FA+
Shop
279
Views
Views
26
Favorites
Favorites
Category
Artwork (Digital) / Fantasy
Species Demon
Size 2956 x 1247
File Size 6.72 MB
Report this content
More from DiorionArh
Listed in Folders
My demons love classicism in architecture, columns, massive vaults, unusual shapes, patterns and ornaments. I think seeing something like this live and touching it would leave a strong impression on me...
⋅ ⋅ ───────────⊰ ༺ ⋅ ༻ ⊱─────────── ⋅ ⋅
Thanks for the favs and watch! ❤️
Commssions OPEN!
COMMISSION INFO TOS
ADOPTS | CUSTOMS | REFERENCES
⋅ ⋅ ───────────⊰ ༺ ⋅ ༻ ⊱─────────── ⋅ ⋅
Category Artwork (Digital) / Fantasy
Species Demon
Size 2956 x 1247px
File Size 6.72 MB
I'm so glad I found an artist who sees extraplanar beings like angels and demons as more than the typical Judeo-Christian 'hellfire and brimstone' torture-lovers that they're usually depicted as in most media. Your creatures and worlds are so amazingly unique and beautiful and I cant wait to learn more (plus I love the adopts I've bought from you!)
Indeed, I am very grateful to you, I am glad that someone also notices my message in the works. However, right now I feel awkward and somewhat thoughtful, apparently this moment comes in the life of every creator, I wonder if I am doing something meaningful, if my words and works have such value that they affect the consciousness of other people, creating new unusual chains for inspiration and comprehension in them. Sometimes I think that my work is absolutely meaningless if it is not mass or recognized by the majority, but what exactly is the benefit, what is it? It seems that the works of the classics are useful to me, because they expand my soul with beauty, but as far as I am capable. Here, my personality tends to be blurred and unnoticeable, for the sake of brighter and more valuable art, but is it really important, even if only a small number of people like it. I would like to accept this and comfort myself, but I awkwardly think that there are more significant artists, how much they are able to influence people's minds and make them significant, but all this is so ambiguous. Here is the source of the existence of such art, the motivation to create it, the motivation to say these things in this language, because, to be honest, it depresses me that I speak a language unknown to this world. It torments me to some extent
someone said that a work cannot be self-sufficient to be meaningful, it does not exist in isolation from the author, but it depends only on the author how it will be shown. There are many cool paintings that usually do not receive recognition due to the author's inability to persevere in his goal. We fill our creations with meaning. But we are much more dependent on the views of other authors, sometimes your work becomes just underground, a difficult word for a couple of people. And that's what torments me, how should I evaluate it for myself.
Comments