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ART BY 
pkingsora
pkingsoraM I D N I G H T M I C H A
musician for hire,
interested in having your own piece?
Just walk this way.
flyer©pkingsora
Category Artwork (Digital) / Other Music
Species Mammal (Other)
Size 950 x 688px
File Size 532.6 kB
i wonder.
could you do a Jazzy/tech/Djent style song Ala TesseracT/Periphery. Complete with vocals ranging from cynic style digitally enhanced clean to Opeth style growling, a calming, ambient Midsection (complete with digital drums) an audible bass line and a film worth orchestral score as the songs main background ambiance.
could you do a Jazzy/tech/Djent style song Ala TesseracT/Periphery. Complete with vocals ranging from cynic style digitally enhanced clean to Opeth style growling, a calming, ambient Midsection (complete with digital drums) an audible bass line and a film worth orchestral score as the songs main background ambiance.
NICE! Now this would take a bit of time:
I can write and play a "Jazzy/tech/Djent" style song, though a few iterations of it may be in order to get the sound you really want.
Vocals are and will always be difficult, getting the sound (digital enhancement, proper micing) is not but it will take a while to get a good final cut especially with all the effects that would go into this sound. Also note that while I can attempt to emulate styles no one is going to be able to completely match up when compared to another artist due to differences in singing/mixing/EQ/mastering/and overall performance techniques
I know how to, and have done ambient sections and entire pieces and love the way they flow, that won't be a problem, nor will digital drums though as stated prior it may take a few iterations before you are happy with the piece and transitions between.
"Film worthy Orchestral score" that's where you are going to run into troubles. The problem being that I have not access nor money to provide access to the necessary elements to create that sound. Big name artists or ones with funding can hire a orchestra to record a piece, they have proper micing, a good recording environment, etc. Small groups may have all the instruments on hand and record each individually, doing multiple takes with each instrument to achieve the swells and chorus effect, giving it a wider "feel". I can do neither as I have not the money to get it professionally recorded, the instruments, or the knowledge to play them all competently enough to get you the quality you request (big budget films get the best simply because they are BIG BUDGET) What I can do is digitally manufacture the sound using samples, VTS instruments, Pitch and envelope effects, and other techniques during mix-down to achieve a good (is not "film quality") sound.
While I will do everything I can, I cannot honestly say I can do EVERYTHING, and with a project this big I'd be taking a lot of time with it, probably writing it out in midi first, then doing a few rough tracks before diving full into major recording. There's also the question of duration, how long the overall song or each section would be...
I can write and play a "Jazzy/tech/Djent" style song, though a few iterations of it may be in order to get the sound you really want.
Vocals are and will always be difficult, getting the sound (digital enhancement, proper micing) is not but it will take a while to get a good final cut especially with all the effects that would go into this sound. Also note that while I can attempt to emulate styles no one is going to be able to completely match up when compared to another artist due to differences in singing/mixing/EQ/mastering/and overall performance techniques
I know how to, and have done ambient sections and entire pieces and love the way they flow, that won't be a problem, nor will digital drums though as stated prior it may take a few iterations before you are happy with the piece and transitions between.
"Film worthy Orchestral score" that's where you are going to run into troubles. The problem being that I have not access nor money to provide access to the necessary elements to create that sound. Big name artists or ones with funding can hire a orchestra to record a piece, they have proper micing, a good recording environment, etc. Small groups may have all the instruments on hand and record each individually, doing multiple takes with each instrument to achieve the swells and chorus effect, giving it a wider "feel". I can do neither as I have not the money to get it professionally recorded, the instruments, or the knowledge to play them all competently enough to get you the quality you request (big budget films get the best simply because they are BIG BUDGET) What I can do is digitally manufacture the sound using samples, VTS instruments, Pitch and envelope effects, and other techniques during mix-down to achieve a good (is not "film quality") sound.
While I will do everything I can, I cannot honestly say I can do EVERYTHING, and with a project this big I'd be taking a lot of time with it, probably writing it out in midi first, then doing a few rough tracks before diving full into major recording. There's also the question of duration, how long the overall song or each section would be...
Just curious really because that's most of what i write when i compose. Either that or things ranging from southern rock, to hip hop to blackened melodic metal.
Though you have me curious now, what do you use when you compose? as in Midi program, and would you be interested in a collaboration of a kind.
Though you have me curious now, what do you use when you compose? as in Midi program, and would you be interested in a collaboration of a kind.
I have a variety of programs, I generally start with guitar pro, sometimes cakewalk music creator 2003 for larger compositions. Occasionally I'll try writing midi in a DAW like Abelton or Reaper, usually then I'll play it out using a Casio keyboard as a midi controller for patch effects.
I'm more interested in your phrasing of the question;
What do you mean by "a collaboration of a kind"?
I'm more interested in your phrasing of the question;
What do you mean by "a collaboration of a kind"?
As much as i love working in GP, i find it hard to perfectly tab out alot of the more syncopated passages and things always sound alot heavier when i play in Eb though gp never gets the sound as right, i guess it's because of my heavy right hand.
but what i meant by a "collaboration of a kind" would be a composition collab. i could explain it better either in notes or on messenger, instead of spamming your submission, if your interested.
but what i meant by a "collaboration of a kind" would be a composition collab. i could explain it better either in notes or on messenger, instead of spamming your submission, if your interested.
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