
A friend of a friend came up with a cool idea: internalize Wally Wood's '22 Panels That Always Work' by making your own version. I don't know if I'll do the other 17, but these made a dandy shakedown cruise for the methods I'm going to use in a web comic my boyfriend and I are working on.
Illustrator CS2.
links: http://www.petervenables.com/22p/ - 22 panels project page
http://shatterstripes.livejournal.com/690659.html - me burbling about methods
Illustrator CS2.
links: http://www.petervenables.com/22p/ - 22 panels project page
http://shatterstripes.livejournal.com/690659.html - me burbling about methods
Category All / Comics
Species Unspecified / Any
Size 648 x 648px
File Size 98.7 kB
On this project? I'm still deciding how I'll do that.
In general, well, I spent about six years leaning on a couple of books. Hard. "Designer's Guide To Color 5" by some Japanese guy (the book's not in reach at the moment), and "Color Index" by Jim Krause (which IS in reach right now). Both of them are chock full of color schemes, arranged in categories, interspersed with notes on how they were chosen. Eventually enough of it got internalized.
One big thing that I kinda failed to do in this particular piece is making sure the different colors are different values and saturation, as well. The purple and cyan are pretty much the same value, so they kinda merge when I use them at full saturation next to each other (see the upper right panel).
In general, well, I spent about six years leaning on a couple of books. Hard. "Designer's Guide To Color 5" by some Japanese guy (the book's not in reach at the moment), and "Color Index" by Jim Krause (which IS in reach right now). Both of them are chock full of color schemes, arranged in categories, interspersed with notes on how they were chosen. Eventually enough of it got internalized.
One big thing that I kinda failed to do in this particular piece is making sure the different colors are different values and saturation, as well. The purple and cyan are pretty much the same value, so they kinda merge when I use them at full saturation next to each other (see the upper right panel).
That's a neat idea and a fun bit of self-referentialism.
It reminds me of a gag in the old indy film "The Wizard of Speed and Time" where the producer is listing off a bunch of common camera shots movie needs. The film then cuts between all of those shots as he calls them off.
It reminds me of a gag in the old indy film "The Wizard of Speed and Time" where the producer is listing off a bunch of common camera shots movie needs. The film then cuts between all of those shots as he calls them off.
High rez of the origional
http://joeljohnson.com/images2/wall.....2panel2560.jpg
http://joeljohnson.com/images2/wall.....2panel2560.jpg
Ah, and that's where you can find the full story behind them, too: http://joeljohnson.com/archives/200....._woods_22.html
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