
A parody of old science-fantasy pulp magazine covers from the 1930s or 40s. The magazines were large-format and usually would have garish color covers, sometimes with too much adventure activity shown. This was also a parody of the 'fan-politics' among the sf fan volunteers running competing conventions and bidding for future rights to hold national conventions.
Done for sale at a science fiction convention art show in 1973. This image is from line-work for the art, done about 'letter-size'. The actual art was colored with markers, water-color, & colored-pencils to give it some of the garish pulp-magazine look. The original art was sold at the art show auction... to the con chairman of that convention. It may have been personally appealing, for some reason....
(In 1981 this copier image was published in an informal 'art-jam-zine', subsidized & assembled at a World Science Fiction Convention, held in Denver. (This was one of the early sf conventions where the 'proto-furry-fans' got to meet and hang-out with S.A. Gallacci, the creator of the ALBEDO underground comic.) The 'jam-zine' included a lot of contributions from some of these sf/furry fan-artists.)
I was an sf fan-artist, but whenever I could make an excuse, I would cartoon sf & fantasy furry-critters. So the fantasy event shown is actually my version of possible events at a regular sf convention. The World SF Conventions would have open 'Business Meetings' usually held early Sunday mornings. A moderator of the business meeting at the left, with a copy of Roberts' Rules of Order. The giant headless chicken monster represents hotel banquet food, a constant source of annoyance (and amused drama) among the convention-attending sf fans. In Olden Times of Fable, hotels had a Food-Service Department that was financially very important to hotel profits. They ran the hotel restaurants, but also room-service, food service for meeting rooms, and also Banquet Services. Most convention-sized events had guests that were part of industrial business or professional organizations. The business would have a budget to pay for meeting-room rental and formal banquets as part of the convention. SF fans (like furry fans) were not paid to attend their social conventions. No corporate charge-card. If an amateur fan convention was not able to fill-up a convention hotel with guest-rooms, the con committee would not have much bargaining power to negotiate costs with the hotel management. Each individual meeting room used for con events could have a list-price of $100s of dollars-a-day. Unless the convention were willing to have a mandatory Official Convention Banquet. (Shows you how much the profit-margin was on Banquet Services.)
The convention members would have to pay for their own banquet ticket, which would be maybe equivalent to $100+ (at today's prices). Not all the sf fans could afford to budget that amount, but there would always be a 100 or so fans who would 'bite-the-potato', and sign-up to make up the mandatory banquet size. Usually, the food would be at about 'institutional level', usually edible, and maybe look good. But not worth $100. There were sometimes impromptu 1960s protest songs made up during the meal. "Rubber-chicken" was sometimes mentioned....
Fortunately, maybe convention events have evolved.
Done for sale at a science fiction convention art show in 1973. This image is from line-work for the art, done about 'letter-size'. The actual art was colored with markers, water-color, & colored-pencils to give it some of the garish pulp-magazine look. The original art was sold at the art show auction... to the con chairman of that convention. It may have been personally appealing, for some reason....
(In 1981 this copier image was published in an informal 'art-jam-zine', subsidized & assembled at a World Science Fiction Convention, held in Denver. (This was one of the early sf conventions where the 'proto-furry-fans' got to meet and hang-out with S.A. Gallacci, the creator of the ALBEDO underground comic.) The 'jam-zine' included a lot of contributions from some of these sf/furry fan-artists.)
I was an sf fan-artist, but whenever I could make an excuse, I would cartoon sf & fantasy furry-critters. So the fantasy event shown is actually my version of possible events at a regular sf convention. The World SF Conventions would have open 'Business Meetings' usually held early Sunday mornings. A moderator of the business meeting at the left, with a copy of Roberts' Rules of Order. The giant headless chicken monster represents hotel banquet food, a constant source of annoyance (and amused drama) among the convention-attending sf fans. In Olden Times of Fable, hotels had a Food-Service Department that was financially very important to hotel profits. They ran the hotel restaurants, but also room-service, food service for meeting rooms, and also Banquet Services. Most convention-sized events had guests that were part of industrial business or professional organizations. The business would have a budget to pay for meeting-room rental and formal banquets as part of the convention. SF fans (like furry fans) were not paid to attend their social conventions. No corporate charge-card. If an amateur fan convention was not able to fill-up a convention hotel with guest-rooms, the con committee would not have much bargaining power to negotiate costs with the hotel management. Each individual meeting room used for con events could have a list-price of $100s of dollars-a-day. Unless the convention were willing to have a mandatory Official Convention Banquet. (Shows you how much the profit-margin was on Banquet Services.)
The convention members would have to pay for their own banquet ticket, which would be maybe equivalent to $100+ (at today's prices). Not all the sf fans could afford to budget that amount, but there would always be a 100 or so fans who would 'bite-the-potato', and sign-up to make up the mandatory banquet size. Usually, the food would be at about 'institutional level', usually edible, and maybe look good. But not worth $100. There were sometimes impromptu 1960s protest songs made up during the meal. "Rubber-chicken" was sometimes mentioned....
Fortunately, maybe convention events have evolved.
Category Artwork (Traditional) / All
Species Unspecified / Any
Size 946 x 1249px
File Size 80.7 kB
Man, thats classic Old school stuff. I remember almost going to IguanaCon in 78 in Phoenix. But I had to work that weekend. Thinking it involved actual Iguanas and I was big into iguanas. A friend of mine, a militant Trekkie, went cause Gene Roddenberry was attending. He told me all about the wonders of the Earlier SciFi con.
My first con wasn't til San Diego Comic Con in 83 and I was utterly blown away at the size of that con then (A WHOPPING 35K attendance !!) I did SDCC in 84 where I met Gooch at Schirm's and we convoyed it to the con. My first actual SciFi con wasn't til the fall of 85 when I attended CopperCon in Phoenix. And I was expecting a massive 35K attending con...and Coppercon was more around 850. My first WorldCon was New Orleans in 88, my last one was Chicago in 2000. Haven't been to one since. I honestly kinda miss doing the SciFi cons like the old MiniCon. Pity their board killed the con as we loved it in 99.
My first con wasn't til San Diego Comic Con in 83 and I was utterly blown away at the size of that con then (A WHOPPING 35K attendance !!) I did SDCC in 84 where I met Gooch at Schirm's and we convoyed it to the con. My first actual SciFi con wasn't til the fall of 85 when I attended CopperCon in Phoenix. And I was expecting a massive 35K attending con...and Coppercon was more around 850. My first WorldCon was New Orleans in 88, my last one was Chicago in 2000. Haven't been to one since. I honestly kinda miss doing the SciFi cons like the old MiniCon. Pity their board killed the con as we loved it in 99.
San Diego Comic Con (I think) would imprint and spoil anyone's impression of a pop-culture convention. "A tough act to follow!"
The fan-run type of convention was all-volunteer planning and labor at the convention. If a con-committee didn't have seed-money from previous conventions, planning money & guest travel money were big problems. At some pop-culture conventions, the top staff could end up mortgaging their houses to fly-in 2 or 3 actor/guests from England (as an example.) It would often happen that the local fans running the convention could get burnt-out - financially and stress. The Minicons that were so large (for non-profit volunteer conventions) had maybe 2000 paying attendees, and maybe 500+ 'ghost' attendees, (non-paying, non-enculturated, who were invited by friends, and were often underage and getting into various forms of mischief at their 'free' carnival). After about 4 years of increasing numbers of 'ghosts' the con-committee bailed. (If some 16-year old kills themselves in certain ways, members of the con committee could go to prison.) However there was enough of a fan community that a brand new convention committee (of volunteers) started up within a year, and has been running a similar very large volunteer-run sf convention on a holiday weekend for some time. That concom also has had to deal with the stress, but they may have learned how to better be pro-active with the number of attendees. 8)
The fan-run type of convention was all-volunteer planning and labor at the convention. If a con-committee didn't have seed-money from previous conventions, planning money & guest travel money were big problems. At some pop-culture conventions, the top staff could end up mortgaging their houses to fly-in 2 or 3 actor/guests from England (as an example.) It would often happen that the local fans running the convention could get burnt-out - financially and stress. The Minicons that were so large (for non-profit volunteer conventions) had maybe 2000 paying attendees, and maybe 500+ 'ghost' attendees, (non-paying, non-enculturated, who were invited by friends, and were often underage and getting into various forms of mischief at their 'free' carnival). After about 4 years of increasing numbers of 'ghosts' the con-committee bailed. (If some 16-year old kills themselves in certain ways, members of the con committee could go to prison.) However there was enough of a fan community that a brand new convention committee (of volunteers) started up within a year, and has been running a similar very large volunteer-run sf convention on a holiday weekend for some time. That concom also has had to deal with the stress, but they may have learned how to better be pro-active with the number of attendees. 8)
Back in the 1970s, I was a fan of Dan O'Neill's Odd Bodkins comic strip and collected several of the compilation books. Hugh the Human and Fred the Bird feared for their lives the night their Norton motorcycle left them stranded in Petaluma, California. Everyone knew that on moonlit nights near Petaluma, Were-Chicken walks!
Heh. My first con would have been the Victoria International Cartoon Festival in 1985 or so, with Sergio Aragones and Mark Evanier as guests; sadly, the event only ran for a couple of years. I still attend Ad Astra, the local old-school literary SF con pretty much every year, though sadly I've only been to two Worldcons: Torcon 3 and Anticipation.
It's always fun to hang out with people at least as weird as you are.
It's always fun to hang out with people at least as weird as you are.
One of my earlier conventions, Contradiction in Niagara Falls, 1987... Anne McCaffrey was the main guest of honour, but a gentleman by the name of Michael Skeet was the Fan GoH, and he made a comment that has stuck with me ever since. He said that there were three stages of convention-goers:
- Stage one: the people who mostly go to see the guests, get autographs, that sort of thing.
- Stage two: the people who mostly go to see the convention, panels, dealer's room, etc.
- Stage three: the people who mostly go to see the folks that they haven't seen since the last con.
I've joked before that at Ad Astra, the main Toronto SF con, my 'mean free path' before running into someone I know is only about ten paces. Which happens when you've been going to the same con for thirty years...
- Stage one: the people who mostly go to see the guests, get autographs, that sort of thing.
- Stage two: the people who mostly go to see the convention, panels, dealer's room, etc.
- Stage three: the people who mostly go to see the folks that they haven't seen since the last con.
I've joked before that at Ad Astra, the main Toronto SF con, my 'mean free path' before running into someone I know is only about ten paces. Which happens when you've been going to the same con for thirty years...
Comments