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All / Fat Furs
Species Longhair Cat
Size 2326 x 1584
File Size 2.28 MB
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Made a Sculpt of Anna. People always tell me I should sculpt some furry stuff when I mention I'm a digital sculptor as my day job, but Fat and Fur is hard to sculpt so I never got around to it till now.
it's just a sculpt and is not set up to be rigged or anything but I was thinking about selling an STL of it if anyone would be interested in having a print of Anna. I want to make a clothed version too but It's 2 in the morning and I need to go to bed. Here is a link to a turn on my twitter: https://x.com/silverfang725/status/.....62556771651642
it's just a sculpt and is not set up to be rigged or anything but I was thinking about selling an STL of it if anyone would be interested in having a print of Anna. I want to make a clothed version too but It's 2 in the morning and I need to go to bed. Here is a link to a turn on my twitter: https://x.com/silverfang725/status/.....62556771651642
Category All / Fat Furs
Species Longhair Cat
Size 2326 x 1584px
File Size 2.28 MB
Listed in Folders
Yeah, the fat just makes it so much harder to work with. Normal studio work doesn't offend include things with so much over lap or deep folds. As someone who works in zbrush I wouldn't even know how to approach preserving those folds without welding them together. And I can't even imagen how difficult setting up a rig that deforms properly would be.
The problem I had was when I was attaching the arms to the body it dynameshed the belly to the the thighs, I wouldn't think layers would be able to fix that? Also glad to know my intuition was correct as far as the level of difficulty, As I'm not really an animator I'll probably just keep avoiding rigging an stick to posing in zbrush for now.
Yeah layers could help help, you would have the arm slightly up, pivoted on the shoulder, remesh by union(Dynamesh probably works too, I just never touch it) and then turn on a layer and then rotate the arm down and then stop recording that layer
That way when the layer is off, the arm positioned up so you can get in those deep creases while still being able to adjust the way the fingers touch the belly when the layer is on
That way when the layer is off, the arm positioned up so you can get in those deep creases while still being able to adjust the way the fingers touch the belly when the layer is on
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