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Do you dare to close your eyes, relax, and just let music take you to a different place, if only for a few minutes?
Created with FLStudio 9.8.
Orchestral Samples included in this recording from the Vienna Symphonic Library.
Released by me under the Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 license ( http://creativecommons.org/licenses/by-nc-nd/3.0/ )
Created with FLStudio 9.8.
Orchestral Samples included in this recording from the Vienna Symphonic Library.
Released by me under the Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 license ( http://creativecommons.org/licenses/by-nc-nd/3.0/ )
Category Music / Other Music
Species Unspecified / Any
Size 120 x 116px
File Size 7.78 MB
beautiful! I did dare and I went to a place in the Scottish Highlands, my own highland warrior and I riding our horses out of fun. and at the end of the day we lay next to each other to stargaze, pointing out a shooting star here and there.
I really enjoy this piece, very well made!! but of course I expect nothing less!
I really enjoy this piece, very well made!! but of course I expect nothing less!
We're very sorry; but we run out of lucid dreams™ last week. What we had left in stock was bought by the government for something called 'election campaign', and the ship carrying the new supplies got kidnapped by pirates in Somalia.
Of course, if you'd just show us your receipt, you'll get a full refund, and a free virtual hug on top of that!
Of course, if you'd just show us your receipt, you'll get a full refund, and a free virtual hug on top of that!
Of course you can!
Software-wise it's sequenced/written in FL Studio 9.8. The high-frequency harmonic "glass" effect is synthesized with Prism (Native Instruments, Reaktor 5.0 VST), the orchestral instruments (flutes, oboe, strings, horns, piano, cymbals, melodic percussion) are taken from the Vienna Symphonic Library (Appassionata Strings + Special Edition Bundle, VST), drums are from the Drums of War library from BigFishAudio (via Native Instruments, Kontakt 4, VST), the digital choir is from the Native Instruments Komplete 7 library (via Kontakt 4, VST, again).
Besides volume automation, there's not much else effect-wise there; mostly equalizing on the individual instrument tracks, convolution reverb (FL internal effect processor) and a multiband-compressor/limiter (Maximus from Image-Line, native FL plugin) on the master. I was working with a harmonic exciter for the high frequencies during the 'composing' process, but dropped it at the end, as it didn't really achieve the result I was looking for.
The score itself is 100% piano roll data; half of it was put down directly with the mouse (such as drum patterns), the rest was recorded via midi from a Roland FP-7 piano, with some editing afterwards to fix a bad note every here and there; and timing issues.
Software-wise it's sequenced/written in FL Studio 9.8. The high-frequency harmonic "glass" effect is synthesized with Prism (Native Instruments, Reaktor 5.0 VST), the orchestral instruments (flutes, oboe, strings, horns, piano, cymbals, melodic percussion) are taken from the Vienna Symphonic Library (Appassionata Strings + Special Edition Bundle, VST), drums are from the Drums of War library from BigFishAudio (via Native Instruments, Kontakt 4, VST), the digital choir is from the Native Instruments Komplete 7 library (via Kontakt 4, VST, again).
Besides volume automation, there's not much else effect-wise there; mostly equalizing on the individual instrument tracks, convolution reverb (FL internal effect processor) and a multiband-compressor/limiter (Maximus from Image-Line, native FL plugin) on the master. I was working with a harmonic exciter for the high frequencies during the 'composing' process, but dropped it at the end, as it didn't really achieve the result I was looking for.
The score itself is 100% piano roll data; half of it was put down directly with the mouse (such as drum patterns), the rest was recorded via midi from a Roland FP-7 piano, with some editing afterwards to fix a bad note every here and there; and timing issues.
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