272 submissions
Titles are hard.
My attempt at this week's Thursday Prompt. This week, the word for the prompt was "kindness" and came with the 365-word challenge.
As always, please be sure to check
Thursday_Prompt for more.
Not really sure if what I was going for comes across in this one quite how I was hoping it would but I was kind of drawing a blank on this one, really. A bit more of O-13E / Obi, but this one comes just a little later after the previous one where the scientist (James) is visited by his manager with implied intention to take Obi away. Waiting for the right prompt word for that scene though.
My attempt at this week's Thursday Prompt. This week, the word for the prompt was "kindness" and came with the 365-word challenge.
As always, please be sure to check
Thursday_Prompt for more.Not really sure if what I was going for comes across in this one quite how I was hoping it would but I was kind of drawing a blank on this one, really. A bit more of O-13E / Obi, but this one comes just a little later after the previous one where the scientist (James) is visited by his manager with implied intention to take Obi away. Waiting for the right prompt word for that scene though.
Category Story / All
Species Unspecified / Any
Size 100 x 100px
File Size 53 kB
Listed in Folders
I think I've already got the next bit figured out, just waiting for the right prompt word but we'll get to see what the plan is. Still want to go back and follow up with the scientist's boss's visit to the lab though, too (had a scene in my head that I hope might draw some in a bit).
I'm grateful that you'd give this one a read, very much appreciate it.
I'm grateful that you'd give this one a read, very much appreciate it.
Hopefully it's not too late to do something about things. Unfortunately, James is just a bit too hesitant to stand up to the higher ups... Maybe when his colleague gets back from her trip she can talk some sense into him.
I'm grateful that you'd give this one a read, very much appreciate that.
I'm grateful that you'd give this one a read, very much appreciate that.
"Hoo-man, cook-ee, puh-leeze!" - baby raccoons if they could talk
(While living with my uncle, we'd get opossums and raccoons visiting the back porch picking out the cat bowls. Most of them were really chill but I can't say I ever had the courage to get near them.)
Thanks much for taking the time for this one, very grateful for that.
(While living with my uncle, we'd get opossums and raccoons visiting the back porch picking out the cat bowls. Most of them were really chill but I can't say I ever had the courage to get near them.)
Thanks much for taking the time for this one, very grateful for that.
Was a bit surprised that this one fit on one page, but it made sense once I read your description.
I think you did well with what you had to work with here. I have folks I'm working with that have developed the mindset that page counts amount to substance, but I've always appreciated the fact that sometimes an entire chapter, thesis and whatnot--however you choose to break up your sections--could, in fact, be as short as a single page. And I think this more or less accomplishes that.
Granted, I don't know what implications him sending off OB-13E's files off to who-knows-where have, but it leaves me interested in what comes next.
I think you did well with what you had to work with here. I have folks I'm working with that have developed the mindset that page counts amount to substance, but I've always appreciated the fact that sometimes an entire chapter, thesis and whatnot--however you choose to break up your sections--could, in fact, be as short as a single page. And I think this more or less accomplishes that.
Granted, I don't know what implications him sending off OB-13E's files off to who-knows-where have, but it leaves me interested in what comes next.
I appreciate you saying that you thought I managed this one well given I was working with a 365-word limit. I might subconsciously be one of those that wrongly believes greater page counts make for a deeper piece as I always tend to just keep going and going. Whenever I attempt to leave things short and sweet, that's when I start to really worry that nothing much really happens. Fluffing my writing up with a bunch of pointless drivel is something I really do need to work on, if I'm entirely honest.
This whole scene was really just made for the prompt and I'm not certain I'll include it in the full write up. I suppose it does kind of fit, in my head at least, but was never really a part of my initial plans. Ultimately, my thought process was by sending off the files this was the scientist basically saying goodbye to his test subject-turned-friend and giving up on getting to see it again.
I'm grateful you'd be willing to come back and look these over, thank you much for that.
This whole scene was really just made for the prompt and I'm not certain I'll include it in the full write up. I suppose it does kind of fit, in my head at least, but was never really a part of my initial plans. Ultimately, my thought process was by sending off the files this was the scientist basically saying goodbye to his test subject-turned-friend and giving up on getting to see it again.
I'm grateful you'd be willing to come back and look these over, thank you much for that.
It really took me a while to grasp the 'do more with less' mindset (still working on it to be honest). I think writing a crap ton of science-related papers in college likely led to me changing my ways. I'd say use the drafting phase to get the gist going and then go back through and flesh things out afterward where they might seem a bit on the thin side. That being said, I do think you excel at being descriptive in ways that I in particular am taking notes on, so what you're doing right now is by no means the 'wrong' way, if such a thing exists.
As for the scene, I think it makes an important statement as it is. While I'm not privy to where you intend to go with this series, I'd suggest trying to work it into the final script somewhere. I actually write prototypes of pivotal or important scenes and conversations up when they hit me--long before I am where I can write them into the story--and come back and integrate them if/when necessary when I get there later (assuming the plot still feels how I expected it to). I see this as sort of you doing something like that. Its overall relative quality is better in general as well, probably because you had more time to focus on what little word count real estate you had.
As for the scene, I think it makes an important statement as it is. While I'm not privy to where you intend to go with this series, I'd suggest trying to work it into the final script somewhere. I actually write prototypes of pivotal or important scenes and conversations up when they hit me--long before I am where I can write them into the story--and come back and integrate them if/when necessary when I get there later (assuming the plot still feels how I expected it to). I see this as sort of you doing something like that. Its overall relative quality is better in general as well, probably because you had more time to focus on what little word count real estate you had.
The answer to that question is actually revealed in the (at the time of typing this) previous week's Thursday Prompt. I am glad to hear that you thought I managed the emotion here and that you actually feel for both James and Obi's plight; you of all people know just how much I love forcing emotion down people's throats!
I very much appreciate you having taken a look over this one, very much grateful for that.
I very much appreciate you having taken a look over this one, very much grateful for that.
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