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The nice thing about the whole werewolf thing is that as soon as you start to think things trough you quickly realize how little of it makes sense. This has the very nice advantage that I, as a writer, can warp, twist and contort the mythos without it making any less sense. So don't mind the ridiculousness, it's just me forcing a round werewolf legend into a square story premise.


And now, a mildly irrelevant thing you probably didn't want to know:
There is only one thing I hate more than drawing the interior of a car: drawing a conversation inside a car. Oh, the horrors I won't voluntarily suffer for the sake of a story line.
In other news: the entire background and special effects budget for this series has been blown on the current page. From now on there will only be a single line indicating the separation between floor and wall.