

So just in case anyone was ever curious, here's what i use. :D This is literally like everything i need, other than paper. I should have included my One Marker i guess, it's a prismacolor cool grey 30% ...i use that occasionally. I wish i had more markers, liek a greyscale set, that'd be swell.
But yeah, anyway, my toolbox is a duct-taped chequebox, and it fits all these plus a bunch of other pens i rarely use, plus some spare erasers. Traveling light. :3
From right to left (approximately in order of importance):
kneaded Eraser. I use this almost more than i use the pencils :P I like to have one part that is fairly blackened with graphite already, so i can wipe it over a shaded space on a picture and only pick up a very tiny amount of what's there, in order to smooth it out... then i can of course mold other eraser pseudopods to suit my needs. Kneaded erasers are by far the best for my needs (kneads?) and i haven't used any other kind of eraser like... ever. Except for one time when i lost my kneaded eraser and had to borrow a block eraser from someone. Lovely little eraser crumbs! :<
Pencil Menagerie. .3mm, .5mm, and .7mm. the .5 i use for all sketching and some finish work, the .3 i use for a good portion of finish/detail work, and the .7 i use occasionally to add light shading to a large area (which i will then smooth out with a blender.) The .3 has B lead, and the others have HB probably (i'm actually not sure, but that's the most likely.)
Blending Stumps. Two that i use and one loltastic homemade one that i never actually used. I think i made that after i left my old one in Wales and had yet to buy new ones. I leave one end fairly sharpened and pointy, for working in tight spaces... and the other end a bit more blunt for shading larger swaths. When the fine end gets too blunted, i sharpen the bigger blunt end and reverse it. :D
X-Acto knife. What artist would be complete without one?
Mainly used to sharpen blenders, but also on occasion to slice up pictures for rearranging or ...whatever. Or to cut out magazine pieces, hijack planes, or anything like that.
Inking Pens. I've actually come to prefer the prismacolor brand, the ink dries a lot quicker. I mostly use the 005 pen (Though the tip is a bit split and i need a new one...) but the 01 is good for some parts of the inking, and the big Graphic 1 is great for borders and thick outlines. I <3 it. I also occasionally use an 03 and 05 prismacolor pen, but it's not too common.
And that's that :3
I suppose i should mention that i primarily use smooth bristol, both 9x12 and 11x14 ...mostly 11x14, though i am all out of it at present. And then i use 8.5x11 cardstock for 'cheaper' pictures and for sketching, since i have a massive pile of it. It's almost as smooth and works fine for graphite, though when i ink on it the ink bleeds a lot more unfortunately.
I AM SORRY, SCANNER. I will clean you, i promise :c
Category Photography / Still Life
Species Amphibian (Other)
Size 547 x 606px
File Size 129.2 kB
So prismacolor pens are recommended? I been wanting to try those since I been falling out of love with pigmas. I don't know if the ink changed or what but I don't seem to get the strong black lines I used to get from them. My copics prefers copics but they are expensive!
Its always very interesting to see the tools and creation process that different artists use. Thank you for sharing. :)
Its always very interesting to see the tools and creation process that different artists use. Thank you for sharing. :)
A Bic mechanical pencil? Those things smear like no tomorrow if you so much as get your fingers on the graphite they lay down. I much prefer the Mars Staedtler line of mechanical pencils, .07 typically. SakuraFoam erasers are also really good at picking up pencil lead (blue or graphite) and cleaning themselves at the same time. Pentec also makes a triangular mechanical eraser that's fantastic for detailing. They're cheap too, usually at campus supply stores. -SC
I LOVE Kneaded erasers... bbbuuuttt... never can find the damn things. Or when I do find them, they've falled into some horrible place in my bad to get covered with all kinds of crap (even my pencil bag isn't safe).
I'll have to try those Prismacolor pens. My (none less than 3.5 years old) Microns are dying, so it's a good excuse.
I'll have to try those Prismacolor pens. My (none less than 3.5 years old) Microns are dying, so it's a good excuse.
Something about that just sounded so wrong...nub...
...now let's see...what on earth can I draw that's meant to be smearified and smoothtacular? ...*LE GASP!* ...SMOOTHIES! Or maybe something in the smoothies, like...GRAPHITE SMOOTHIES! Awww man I could use a refreshing graphite smoothie right now.
...now let's see...what on earth can I draw that's meant to be smearified and smoothtacular? ...*LE GASP!* ...SMOOTHIES! Or maybe something in the smoothies, like...GRAPHITE SMOOTHIES! Awww man I could use a refreshing graphite smoothie right now.
X-Acto knives are terrifically useful. I use them to sharpen pencils, whether #2 (HB) or my Prismacolors. You can scrape pastels for colored powder. Scratch paper for white streaks like rain or highlights or... oh, they cut, too.
Careful- they'll make you bleed for days.
Careful- they'll make you bleed for days.
Prismacolors eh? I've been hunting around for Faber Castell Pitt because I remember them being blacker, more like India ink and a dip pen (don't mind me, that's probably before your time.) I did get a set of four Prismacolors on Saturday, and I like the point varieties, especially the "brush" one. But they still don't seem as black as what I expect. They are nicely waterproof when dry though, so washing over them with watercolor works as it should. That's most likely to happen in my style of art.
Heather Bruton uses Copic pens and I've never tried them, but if I can find some I probably will give them a chance. I really like the way her sepia inkwork turns out. They have the advantage of being refillable (cartridges) and having replaceable points when one wears out, so you don't have to throw away the whole pen ti get it working again.
Heather Bruton uses Copic pens and I've never tried them, but if I can find some I probably will give them a chance. I really like the way her sepia inkwork turns out. They have the advantage of being refillable (cartridges) and having replaceable points when one wears out, so you don't have to throw away the whole pen ti get it working again.
Oh, and I forgot to say thanks for sharing this information. It's very interesting to know more about the tools and techniques artists use. Even though I don't always enjoy your subject matter, I do appreciate the detailed and perfectionist quality of your work.
By the way, I read the fine print on the Prismacolor box. Did you know they are made by Sanford now, and that Sanford is owned by... Rubbermaid?
By the way, I read the fine print on the Prismacolor box. Did you know they are made by Sanford now, and that Sanford is owned by... Rubbermaid?
My box is similar, except I don't have any inking stuff. I work strictly in graphite and charcoal.
Prang "Ebony Black" pencils, a set of pencils ranging from 2H down to 6B, a couple of charcoal pencils for epic black shading, blending stumps, a hand held razor sharpener, sketching paper with a heavy tooth. A few half-sheets of typing paper, though I'd probably get some better detail if I stopped using typing paper and got something a little smoother.
Meh...
Prang "Ebony Black" pencils, a set of pencils ranging from 2H down to 6B, a couple of charcoal pencils for epic black shading, blending stumps, a hand held razor sharpener, sketching paper with a heavy tooth. A few half-sheets of typing paper, though I'd probably get some better detail if I stopped using typing paper and got something a little smoother.
Meh...
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