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Amelie really needs to bring an umbrella whilst speaking with the enthusiasts. Also, Finley's forte is not humour.
Oh Amelie, please learn how to say "no." Quit being so wishy-washy!
© S. Henson 2010
Oh Amelie, please learn how to say "no." Quit being so wishy-washy!
© S. Henson 2010
Category Story / General Furry Art
Species Dog (Other)
Size 50 x 50px
File Size 759.3 kB
I'm not sure what exactly to do with the - ehm- "enthusiasts".. though i know that my solution might involve violence.
still, though, money for something you don't understand is better than no money at all.
also, HOLY CRAP INFLATION.
what -have- you done to the value of money in the last hundred years or so?!
still, though, money for something you don't understand is better than no money at all.
also, HOLY CRAP INFLATION.
what -have- you done to the value of money in the last hundred years or so?!
Once again pretty good. I like that Finley was able to buy off the art lovers with an incomplete painting. To bad he isn't also a pickpocket he might have been able to get a few pence as well.
I may be incorrect but, in 1879 I can't imagine much of London (or really any city for that matter) was a place you'd be super safe in. I would have liked to have seen similar attention paid to the parts of the city that Amelie visits as well as the one Finley does unless of course they aren't going to be so terribly important.
I might have stuck with Finley honestly when starting this second section. Maybe gotten into his head a bit more, maybe he was interested in seeing the girl again, maybe he had time to pay the coal bill, (though he may be doing well enough to afford gas or I could be totally missing how heating and all worked at this time period).
After all, if (speculation here) these two are to become close he could find out all of this stuff from her over the course of the story and maybe, barring some incidents where problems occur, he comes out of his shell some.
I may be incorrect but, in 1879 I can't imagine much of London (or really any city for that matter) was a place you'd be super safe in. I would have liked to have seen similar attention paid to the parts of the city that Amelie visits as well as the one Finley does unless of course they aren't going to be so terribly important.
I might have stuck with Finley honestly when starting this second section. Maybe gotten into his head a bit more, maybe he was interested in seeing the girl again, maybe he had time to pay the coal bill, (though he may be doing well enough to afford gas or I could be totally missing how heating and all worked at this time period).
After all, if (speculation here) these two are to become close he could find out all of this stuff from her over the course of the story and maybe, barring some incidents where problems occur, he comes out of his shell some.
I laugh so hard at your first paragraph. XD You'll see why later.
Actually, the worst of London in 1879 was safer than some of our worst streets today. :) Sure, there was danger, but the worst you'd most likely get was your pocket picked. :D Bloody crimes were rare.
Yes, Finley is able to afford gas. Which is good... better lighting! LOL T'is nice for an artist. :)
The reason I did Amelie's POV is because she is actually the main character. As I began forming the story, they both became the main character equally. :D So, I go back and forth with them. :)
Again, thank you for such WONDERFUL feedback!
Actually, the worst of London in 1879 was safer than some of our worst streets today. :) Sure, there was danger, but the worst you'd most likely get was your pocket picked. :D Bloody crimes were rare.
Yes, Finley is able to afford gas. Which is good... better lighting! LOL T'is nice for an artist. :)
The reason I did Amelie's POV is because she is actually the main character. As I began forming the story, they both became the main character equally. :D So, I go back and forth with them. :)
Again, thank you for such WONDERFUL feedback!
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