I hope that I don't get any accusations from people who think I'm being melodramatic when it comes to doing deep analyzations on fictional Disney or non Disney characters who never had a chance to tell their side of the story and leave it up to viewers and fans to come up with theories of their own when creating fan art. But that's the point of why fan art and fan fiction exists. So I'm not ashamed of what I'm doing now. I'm now starting to accept it and love it, leaving all my doubts and worries behind for now.

As for what's going on here, after watching more of "Wild West Cowboys of Moo Mesa" and doing some analyzing, even after the 13th episode of the first season, I already came to the conclusion that deep down, Boothill Buzzard is not at all a pure evil monster, no matter how mean or cunning he acts or tries to be when following orders of Mayor Bulloney or the Masked Bull, especially when robbing banks, trains, stagecoaches, or doing kidnappings. But murder is not in him. A pure evil villain would not still have love or any amount of good in him somewhere that he/she has trouble finding and needs someone's help with that, which should have been possible in a third or fourth season if the show went on for two more seasons after the second. Unless the 90s shows did not believe in villain redemptions, no wonder their stories were always left unfinished. All we got were hints to some of them not being pure evil, but misunderstood and misguided, even bullied and abused by the villains they work for, but can't escape for reasons left up to viewers to theorize on. From everything I've seen and analyzed on, Boothill still has love for his mother who is locked away in federal prison, and he loves his horse dearly, according to the start of the 13th episode where he showed worry and concern at not wanting to leave him behind when running from the cowboys. And according to the main villains' mistreatment of him, I feel as if Boothill is afraid of showing any emotion in front of them, possibly not wanting to look weaker or pathetic as they already think of him. Which means the only one he can ever show any emotion to is his mother during visitation hours at the federal prison. Whatever she did to land in there, we'll never find out. But she is still his mother, the one who still has love for him in the world and always has since he was a baby.

Let's say this is one of those nights where neither Mayor Bulloney and Sheriff TerrorBull have a job for Boothill and Saddlesore, yet it gives Boothill relief and the chance to go and see his mother, in hopes his bosses do not have a new job for them anytime out of nowhere, only to find that he is not at home. That's the last thing he needs to deal with the moment he gets on his horse and sets off to wherever the federal prison might be located, looking in all directions to make sure that nobody is following him. Not quite sure how federal prisons were run back in the 19th century, even when it came to visiting hours since the information is hard to find. However, it's not hard for Boothill to get there as he knows the way, and visiting hours are still up and running. So whatever time he is given to spend, Boothill does his best to make the most of it after being lead to her cell and having personal moment discussions that he doesn't want anyone else to find out about like his childhood, his father who is no longer living, his former home where he had grown up, and what's happening to him now, knowing it's no use keeping secrets from her. But he leaves out details of Skull Duggery, remembering what Saddlesore said about never telling anyone about Skull Mountain. However his mother responds to all this afterward, she places her hand on his face tenderly and says no matter what happens, she is still her boy and always will be, opening her arms wide and letting him give a long tender, loving hug that lasts for who knows how long. Maybe it goes on and on until the visiting hours are over and it's time to leave. Maybe.