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We came up with a lot of stories, and I got so carried away with this fandom that I couldn't stop. From one screenshot, I drew a whole character, about whom it is written both in the book and in the movie. Yes, undoubtedly, Leo is Billyboy's best friend, and I am absolutely sure that Leo in the film is exactly like that.
I watched his behavior - he is always close to Billy (if you pay special attention, you can see that they interact closely. For example, when Billy falls to the floor, Leo triumphantly grabs a woman by the waist (for which they are both "fighting"). And when Alex arrives, Leo is the first to get to his feet. He puts his hands on his hips and straightens up. His pose can be called a pose of challenge. He also takes responsibility to be attentive. Roughly speaking, he protects Billy's back.
Watching the movie further, we see Leo being thrown out the window. At another moment, he jumps down from the stage at the offender. In these two frames, he draws attention to himself.
I don't want to draw forbidden symbols and promote bad things. I am against incitement to hatred and violence. This movie once breathed a lot of life into me. The characters in this film are special to me, I don't look at them as real people. I view this film and everything that happens in it as chaos, art and emotions full of aggression and unstoppability.
I wanted to draw Leo in ordinary clothes, but keeping his love for this vulgar chain. I drew him much younger (all the actors in the film are very adult), and I hope I did it!
Maybe I'll write about Leo again. As long as I have inspiration, I will try.
I've been drawing on a Clockwork Orange for five years now. Thanks to Burgess, Kubrick and the brilliant translator Boshnyakov. In an hour and a half I have to go to the Institute, and here I do nogy
I watched his behavior - he is always close to Billy (if you pay special attention, you can see that they interact closely. For example, when Billy falls to the floor, Leo triumphantly grabs a woman by the waist (for which they are both "fighting"). And when Alex arrives, Leo is the first to get to his feet. He puts his hands on his hips and straightens up. His pose can be called a pose of challenge. He also takes responsibility to be attentive. Roughly speaking, he protects Billy's back.
Watching the movie further, we see Leo being thrown out the window. At another moment, he jumps down from the stage at the offender. In these two frames, he draws attention to himself.
I don't want to draw forbidden symbols and promote bad things. I am against incitement to hatred and violence. This movie once breathed a lot of life into me. The characters in this film are special to me, I don't look at them as real people. I view this film and everything that happens in it as chaos, art and emotions full of aggression and unstoppability.
I wanted to draw Leo in ordinary clothes, but keeping his love for this vulgar chain. I drew him much younger (all the actors in the film are very adult), and I hope I did it!
Maybe I'll write about Leo again. As long as I have inspiration, I will try.
I've been drawing on a Clockwork Orange for five years now. Thanks to Burgess, Kubrick and the brilliant translator Boshnyakov. In an hour and a half I have to go to the Institute, and here I do nogy
Category Artwork (Digital) / All
Species Unspecified / Any
Size 458 x 876px
File Size 678.7 kB
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