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For those who don't want to hurt their eyes, you can find a large image at http://www.ph.utexas.edu/~cavell/Th.....sOfSymbols.png
This was my first time brush inking! I used a Pentel brush pen (yes, it counts), and a bigger brush with India Ink for the big spaces, along with my trusty Micron pens for the lettering. I also realized on the third panel that I was doing myself a disservice drawing on sketch paper, and bought some smooth Bristol. I think I'm addicted now.
It is my second time attempting this shading style, and while I did far better than the previous time (the IWBTG fancomic), I still don't know how to use it fully. There's also the usual collection of small mistakes that jump out at me, but I'm proud of the comic nonetheless.
For those who don't want to hurt their eyes, you can find a large image at http://www.ph.utexas.edu/~cavell/Th.....sOfSymbols.png
This was my first time brush inking! I used a Pentel brush pen (yes, it counts), and a bigger brush with India Ink for the big spaces, along with my trusty Micron pens for the lettering. I also realized on the third panel that I was doing myself a disservice drawing on sketch paper, and bought some smooth Bristol. I think I'm addicted now.
It is my second time attempting this shading style, and while I did far better than the previous time (the IWBTG fancomic), I still don't know how to use it fully. There's also the usual collection of small mistakes that jump out at me, but I'm proud of the comic nonetheless.
Category Artwork (Traditional) / Comics
Species Rabbit / Hare
Size 427 x 1280px
File Size 1.33 MB
Wow, is all I can say.
You should be proud of this. Not only do you know what you're doing inking-wise, but the way you're using sequential panels, the way fill your frames to tell your story would make Scott McCloud proud.
And story-wise, this is pretty impressive. It's nice to see something on FA besides pr0n art and I'm glad I opened up FA in time to catch this.
You should be proud of this. Not only do you know what you're doing inking-wise, but the way you're using sequential panels, the way fill your frames to tell your story would make Scott McCloud proud.
And story-wise, this is pretty impressive. It's nice to see something on FA besides pr0n art and I'm glad I opened up FA in time to catch this.
Thanks, but perhaps the wonders of Photoshop made me appear more skilled than I actually am. Filling my frames? That's a new description, I'll have to think about it.
I've found there are plenty of comics and such around the site. They're just not easily found from the main page. :P
I've found there are plenty of comics and such around the site. They're just not easily found from the main page. :P
Filling my frames? That's a new description, I'll have to think about it.
Just to explain that a touch more (and to use a lot of movie metaphors), I mean your choice & succession of 'camera' angles, the way you compose each panel's content and the tension between the panels' borders and their contents. For instance panels 7 and 8 are the same 'shot,' but your protagonist is missing in # 7; in #8 his head is just entering the frame while the Symbol has turned his head slightly. You 'cut' to a different angle in #9 & 10 that show your protagonist has moved closer to the bed and sat down again, then back to a closer version of the previous angle and - jeez, I just noticed there's no background in the last two panels, the better to focus attention on your protagonist and that creepy puddle.
You're more skilled than you think you are.
Just to explain that a touch more (and to use a lot of movie metaphors), I mean your choice & succession of 'camera' angles, the way you compose each panel's content and the tension between the panels' borders and their contents. For instance panels 7 and 8 are the same 'shot,' but your protagonist is missing in # 7; in #8 his head is just entering the frame while the Symbol has turned his head slightly. You 'cut' to a different angle in #9 & 10 that show your protagonist has moved closer to the bed and sat down again, then back to a closer version of the previous angle and - jeez, I just noticed there's no background in the last two panels, the better to focus attention on your protagonist and that creepy puddle.
You're more skilled than you think you are.
I really like this shading style here. The deep shadows give the scene an eery feeling, like having a floodlight thrown into a dark room. The way you realized mr. cardiovascular system is cool, too- depicting a silhouette over the white bed. I may be reading too much into the symbolism (hrm) but it seems like a reconsideration of bed-wetting night-terrors, just more psychological and spooky.
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