This experimental work comes out from the study on how to draw furry dragons and simple backgrounds. Since I need to design a furry dragon for a friend later and I had little knowledge about furry dragons, I decided to practice and determine some key features. The foundation is  Yungon , simple but canonical, an ideal choice for a Model. I am grateful that he let me ruin his character, lol. The background and theme are from the movie Contact, recommended by Yungon. More specifically, from the scene, the chief character comes to the Very Large Array to monitor the signal alone. The original choice is The Three-body Problem, a Chinese sci-fi novel, but I gave up. I haven't read it yet and can't handle the theme properly. Additionally, I think it's a little weird when closeup to a single character in a grand theme. This movie is easy to have resonance for me. It might be a special feeling one having for someone or an experience that makes people stubborn about something. I nearly forget that I once want to be an astronomer when I was a kid, lol. There are two versions, one with a full scene and color tuned (https://www.furaffinity.net/view/41082668/), and one closeup. I hope you enjoy them :).

学习画毛毛龙和简单场景实验性作品。因为之后要帮朋友做一个毛毛龙设，我不怎么熟悉，怕弄砸了，所以先试着做一个练练，确定一些基本特征。基础是云哥 Yungon，因为虽然比较简单但很典则，很适合做一个“模式生物”，感谢云哥大方地把设给我随便毁。背景来自于《超时空接触 (Contact)》，云哥推荐的电影，挺不错的一部电影，具体是其中一个主角独自到甚大天线阵（Very Large Array，射电望远镜阵列）处收听信号的情景。本来最开始问云哥喜欢的主题，是打算画成《三体》的主题的，后来感觉一是我没具体看过，只有看过概述，可能把握不住；二是这种内核比较宏大的聚焦到单个角色感觉稍微有点怪，感觉角色为中心的图和这种有点不搭。这个电影也还是蛮引起共鸣的，有些时候如此执着于一些东西可能和与某个人的感情或者小时候的经历有关，也想起自己也是曾想仰望星空的。有两个版本，一个是调过色的场景版，一个是镜头拉近没调过色的原版。