
This was a rather spontaneous and quickly-done doodle of Kelley the hyena. I guess she's just being crazy, mushing her boobs on the floor and putting her butt in the air. Also she seems angry/defensive about it? "Don't mess with me, I can put my butt in the air"? Yeah, I have no idea either.
Category Artwork (Digital) / Fat Furs
Species Hyena
Size 756 x 603px
File Size 265.5 kB
You have an interesting duality in the characters of Kelley and Olivander, since both of them represent yourself to some extent in so far as they may be considered avatars. More instances of them both portrayed is required to pass any judgment, but while Olivander appears to be rather focused and coherent in his disposition, Kelley has been seen forlorn and insecure, then bewildered and anxious, and now having assumed a threatening predatory stance, although the seriousness of her killer instincts might be called into question. Furthermore, if her dA manifestations are indicative of anything, she also has the capacity for vivid cheer. All in all, she has proven to be a quite versatile character so far, and once again I'd like to testify my merriness at any prospect of seeing more of her in the future.
On to the drawing itself, you have made the best of your brisk linework, and while Kelley's form isfar from being angular, your particular application of inkwork(digital though it may be) endowed the piece with a very springy air of motion, or at least a promise thereof.
Your choice of a pose warrants praise, being very challenging and complex, yet managed splendidly. For a backgroundless picture, it's a very good one. Good to see more of your artwork !
On to the drawing itself, you have made the best of your brisk linework, and while Kelley's form isfar from being angular, your particular application of inkwork(digital though it may be) endowed the piece with a very springy air of motion, or at least a promise thereof.
Your choice of a pose warrants praise, being very challenging and complex, yet managed splendidly. For a backgroundless picture, it's a very good one. Good to see more of your artwork !
Thank you! Your comment has provoked more tl;dr from me:
Kelley is very much a manifestation of myself, directly as I appear in "real" social situations (I count all social interactions as real myself, but for many the term "real" refers to physical interaction, rather than what happens online or in imagined roleplaying irl or online). She's as versatile as I am, and I use her to depict my emotions as they happen, in the way that I would best express them with my body and base personality.
Despite that, Olivander is very much a part of me as well. As a facet of my representation in the furry community, he manifests my more perverse thoughts (as I believe I've mentioned a few times before) and my more reserved mannerisms. I consider him to be a sort of darker conscience of mine, something that knows what it wants and uses the gentlest coaxing to see that it is eventually satisfied. When I first started this account, I chose right away to separate "myself" as Kelley from my darker affinities, mostly out of caution -- if something should have "gone wrong" in the beginning of my holding this account here, I would have packed up my art and pretended this had never happened. I was very hesitant to explore this half of my identity for reasons that I don't even fully understand (the social stigma of liking fatties and furries is one thing, certainly something everyone in this community faces from time to time, but I think my fear of expression even went a bit deeper than that).
Anyway, seeing as things did NOT go poorly here (quite the opposite -- I have never seen a more inclusive and cheerful community ;o; fff), I am slowly getting more comfortable with representing both Kelley AND Olivander here. I feel freer in doing so, as though I'm being much truer to myself.
Kelley is very much a manifestation of myself, directly as I appear in "real" social situations (I count all social interactions as real myself, but for many the term "real" refers to physical interaction, rather than what happens online or in imagined roleplaying irl or online). She's as versatile as I am, and I use her to depict my emotions as they happen, in the way that I would best express them with my body and base personality.
Despite that, Olivander is very much a part of me as well. As a facet of my representation in the furry community, he manifests my more perverse thoughts (as I believe I've mentioned a few times before) and my more reserved mannerisms. I consider him to be a sort of darker conscience of mine, something that knows what it wants and uses the gentlest coaxing to see that it is eventually satisfied. When I first started this account, I chose right away to separate "myself" as Kelley from my darker affinities, mostly out of caution -- if something should have "gone wrong" in the beginning of my holding this account here, I would have packed up my art and pretended this had never happened. I was very hesitant to explore this half of my identity for reasons that I don't even fully understand (the social stigma of liking fatties and furries is one thing, certainly something everyone in this community faces from time to time, but I think my fear of expression even went a bit deeper than that).
Anyway, seeing as things did NOT go poorly here (quite the opposite -- I have never seen a more inclusive and cheerful community ;o; fff), I am slowly getting more comfortable with representing both Kelley AND Olivander here. I feel freer in doing so, as though I'm being much truer to myself.
On the surprising merit of this site's community, I have concluded that, in theory, should one abstain from logging out and choose to watch only the puritans of word and image, it is possible to pass one's time here in ignorant bliss of the de facto erotic nature of Furaffinity. The perspective works some fairly impressive magic oftentimes.
Thank you very much for presenting me with an insight in the nature of your envoys into the realm of creative fancy. I quite content that Olivander has nothing to fear in terms of being disowned, and his(however foreboding) reunion with Kelley as depicted by you may be understood as a symbolic representation of you having had reconciled with your dread of hurtful fiascoes you could have encountered here. Or, it may just be nice picture. Analysis is a dangerous weapon if mishandled.
Thank you yet again for providing thorough and enlightening feedback for inquiries such as mine !
Thank you very much for presenting me with an insight in the nature of your envoys into the realm of creative fancy. I quite content that Olivander has nothing to fear in terms of being disowned, and his(however foreboding) reunion with Kelley as depicted by you may be understood as a symbolic representation of you having had reconciled with your dread of hurtful fiascoes you could have encountered here. Or, it may just be nice picture. Analysis is a dangerous weapon if mishandled.
Thank you yet again for providing thorough and enlightening feedback for inquiries such as mine !
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