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My first Digital picture ever.
I sketched this up at FC on Peter Glaskowsky's new I recall Sony thinkpad type device at
Tugrik party he held Friday night.
Call me a dinosaur (hell, draw me as one) but I always wanted to try my hand at digital imaging. Especially after watching
Sarcy,
Floebean,
Fossil doing it on livestream. Yeah...I too would love to learn to digitally color my work, but everytime I try, it sucked balls.
Peter's device allowed me to try my hand, using the stylus directly on the screen, just not on paper. I really enjoyed tweeking with it. And since this was at Tug's party...I chose him as the subject.
Tugrik party he held Friday night.Call me a dinosaur (hell, draw me as one) but I always wanted to try my hand at digital imaging. Especially after watching
Sarcy,
Floebean,
Fossil doing it on livestream. Yeah...I too would love to learn to digitally color my work, but everytime I try, it sucked balls.Peter's device allowed me to try my hand, using the stylus directly on the screen, just not on paper. I really enjoyed tweeking with it. And since this was at Tug's party...I chose him as the subject.
Category Artwork (Digital) / All
Species Horse
Size 800 x 1269px
File Size 105.4 kB
Listed in Folders
Digital colour really is a learning process.
Part of it is becoming comfortable with virtual brushes. There's a lot of trial and error before you find one that's 'comfortable' for you to do certain aspects of the art in.
Then its just figuring out the process that works best for you. My own process is convoluted and makes people cry, but it works for me (or worked.. I haven't done digital colour in so long I might have lost the process entirely now).
It is fun and practical though. Especially when it comes to infinite surface size, or things like perspective lines being able to be on an near infinite scale.
Plus: Undo button!
Hope to see more work from you in general though. Be it digital or realspace.
Part of it is becoming comfortable with virtual brushes. There's a lot of trial and error before you find one that's 'comfortable' for you to do certain aspects of the art in.
Then its just figuring out the process that works best for you. My own process is convoluted and makes people cry, but it works for me (or worked.. I haven't done digital colour in so long I might have lost the process entirely now).
It is fun and practical though. Especially when it comes to infinite surface size, or things like perspective lines being able to be on an near infinite scale.
Plus: Undo button!
Hope to see more work from you in general though. Be it digital or realspace.
I think there is a bit of glammour that goes along with being able to do art on paper.. there are only a couple undo's to be had, and limited Cut and Paste and Copy to New options.. It just makes the work so much more organic.
I do appreciate the skill that goes along with drawing digitally, I've got a Wacom, but all I'm good for really, is Editing an existing picture.
I do appreciate the skill that goes along with drawing digitally, I've got a Wacom, but all I'm good for really, is Editing an existing picture.
I don't see the obsession with jumping into full-on digital like it's some kind of religion. What happened to scanning inks and then coloring digitally. Ya gotta learn to walk before you run.
First you color digitally, then you branch out and do minor linework edits digitally. Use a tablet for general mousing around to get a feel for handling a "pen" whose output appears somewhere other than under your hand. You might even get to do major linework edits at the digital stage once you get used to it.
Then you try your hand at...whatsitsname...oh yeah, OpenCanvas and who knows...you might discover a hidden talent.
Then again, I've been using a tablet as a primary pointing device since Windows 3.1 was still viable, and I still prefer to draw my pics on paper and (usually) ink them there before scanning and coloring. Then again maybe it's that I wasn't all that hot with markers and now don't have enough free time for the many "do-overs" I'd inevitably need due to traditional-color disasters (and by that I don't mean markers spewing all over a masterpiece like that badge at AC many moons ago :D ).
First you color digitally, then you branch out and do minor linework edits digitally. Use a tablet for general mousing around to get a feel for handling a "pen" whose output appears somewhere other than under your hand. You might even get to do major linework edits at the digital stage once you get used to it.
Then you try your hand at...whatsitsname...oh yeah, OpenCanvas and who knows...you might discover a hidden talent.
Then again, I've been using a tablet as a primary pointing device since Windows 3.1 was still viable, and I still prefer to draw my pics on paper and (usually) ink them there before scanning and coloring. Then again maybe it's that I wasn't all that hot with markers and now don't have enough free time for the many "do-overs" I'd inevitably need due to traditional-color disasters (and by that I don't mean markers spewing all over a masterpiece like that badge at AC many moons ago :D ).
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