's infancy at the time.
Ross's research was vital in developing many of the common Anthro-Car body parts, not limited to the extending/contracting highly articulate robotic arms and legs used by the cars, and the highly lifelike facial articulation and eyes. In later years Ross has become relatively reclusive, and in most cases leaves his son, and future head of the company, Walter Ross, to attend in his place in many of the corporate meetings and day to day managerial responsibilities.
Category Artwork (Digital) / Portraits
Species Human
Size 1697 x 927px
File Size 139 kB
Just look on YouTube.
Shed 17 - https://youtu.be/462KBuAhncU
Project G-1 - https://youtu.be/4spPWx0y88w
Warning: If you’ve watched Thomas when you were little, prepare for your childhood to be ruined!
Shed 17 - https://youtu.be/462KBuAhncU
Project G-1 - https://youtu.be/4spPWx0y88w
Warning: If you’ve watched Thomas when you were little, prepare for your childhood to be ruined!
Holy shit, that was something else! O.O What a crazy headcanon; it's far and removed from my own, not to mention gritty, dark and twisted. I like it for that, honestly, and the levels of fucked up it dives into are crazy. I particularly like shit that doesn't fuck around, so this was up my alley, so to speak.
Great, now I've got alt-canon seeds in my head. XD I'm gonna be thunklin' on this a lot. :D I have a main branch, an alt branch, an in-depth alt take on the CANON branch, and now an alpha-stage secondary alt branch circling around the crazy shit I've just watched... O o f.
Great, now I've got alt-canon seeds in my head. XD I'm gonna be thunklin' on this a lot. :D I have a main branch, an alt branch, an in-depth alt take on the CANON branch, and now an alpha-stage secondary alt branch circling around the crazy shit I've just watched... O o f.
I was replying to Trainmaster...? Did I reply to the wrong comment somehow, 'cause I swear I clicked reply on HIS comment...? I was referring to the video links they posted.
The lore YOU have is fine, but I wasn't talking about that. If I replied to the wrong comment, then whoops, but I swear to god I clicked reply on Train's comment. o_o
Using Beta theme, so who the fuck knows.
The lore YOU have is fine, but I wasn't talking about that. If I replied to the wrong comment, then whoops, but I swear to god I clicked reply on Train's comment. o_o
Using Beta theme, so who the fuck knows.
The majority of the fic I write involves taboo fetish writing (incest) featuring characters who have deep, meaningful stories. A lot of times I'll have 20-30 pages go by before anything sexual happens. My writing partner and I (they're all his characters-he comes up with the plot and I do the heavy lifting and flesh things out) want our characters to feel real. There has to be that love between them. We like it twisted but with depth and meaning.
It depends. I'd say about three quarters of my stories are romance fics with some interwoven hot and heavy action, and the other quarter are fetish driven with a heavy focus on that fetish. The romance stuff has a lot of story with some fun sex stuff mixed in. The fetish stuff has a bare-bones idea that functions as the impetus for a lot of intense and often repetitive fetish action. It's writing meant to get off to as opposed to be made to feel stuff writing.
Only slightly, the reproductive area has the same cutout for the 'hardware' but yeah that's a female chassis because of the inverted bowl shaped plating in the chest. That's where the breasts are mounted. Keep in mind that with the nanites in their bodies these chassis are far from concrete in design when actually in a living car.. especially if you follow a car as it grows from a baby to an adult.
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