Hey this looks ni-*sees red eyes* uh oh...

Ahahah, yes, if I did this at the age at which it was all invented, it would be a sea of meat and blood. Now my assistant saves my characters, as much as possible and possibly some of them will survive to the second part.

Nice, still though. I hope he turns around.

Here it’s more important the one he is looking at now, before making the swing of the pipe. And why he no longer has weapons and ammunition. But since I am thinking of making a comic strip on this universe, I will not say anything else. :Р

Well I figured, but when I think red eyes in darkness, I think assassin.

There just below is another red eye. And behind those red ones that you saw there are two more eyes a little further.

must have a hiiiiiigh bounty on his head! Dayum!

:)

Блин, это очень много, как я полагаю, военных жетонов.
Я думаю, что Рейзор и мой фурсона, Юрий, который также является солдатом, могли бы стать хорошими друзьями после дружеской, беспрепятственной борьбы, чтобы проверить силу друг друга.

Damn, that's a bunch of what I'm assuming are dog tags.
I think that Razor and my fursona, Yuri, who is also a soldier, could become good friends after a friendly, no-holds-barred fight to test each other's mettle.

Да, так и было задумано, чтобы военных жетонов казалось очень много. Изначально я собирался делать историю в жестокий реализм, но моя помощница постепенно спасает персонажей и склоняет меня к фэнтези. В реализме вам у персонажей были бы видны только глаза через стекло визора, а в фэнтези у них будут открыты головы с модными дизайнерскими стрижками. Так же возможно я понижу градус жестокости в сценах или сведу их к минимуму.

Yes, it was intended so that there would be a lot of military tokens. Initially, I was going to make history into brutal realism, but my assistant gradually saves the characters and inclines me to fantasy. In realism, you would only see the eyes of the characters through the glass of the visor, and in fantasy they would have their heads open with fashionable designer haircuts. It’s also possible that I will lower the degree of cruelty in the scenes or keep them to a minimum.

Понял.

Gotcha.

Just small pont of critique he is a bit too shiny for it to be a fur, it would look fine if it was fur textured, over his body, and then all that elements of fur would be shiny, and had shadows, so it wouldn't look like metal or latex. Mattling down fur is also an option, and it would at least remove that glossy feeling.

The thing that hands lack fur like on his face or neck sorta makes it look even more glossy.

I like look of his cloth though it feels that shading there is better, maybe again add some fuzziness(not a lot on the trousers(because they are most likely made out of textiles, there would be some fuzziness on the edges, where shadow falls from the pipe.

The blood looks good it gives off good unsettling feeling of dried out blood, and even on his glossy fur, which contrasts with it, and feels as if it is floats over it, it is small unnoticable fragment, but I sorta wanted to show what I mean why fur feels strange.

The fur thing is mostly on his arms though, the neck and face look relatively normal for the lighting falling on them, but hands make them feel shiny I think.

thanks for reading out my concerns.

Thanks for the criticism, but I paid attention to it and even thought of changing something, but then I decided to leave it as it is. The following works will gradually move to fur. Next is Virginia, her hands are also similar to latex, and then completely fluffy Kaplan.

My wrist still hurts, and the finished work is about a month ahead, so I make very minor edits to the work and nothing more. The art data for the Wanderers is something like quick references, I will make secondary characters without a strong rendering, since it is important for me to present their appearance. It is faster and easier than references.
Actually, the works were drawn in a different order, but I decided that I would upload them by dividing them into universes. Then there will be the art of the Dark Gods (I hope that I will change the name to the name of the universe when I come up with it) and three versions of the Shiny fox: a fluffy maid, latex synthet and something close to a robot, but I prefer to call it just synthet.

I don’t think that when I start the story that they will be drawn as well into the fur, it takes a lot of time, so I also try options for drawing and simplification. The same versions of the fox will just be made for this, there are strongly cartoonish versions. At the time, as I try to do the art of the Dark Gods as examples of a new column in my price list: a detailed illustration.

I see, well as long as you are aware of what you are doing. ^^
Idea is not as much draw detailed fur, but realize that mattled surface better images fur, because it has many small fur fragments.
But thanks for reply

Thank you, I’m always wondering how it looks from the outside. I like the shine and I think that I will try some kind of simplified version of the fur with shine. I have not yet decided exactly how I will do next, so there will be many experiments. Perhaps softer transitions with a slight sheen or something like that. Something about plastic furries. :)

mmm, rubber plastic, reminds me of tetetor-oort's art. ^^ Tashiroyu on FA

Oh, not so much. :P Now there are many who draw fur this way and this is probably the fastest way to draw.

I mean he/she draws petroids in sorta rubber plastic texture, ^^ that's what I have meant.

The artist does it in the literal sense, but I’m rather talking about those “plastic” furries that look like plastic, but wool is meant there. ^^, In chats, people call them plastic or plasticine.

Ah I see heh well I guess it is a way to draw.